Marvel Platinum: the Definitive Ant-Man


By Stan Lee, Larry Lieber, Roy Thomas, David Michelinie, Kurt Busiek, Robert Kirkman, Tim Seeley, Nick Spencer, Jack Kirby, John Buscema, John Byrne, Jerry Bingham, Ivan Reis, Phil Hester, Ramon Rosanas & various (Marvel/Panini UK)

ISBN: 978-1-84653-658-8

With another Marvel filmic franchise setting records around the world, here’s a timely tie-in trade paperback collection designed to perfectly augment the cinematic exposure and cater to movie fans wanting to follow up with a comics experience.

Part of the always-enticing Marvel Platinum/Definitive Edition series, this treasury of tales reprints intriguing landmarks and key moments from Tales to Astonish #27, 35, Avengers #59-60, Marvel Premiere #47-48, Marvel Team-Up #103, Avengers Annual 2001, #1, Irredeemable Ant-Man #1-2, Ant-Man and Wasp #1-3 and Ant-Man #1, convolutedly spanning January 1962 to March 2015, and hopefully answering any questions the silver screen saga might throw up whilst providing an immense amount of spectacularly bombastic fighting fun.

One thing to recall at all times however is that there are numerous distinct and separate iterations of the tiny terror and whilst the film concentrates on the first and second there are a few more here to tantalise and tempt you, so pay close attention…

Moreover, in addition to the sparkling Brady Webb Foreword, this compendium contains text features detailing the secret history and statistics of three of those Ant Men: Hank Pym, Scott Lang and the infamous Eric O’Grady, plus Mike Conroy’s scholarly trawl through comicbook history in ‘The True Origin of the Ant-Man’.

The unlikeliest of heroic titans debuted in Tales to Astonish #27, released at the end of 1961, one month after Fantastic Four #1 hit the newsstands: a 7-page short which introduced maverick scientist Dr Henry Pym, who discovered a shrinking potion and became ‘The Man in the Anthill!’

Overwhelmed and imperilled by his startling discovering, the lonely researcher found wonder and even a kind of companionship amongst the lowliest creatures on Earth… and under it…

This engaging piece of fluff, which owed much to classic Sci Fi movie The Incredible Shrinking Man was plotted by Stan Lee, scripted by Larry Lieber and stunningly illustrated by Jack Kirby & Dick Ayers: intended as nothing more than another here-today, gone-tomorrow filler in one of the company’s madly engaging pre-superhero “monster-mags”.

However the character struck a chord with someone since, as the DC Comics-inspired superhero boom flourished and Lee sprung the Hulk, Thor and Spider-Man on the unsuspecting kids of America, Pym was economically retooled as a fully-fledged costumed do-gooder for TtA #35 (September 1962).

The anthology title began featuring a new costumed champion as ‘The Return of the Ant-Man’ by Lee, Lieber, Kirby & Ayers found Soviet agents (this was at the height of Marvel’s ‘Commie-Buster’ period when every other villain was a Red somebody or other and rampaging socialism was a cultural bête noir) capturing Pym and holding him prisoner in his own laboratory.

Forced to use his long-abandoned shrinking gases and the cybernetic devices he’d built to communicate with ants, the scientist soundly trounced the spies and resolved to use his new-found powers for the good of Mankind.

Pym’s costumed exploits – shared with girlfriend Janet Van Dyne after his brilliance gave her powers as the Wasp from #44 onwards and expanded once he became Giant Man in #49 – ran until issue #69 (July 1965) whereupon he was impudently and unceremoniously ousted in favour of the Sub-Mariner. Thereafter he gradually migrated to the Earth’s Mightiest Heroes, changing his battle-nomenclature to Goliath.

That changed again in Avengers volume 1, #59 and 60 (December 1968 and January 1969) where, thanks to increasing mental instability and overwork, his team-mates were astounded to discover ‘The Name is Yellowjacket!’

Scripted by Roy Thomas and illustrated by John Buscema & George Klein, the tale saw Goliath and the Wasp finally marry under the most dubious of circumstances after heroic Dr. Pym was seemingly murdered and replaced by a new insect-themed hero with an edgy ruthlessly brutal character and far fewer morals…

Packed with heroic guest-stars and the deadly Circus of Evil in attendance, the nuptial tale concluded in ‘…Till Death Do Us Part!’ (inked by Mike Esposito moonlighting as Mickey DeMeo) with some semblance of sanity and normality at last restored.

Next up here is the introduction of reformed thief Scott Lang who debuted in Marvel Premiere #47 (April 1979, David Michelinie, John Byrne & Bob Layton) with ‘To Steal an Ant-Man!’ revealing how a former electronics engineer had turned to crime, more out of boredom than necessity, and after being caught and serving his time joined Stark Industries as a determinedly reformed character… until his daughter Cassie developed a heart condition which wiped out his savings forcing Scott to revert to old ways to save her.

He was desperate to find the wherewithal to hire experimental surgeon Dr. Erica Sondheim and began casing likely prospects, but unfortunately she had been abducted by merciless industrialist Darren Cross who was currently using all the resources of his mega-corporation Cross Technological Enterprises to keep himself alive…

Needing cash now just to broach the CTE complex, Lang went back to Plan A and burgled the lab of retired superhero Henry Pym, where he discovered old Ant-Man gear and size-changing gases. In a moment of madness Lang decided not to sell the stolen tech but instead used the outfit to break in to Cross’ citadel and rescue Sondheim…

That plan wasn’t so great either as the dying billionaire, in a desperate attempt to stay alive, had been harvesting the hearts of homeless people to power an experimental device which had mutated him into a monstrous brute. After learning with horror ‘The Price of a Heart!‘ (June 1979), Scott eventually triumphed; unaware until the very last that Pym had allowed him to take the suit and was backstopping him every inch of the way. With Cassie saved Yellowjacket then invited Lang to continue as the new Ant-Man…

After guest shots in The Avengers and Iron Man (not included here) Lang resurfaced for a spectacular clash against villainous lifestyle coach Taskmaster in Marvel Team-Up #103 (March 1983). Crafted by Michelinie, Jerry Bingham & Esposito ‘The Assassin Academy’ saw the diminutive neophyte hero save Spider-Man from becoming an object lesson for the graduating class at a deadly school for henchmen, after which we jump to the Avengers Annual (September) 2001, where Kurt Busiek, Ivan Reis & Scott Hanna cleared up a long-running case of doppelganger confusion…

Ever since the Avengers reunited following the end of the Onslaught publishing event Pym had been acting strangely: switching between Giant-Man and Yellowjacket personas and suffering bizarre mood-swings. Now it was revealed that his powers had caused the separation and manifestation of two discrete and antagonistic entities and it took the intervention of an insidious enemy and ‘The Third Man’ to put things right…

Clearly a character-concept with a lot of cachet and potential but no direction, the size-shifting stalwart underwent a radical revision in Irredeemable Ant-Man #1-2 (from December 2005 and January 2006) as the art team of Phil Hester & Ande Parks joined innovative scripter by Robert Kirkman in a sharp, snappy and gloriously irreverent reinterpretation.

When veteran Doctor Pym designed a new super suit, tricked up with loads of gadgets and capable of shrinking the wearer to ant-size, he did it under the auspices of super-spy organisation SHIELD. However, he didn’t expect it to be accidentally stolen by the security men guarding it – but then again nobody imagined such a prestigious, efficient organisation could employ such worthless, shiftless, useless slackers as trainee agents Eric O’Grady and Chris McCarthy.

When, after a series of improbable mishaps McCarthy put on the suit and was trapped and lost at ant size aboard the Helicarrier, Eric was too scared to admit it was a foul-up and not enemy action.

Later when a genuine crisis occurs, a horrific tragedy leaves the shrinking suit in O’Grady’s so-very unworthy hands and he resolves to try and make amends. Sadly Eric is an inveterate rat-bag and finds the temptation to use his new-found gift to spy on the women’s showers, cash in, score with chicks he rescues and generally act like a selfish ass too great to resist….

When Janet Van Dyne fell during the Skrulls’ Secret Invasion her estranged husband rededicated himself to heroic endeavour and took her codename as his own, leading his own cadre of Mighty Avengers as Earth’s Scientist Supreme. From that period comes the 3-part Limited Series Ant-Man and Wasp #1 (January-March 2011) wherein Tim Seeley & Hector Olazaba team the po-faced über-technologist with well-intentioned, weak-willed costumed Frat-Boy Eric O’Grady in a guest-star stuffed, trans-dimensional battle against AIM supremo Monica Rappacini and a rogue sleepwalker from the dream-drenched Mindscape to save a stolen virtual construct of the afterlife…

Wrapping up the eenie-weenie excitement comes Ant-Man #1 from March 2015 which reboots back-from-the-dead Scott Lang as a down on his luck, impoverished hero seeking to rebuild his life as a security officer for Stark Industries. This is a smart, engaging tale by Nick Spencer & Ramon Rosanas was released as a 5-part miniseries but as only the first chapter is included here I’m saying nothing more since I’m going to review the complete story in its own compilation in a few days time…

With covers by Kirby, Ayers, John Buscema, Bob Layton, Dave Cockrum & Bob McLeod, Bingham, Ian Churchill & Norm Rapmund, Hester, Salvador Espin and Mark Brooks, this quirky slice of up-scaled and down-sized derring-do is a non-stop feast of tense suspense, whacky fun and blockbuster action: another well-tailored, on-target tool to turn curious movie-goers into fans of the comic incarnation and another solid sampling to entice the newcomers and charm even the most jaded slice ‘n’ dice fanatic.

© 1962, 1968, 1969, 1979, 1981, 2001, 2006, 2007, 2011, 2015 Marvel & Subs. Licensed by Marvel Characters B.V. through Panini S.p.A. All rights reserved. British edition published by Panini UK.

Fantastic Four by J. Michael Straczynski volume 1


By J. Michael Straczynski, Mike McKone, Andy Lanning & various (Marvel)
ISBN: 978-0-9774821-5-3

The Fantastic Four has long been rightly regarded as the most pivotal series in modern comicbook history, responsible for introducing both a new style of storytelling and a decidedly different manner of engaging the readers’ impassioned attentions.

More family than team, the line-up has changed many times over the years but always eventually returned to Stan Lee & Jack Kirby’s original configuration of Mister Fantastic, Invisible Woman, Human Torch and the Thing, who jointly formed the vanguard of modern four-colour heroic history.

The quartet are actually maverick genius Reed Richards, his wife Sue, their trusty college friend Ben Grimm and Sue’s obnoxious, impetuous younger brother Johnny Storm; survivors of an independent space-shot which went horribly wrong once ferociously mutative Cosmic Rays penetrated their ship’s inadequate shielding.

When they crashed back to Earth, the foursome found that they had all been hideously changed into outlandish freaks. Richards’ body became elastic, Sue gained the power to turn invisible and form force-fields, Johnny could turn into self-perpetuating living flame, and poor, tormented Ben was transformed into a horrifying brute who, unlike his comrades, could not return to a semblance of normality on command.

The sheer simplicity of four archetypes – mercurial boffin, self-effacing distaff, solid everyman and hot-headed youth, uniting to triumph over accident and adversity – shone under Lee’s irreverent humanity coupled to Kirby’s rampant imagination and tirelessly emphatic sense of adventure.

Decades of erratic quality and floundering plotlines followed the original creators’ departures, but from the beginning of the 21st century Marvel’s First Family experienced a steady and sustained climb in quality which culminated in their own film franchise, currently experiencing its own radical reboot.

The return to top-quality was the result of hard work by a number of “Big Ideas” writers and this slim hardback compilation – re-presenting Fantastic Four #527-532 (August 2005-January 2006) – celebrates the transition from one to another. When J. Michael Straczynski took over “The World’s Greatest Comics Magazine” – with illustrators Mike McKone & Andy Lanning providing sublime visuals – he looked back at the most fundamental moment of the long-lived franchise and found something new to play with…

It all begins with ‘Distant Music’ as an tortured ancient creature asks a devastating question which has shattered many worlds over the ages before cutting to Earth and now where a currently impoverished but still relentlessly inquisitive Reed Richards is unfortunately about to ask the same thing…

Happily he is distracted by wife Sue who drags him to dinner just as the team’s accountant is delivering a shocking piece of news to Ben Grimm. Apparently the rocky pauper has just become one of the richest men on Earth…

Another lucky distraction arrives in the form of Nick Fury, keen on mending fences whilst politely ordering his former friend to join a secret government project.

As Ben lets his newfound affluence go straight to his head, Reed reluctantly heads for Nevada and a hidden lab where scientists are trying to determine exactly why the ever-present Cosmic Rays beyond Earth have affected nobody to the extent they did the Fantastic Four so long ago.

Now Chief Researcher Dr. Stephen Crane claims to have discovered those particular mutative radiations were of a most specific configuration and that they are about to repeat for the first time in years…

To exploit the event he and his government backers have replicated almost all the factors in Richard’s originating space-shot and now just need Reed to fine-tune the details of his long-wrecked ship: details absolutely necessary before America can send up a platoon of ordinary patriotic grunts and bring back a legion of unstoppable super-soldiers…

The unappetising mission continues in ‘Random Factors’ with Reed’s distaste growing and his suspicions further fuelled, even as in the Big Apple Ben’s monetary excesses continue.

Sue meanwhile is keeping a secret of her own. Simone Debouvier of New York’s Division of Child Welfare has just informed her of an official investigation. State authorities are concerned that the Fantastic Four’s lifestyle pose a danger to children and are looking into taking young Franklin and Valeria Richards away from their obsessively do-gooding parents…

When a full test goes catastrophically wrong in Nevada, Reed finds himself under suspicion of committing sabotage and with the military on his heels escapes back to New York in ‘Appointment Overdue’. He lands right in the middle of a family crisis but can’t stop to deal with it because he is carrying a terrifying piece of news: the specific Cosmic Rays which transformed amateur astronauts into superheroes might actually have been a carefully constructed message. Moreover the communication from the great unknown is due to repeat imminently…

After depositing the kids on the Moon with the Inhumans even as General Clement Bragg leads troops into the Baxter Building, the FF blast off in their own spaceship to intercept the cosmic communiqué before once more crashing to Earth in a desolate region.

This time however an astounding entity which has been abiding within the energy message crawls out of the wreckage with them but Bragg’s rapidly responding forces are less than interested in learning ‘Truth in Flight’ and open fire on the creature. Much to their regret…

The entity is in mysterious communication with Ben and possesses bizarre space-warping abilities, so in an eye-blink it ferries the cosmic quartet back to the city where the tragic story of the ancient truth seeker – so much like Reed – is an amazing confirmation of how some traits transcend species.

Sadly, the quester also has obsessive enemies of near-divine power and they have noticed the Entity’s re-manifestation. In an instant the skies are filled with colossal vessels determined to end the searcher – and any other beings it might have infected with dangerous inquisitiveness – in ‘Many Questions, Some Answered’ and to save everything Reed must embark on the most momentous extended trip in all the annals of creation, realising at long last ‘Any Day Now… I Shall Be Released’…

Winningly combining stellar spectacle with apocalyptic action and hilarious low comedy, this splendid romp comes supplemented with a cover gallery by McKone &Lanning plus a brief picture feature on the artist’s ‘Thing Reference Sculpture’.

Funny, warm, challenging and exhilarating, this fast-paced, tension-soaked chronicle provides all the thrills and chills a devoted Costumed Drama lover could ever want.
© 2005 2008 Marvel Characters, Inc. All rights reserved.

Essential Marvel Two-In-One volume 3


By Mark Gruenwald, Ralph Macchio, Tom DeFalco, John Byrne, George Pérez, Jerry Bingham, Ron Wilson, Alan Kupperberg & various (Marvel)
ISBN: 978-0-7851-3069-7

The concept of team-up books – an established star pairing with or battling and frequently doing both – with less well-selling company characters was not new when Marvel decided to award their most popular hero the same deal DC had long prospered from with Batman in Brave and the Bold.

After the runaway success of Spider-Man in Marvel Team-Up, the House of Ideas repeated the experiment with a series starring bashful, blue-eyed Ben Grimm – the Fantastic Four‘s most iconic and popular member – beginning with a brace of test runs in Marvel Feature #11-12, before graduating him to his own guest-friendly title. This third economical, eclectic monochrome compendium gathers together the contents of Marvel Two-In-One #53-77 plus Marvel T-I-O Annuals #4 and 5, covering May 1979 to July 1981; a period which saw the best and worst the series could offer.

The innate problem with team-up tales was always a lack of continuity – something Marvel always prided itself upon – and which writer/editor Marv Wolfman had sought to address during his tenure through the simple expedient of having stories link-up through evolving, overarching plots which took Ben from place to place and from guest to guest.

Arguably the very best of these opens this volume; a big scale, and supremely convoluted saga known as “The Project Pegasus Saga”…

Although the company’s glory-days were undoubtedly the era of Lee, Kirby & Ditko leading through to the Adams, Buscema(s), Englehart, Gerber, Steranko and Windsor-Smith “Second Wave”, a lot of superb material came out the middle years when Marvel was transforming from inspirational small-business to corporate heavyweight.

This is not said to demean or denigrate the many fine creators who worked on the tide of titles published after that heady opening period, but only to indicate that after that time a certain revolutionary spontaneity was markedly absent from the line.

It should also be remembered that this was not deliberate. Every creator does the best job he/she can: posterity and critical response is the only arbiter of what is classic and what is simply one more comicbook. Certainly high sales don’t necessarily define a masterpiece – unless you’re a publisher…

Nevertheless every so often everybody involved in a particular tale seems to catch fire at the same time and magic occurs. A great case in point is the self-contained mini-saga which partnered the Thing with a succession of Marvel’s quirkiest B-listers and newcomers…

Project Pegasus had debuted in Marvel T-I-O #42 and 43: a federal research station tasked with investigating new and alternative energy sources and a sensible place to dump super-powered baddies when they’ve been trounced. Ten issues later writers Mark Gruenwald and Ralph Macchio flexed their creative muscles with a 6-issue epic that found Ben back at Pegasus just as a sinister scheme by a mysterious mastermind to eradicate the facility went into full effect.

Scripted by Gruenwald & Macchio, it all begins as ‘The Inner War!’ (illustrated by John Byrne & Joe Sinnott) sees Ben visiting his educationally and emotionally challenged ward Wundarr who had been left at the secret base after exposure to a reality-warping Cosmic Cube.

Ben meets light-powered security chief Quasar – who debuted here – only to stumble into a treacherous plot to sabotage the facility which continues in ‘Blood and Bionics’ as a reprogrammed Deathlok cyborg stalks the base until the Thing and Quasar crush it.

Elsewhere, Ben’s old sparring partner Thundra is recruited by a team of super-powered women wrestlers (I know what you’re thinking but trust me, it works) with a secret and nefarious sideline…

One of the resident scientists at Pegasus is Bill Foster – who had a brief costumed career as Black Goliath – and he resumes adventuring with a new/old name just in time to help tackle freshly-liberated atomic monster Nuklo in ‘Giants in the Earth’. Sadly the traitor who let the infantile walking inferno out is still undiscovered and in the darkest part of the Project something strange is whispering to the comatose Wundarr…

George Pérez & Gene Day take over as illustrators from #56 as Thundra and her new friends invade in ‘The Deadlier of the Species!’ but even their blistering assault is merely a feint for the real threat and soon a final countdown to disaster is in effect…

Doomsday begins ‘When Walks Wundarr!’ and, in his mesmerised wake, a horde of energy-projecting villains incarcerated in the research facility break free…

With chaos everywhere the traitor triggers an extra-dimensional catastrophe, intent on destroying Pegasus ‘To the Nth Power!’, but as a living singularity tries to suck the entire institution into infinity, the end of everything is countered by the ascension of a new kind of hero as The Aquarian debuts to save the day…

Released as one of Marvel’s earliest trade paperback collections, the high-tension bombastic action of The Project Pegasus Saga rattles along without the appearance of any major stars – a daring move for a team-up title but one which greatly enhanced the power and depth of The Thing.

Moreover, by concentrating on rebooting moribund characters such as Deathlok and Giant-Man whilst launching fresh faces Quasar and The Aquarian instead of looking for ill-fitting, big-name sales-boosters, the story truly proves the old adage about there being no bad characters…

Another sound decision was the use of Byrne & Sinnott for the first half and Pérez & the late, great Gene Day to finish off the tale. Both pencillers were in their early ascendancy here and the artistic energy just jumps off the pages.

Deadlines wait for no one however and the pulse-pounding epic is immediately followed here by Marvel Two-In-One Annual #4 which offered an old-fashioned, world-busting blockbuster as ‘A Mission of Gravity!’ (plotted by Allyn Brodsky, scripted by David Michelinie and illustrated by Jim Craig, Bob Budiansky & Bruce Patterson) brought the Thing and Inhuman monarch Black Bolt together to stop unstable maniac Graviton turning into a black hole and taking the world with him…

Wolfman, Macchio, Chic Stone & Al Gordon then explored ‘Trial and Error!’ in monthly issue #59 as Ben and the Human Torch played matchmaker for a dopey dreamer, after which Marvel Two-in-One #60 featured Ben and impish ET Impossible Man in hilarious combat with three of Marvel’s earliest bad-guys.

Happiness is a Warm Alien‘ – by Gruenwald, Macchio, Pérez & Day – offers a delightful change-of-pace which applies much-needed perspective and lots of laughs as the madcap invader from beyond gets bored and creates a perfect mate…

A stellar epic started in #61 with ‘The Coming of Her!’ (Gruenwald, Jerry Bingham & Day) as time-travelling space god Starhawk became embroiled in the birth of a female counterpart to artificial superman Adam Warlock.

The distaff genetic paragon awoke fully empowered and instantly began searching for her predecessor, dragging Ben’s girlfriend Alicia and mind goddess Moondragon across the solar system, arriving where issue #62 observed ‘The Taking of Counter-Earth!’

Hot on their heels Thing and Starhawk catch Her just as the women encounter a severely wounded High Evolutionary and discover the world built by that self-made god has been stolen…

United in mystery the strange grouping follow the planet’s trail out of the galaxy and uncover the incredible perpetrators but Her’s desperate quest to secure her predestined, purpose-grown mate ends in tragedy as she learns ‘Suffer Not a Warlock to Live!’

Clearly on a roll and dedicated to exploiting Marvel Two-in-One‘s unofficial role as a clean-up vehicle for settling unresolved plotlines from cancelled series, Gruenwald & Macchio then dived into ‘The Serpent Crown Affair’ in #64.

‘From the Depths’ (illustrated by Pérez & Day) saw sub-sea superhero Stingray approach Reed Richards in search of a cure for humans who had been mutated into water-breathers by Sub-Mariner villain Doctor Hydro – a plotline begun in 1973 and left unresolved since the demise of the Atlantean prince’s own title.

Richards’ enquiries soon found the transformation had been caused by the Inhumans’ Terrigen Mist but when he had Ben ferry the mermen’s leader Dr. Croft and Stingray to a meeting, the trip was cut short by a crisis on an off-shore oil-rig, thanks to an ambush by a coalition of snake-themed villains.

The ‘Serpents from the Sea’ (art by Bingham & Day) were attempting to salvage dread mystic artefact the Serpent Crown, but luckily the Inhumans had sent out their seagoing champion Triton to meet the Thing…

Thundra meanwhile had been seeking the men responsible for tricking her into attacking Pegasus but fell under the spell of sinister superman Hyperion – a pawn of corrupt oil conglomerate Roxxon, whose CEO Hugh Jones possessed or had been possessed by the heinous helm…

With the situation escalating Ben had no choice but to call in an expert and before long The Scarlet Witch joins the battle, her previous experience with the relic enabling the heroes to thwart the multi-dimensional threat of ‘A Congress of Crowns!’ (Pérez & Day) and a devastating incursion by diabolical serpent god Set…

With Armageddon averted Ben diverted to Pegasus to drop off the emasculated crown in #67 and found Bill Foster had been diagnosed with terminal radiation sickness due to his battle with Nuklo. Thundra meanwhile, seduced by promises of being returned to her own reality, wised up in time to abscond from Roxxon in ‘Passport to Oblivion!’ (Gruenwald, Macchio, Ron Wilson, Day & friends), but hadn’t calculated on being hunted by Hyperion. Although outmatched her frantic struggle did attract the attentions of the Thing and Quasar…

Marvel T-I-O #68 shifted gears as Ben met former X-Man The Angel as they stumbled into – and smashed out of – a mechanical murder-world in ‘Discos and Dungeons!’ (Wilson & Day) after which ‘Homecoming!’ found Ben contending with the time-lost Guardians of the Galaxy whilst striving to prevent the end of everything as millennial man Vance Astro risked all of reality to stop his younger self ever going into space…

Issue #70 offered a mystery guest team-up for ‘A Moving Experience’ (Gruenwald, Macchio, Mike Nasser & Day) as Ben was again pranked by old frenemy’s The Yancy Street Gang and ambushed by real old foes when he helped his girlfriend move into new digs, after which the so-long frustrated Hydromen finally get ‘The Cure!’ (Wilson & Day) when Ben and Reed travel to the Inhuman city of Attilan.

Sadly a cure for the effects of Terrigen is a perfect anti-Inhuman weapon and when the process is stolen by a trio of freaks the trail leads to a brutal clash with a deadly Inhuman renegade wielding ‘The Might of Maelstrom’ (Gruenwald, Macchio, Wilson & Stone). The pariah is intent on eradicating every other member of his hidden race and just won’t stop until he’s done…

Marvel Two-In-One #73 by Macchio, Wilson & Stone then ties up loose ends from the Pegasus epic as Ben and Quasar pursue Roxxon to another Earth where the rapacious plunderers have enslaved a primitive population and begun sending their pillaged oil back here via a ‘Pipeline Through Infinity’ (#74), whilst Gruenwald, Frank Springer & Stone celebrate the festive season with ‘A Christmas Peril!’ as Ben and the Puppet Master are drawn into the Yuletide celebrations of brain-damaged, childlike, immensely powerful Modred the Mystic…

Alan Kupperberg & Pablo Marcos then detail another tumultuous clash between Hulk and Thing from Marvel Two-In-One Annual #5. ‘Skirmish with Death’ sees the titanic duo team with extraterrestrial explorer The Stranger to stop death god Pluto destroying the universe and cosmic epics remain in vogue in anniversary issue #75 where Ben and the Avengers are drawn into the Negative Zone to stop a hyper-powered Super-Adaptoid, only to find themselves inevitably ‘By Blastaar Betrayed!’ (Tom DeFalco, Alan Kupperberg & Stone)…

Thereafter hitting mundane reality with a bump, #76 exposes ‘The Big Top Bandits’ (DeFalco, Michelinie, Bingham & Stone) as Iceman and the Thing make short work of the Circus of Evil before this paladin-packed tome concludes with a double dose of action in #77 as Thing and Man-Thing nearly unite in a rescue mission where ‘Only the Swamp Survives!’ (DeFalco, Wilson & Stone), which also features a poignant, bizarre cameo from Sergeant Nick Fury and the Howling Commandoes…

There’s even one last treat: a revelatory cutaway diagram of Project Pegasus to make sense of all the carnage that you’ve just enjoyed…

Fiercely tied to the minutia of Marvel continuity, these stories from Marvel’s Middle Period are certainly of variable quality, but whereas some might feel rushed and ill-considered they are balanced by some superb adventure romps and a genuine modern comics classic; still as captivating today as it always was.

Even if artistically the work varies from only adequate to truly top-notch, most fans of Costumed Dramas will find little to complain about and there’s plenty of fun to be found for young and old readers. So why not lower your critical guard and have an honest blast of pure warts-and-all comics craziness? You’ll almost certainly grow to like it…
© 1979, 1980, 1981, 2009 Marvel Characters, Inc. All rights reserved.

War of Kings: The Road to War of Kings


By Christopher Yost, Dan Abnett, Andy Lanning, Andy Schmidt, Michael Hoskin, Dustin Weaver, Paul Pelletier, Bong Dazo, Frazer Irving & various (Marvel)
ISBN: 978-0-7851-3967-6

As every comics fan knows, the world is not enough. Eventually all horizons expand and your favourite character goes cosmic. Marvel Comics have long been capitalising on dramas from beyond the unknown and in 2006 constructed a monumental crossover epic which not only featured the usual stellar stalwarts but was also expansive enough to encompass a host of more Earthbound stars.

Annihilation spawned a cascade of sidereal sequels and in 2008 many of Marvel’s major players became deeply involved in one of the most expansive as War of Kings redefined the role of mutants, Inhumans and three perpetually warring stellar empires.

As usual the tale spread through a number of titles, miniseries and specials over many months, enveloping such disparate do-gooders as the Guardians of the Galaxy, Nova, Skaar – Son of Hulk, Darkhawk and more.

This slim compilation collects pivotal opening sallies X-Men: Kingbreaker #1-4, Secret Invasion: War of Kings, War of Kings Saga and pertinent extracts from X-Men: Divided We Stand #2, spanning July 2008 to May 2009.

Crafted by writers Dan Abnett & Andy Lanning and illustrators Paul Pelletier, Bong Dazo, Rick Magyar & Joe Pimentel, Secret Invasion: War of Kings finds a fleet of shapeshifting Skrulls desperately fleeing Earth after their all-out incursion was repulsed.

As part of the scheme the invaders had imprisoned and tortured Inhuman ruler Black Bolt for months, and when his family freed him the silent monarch’s fury knew no bounds…

Conceived as another fantastic lost civilisation and debuting in 1965’s Fantastic Four #44-48 during Stan Lee & Jack Kirby’s most fertile and productive creative period, The Inhumans are a race of (generally) humanoid beings genetically altered 25,000 years ago, after Imperial Kree explorers landed on Earth and tampered with the biology of a tribe of primitives, just as they had on hundreds of other worlds.

Consequently the guinea pigs became technologically advanced far ahead of emergent Homo Sapiens and isolated themselves from the world and barbarous dawn-age humanity in a fabulous city named Attilan: first on an island and latterly in a hidden valley in the Himalayas.

Long ago Randac, one of the rulers of the intellectual super-race, took DNA manipulation to its ultimate end, devising the Terrigen Mist process, which mutated citizens into infinitely unique individuals of astounding power. The measure originally met with much opposition and hordes of Attilans quit the city forever, setting up their own isolated enclaves and increasingly interbreeding with their less evolved cousins…

After millennia in hiding, growing global pollution levels began to attack the Inhumans’ elevated biological systems and they relocated their entire city-civilisation to the Moon. This bold act exposed them to military scrutiny and they became known at last to Earth’s teeming masses.

Run along quasi-mystic lines by a priesthood, the Attilan mark of citizenship is gained through immersion in the Terrigen Mists which enhance and transform individuals into radically unique and generally super-powered beings. The subspecies is obsessed with genetic structure and heritage, worshipping their ruling Royal Family as the rationalist equivalent of mortal gods.

Now, following the Skrulls’ shameful debasement of Black Bolt, the citizens are ready to fully embrace their millennial destiny as living weapons and carve a place for themselves in the greater universe.

The shapeshifters are only the first to fall and by the time he has done, Blackbolt has taken the Kree Empire by the throat and made himself its lord…

‘The Hole’ originally saw print in X-Men: Divided We Stand #2, wherein Andy Schmidt and Frazer Irving detailed the ordeal of former X-Men Alex Summers – AKA Havok – and his one-time lover Polaris following their participation in a coup intended to remove the head of the Shi’ar Empire.

That vile potentate was crazed mutant Vulcan (revealed as Alex’s half brother Gabriel Summers) who had risen from the rank of slave to seize power in a blood-drenched, if politically astute, campaign of terror. After failing to destroy his insane sibling, Havok was imprisoned under an ocean on a remote world and systematically tortured by the triumphant Vulcan.

It didn’t matter: Alex bided his time and waited…

Opportunity knocked at last in 4-part miniseries X-Men: Kingbreaker (by Christopher Yost, Dustin Weaver, Paco Diaz, Jaime Mendoza, Victor Olazaba & Vicente Cifuentes) which forms the majority of this introductory tome.

After consolidating his position Vulcan, with his Shi’ar queen-consort Deathbird, begin a studied attack on the intergalactic status quo, greedily snatching up new worlds in a devastating war of expansion. With the dominant states of the universe reluctantly ranging against him ,Vulcan is caught off-guard when a coalition of Earth mutants join freebooting space-pirates The Starjammers in a rescue mission to free Alex, Polaris and their own captured comrades…

Stretched and already unstable, the upstart Emperor responds by freeing the five greatest menaces in Shi’ar custody as a penal battalion and is utterly astonished when the devilish malcontents increasingly run amok, killing civilians and even destroying entire worlds…

When the dust finally settles his greatest foes are free and many of his dutiful allies and subjects are thinking of switching sides…

Truly deranged but undeterred Vulcan continues his rush to conquest, turning his attention to The Kree, where newly enthroned Supremor Black Bolt is ready and waiting…

To Be Continued in various War of Kings collections…

Although the sequential narratives end here this catalogue of cosmic calamity carries one last prize as the incipient interstellar insurrection is scrupulously diarised and knitted together from its scattered beginnings through extracts and snippets from a vast number of assorted comics issues collated by Michael Hoskin.

How it all began and where it will lead is diligently tracked via the sterling strip efforts of writers Carlos Pacheco, Rafael Marin, David Hine, Paul Jenkins, Sean McKeever, Andy Schmidt, Joe Pokaski, Brian Michael Bendis, Ed Brubaker, Greg Pak, Abnett, Lanning & Yost with the appropriate and stunning visual accompaniments by Ladrönn, Jorge Pereira Lucas, Irving, Jae Lee, Matthew Clark, Roy Allan Martinez, Tom Raney, Jim Cheung, Alex, Maleev, Trevor Hairsine, Billy Tan, Adi Granov, John Romita Jr., Weaver, Wellington Alves & Pelletier to form a mosaic of data vital to further progress whether you’re a Marvel die-hard or callow comic neophyte.

Sprawling, epic and remarkably engaging, if you’re into cosmic conflagration this is a splendid starting point for a grand adventure…
© 2009 Marvel Characters, Inc. All rights reserved.

Essential Thor volume 6


By Gerry Conway, Roy Thomas, Bill Mantlo, Len Wein, John Buscema, Rich Buckler, Sal Buscema & various (Marvel)
ISBN: 978-0-7851-6329-9

Whilst the ever-expanding Marvel Universe had grown ever-more interconnected as it matured through its first decade, with characters literally tripping over each other in New York City, the Asgardian heritage of Thor and the soaring imagination of Jack Kirby had most often drawn the Thunder God away from mortal realms into stunning, unique landscapes and scenarios.

However by the time of this sixth Essential monochrome compendium, the King had been gone – and was in fact readying himself to return to the House of (mostly his) Ideas – for five years and only echoes of his groundbreaking presence remained. John Buscema had visually made the Thunder God his own whilst a succession of scripters struggled to recapture the epic scope of Kirby’s vision and Stan Lee’s off-kilter but comfortingly compelling faux-Shakespearean verbiage…

When these monthly episodes (from Thor #221-247, March 1974 to May 1976) saw print, the Thunder God and his cosmic companions had become a quarrelsome, self-doubting band of fantasy spacemen generally roving the outer limits of the Marvel Universe, only occasionally touching base with Earth and Asgard, but that editorial policy began to change here as more and more adventures began – and ended – in the troubled lands of Midgard…

With scripter Gerry Conway firmly in the driving seat and legendary illustrator John Buscema (aided by inker Mike Esposito) delivering the art, the mythic mayhem opens with ‘Hercules Enraged!’ as the Thor brutally invades Olympus, in search of the Grecian Prince of Power. Asgardian maiden Krista has been abducted and All-Father Odin has seen a vision of her enchained in Hades with the Thunderer’s trusted ally gloating over her beside vile netherlord Pluto…

By the time lordly Zeus has stopped the shattering clash that follows, half of the celestial city is in ruins, but in that breathing space he proves Hercules is innocent of the atrocious act and the abashed comrades turn their attentions to the true culprit…

Inked by Joe Sinnott, Thor #222 finds the earnest comrades in search of Hercules’ insidious impersonator and taking advice from a scary sorceress even as war-god Ares receives an eldritch summons to meet his co-conspirator ‘Before the Gates of Hell!’

Sadly he is intercepted by the heroes before he gets there and receives the sound thrashing he deserves, prior to the enraged companions storming their way into the netherworld itself.

At the moment of their triumph however Pluto snatches up his hostage and vanishes. His trail leads to Earth where one final confrontation results in ‘Hellfire Across the World!’ (Esposito inks) and leaves kidnapped Krista near death…

Issue #224 finds Thor resuming his alter ego of surgeon Don Blake to operate on the Asgardian even as elsewhere in Manhattan a rash scientist accidentally reactivates Odin’s unstoppable battle construct and discovers ‘No One Can Stop… the Destroyer!’

With Krista saved Thor joins the sorely pressed Hercules and although outmatched by the Asgardian killing machine they devise a way to stop its human power source – only to then face ‘The Coming of Firelord!’ (inked by Sinnott).

The tempestuous, short-tempered herald of planet-consuming Galactus has been sent to fetch Thor and will brook no refusals…

Issue #226 finds the voracious space god on Earth, beseeching the Thunder God’s aid in ‘The Battle Beyond!’ (Esposito) against living planet Ego, who has seemingly gone mad and now poses a threat to the entire universe…

“Homaging” Jack Kirby, penciller Rich Buckler joined Conway and Sinnott in #227 as the Thunder God and Hercules – with Firelord in tow – go ‘In Search of… Ego!’ Penetrating deep within the raving planet and defeating incredible biological horrors, the trio reach his malfunctioning brain and relive the incredible origin of the “bioverse” in ‘Ego: Beginning and End!’ before contriving an earth-shaking solution to the wild world’s rampages…

In a final act of unlikely diplomacy the Thunderer then finds a replacement herald and secures Firelord’s freedom from Galactus…

Safely back on Earth a new kind of terror manifests in Thor #229 as ‘Where Darkness Dwells, Dwell I!’ (Conway, Buckler & Chic Stone) sees Hercules uncover an uncanny string of suicides amongst the mortals of Manhattan. After consulting the Storm Lord and his recently returned lover Sif, the Prince of Power is ambushed by a shadowy figure and himself succumbs to dark despondency…

Plucked from psychological catatonia by Iron Man and the recuperating Krista, severely shaken Hercules recovers enough to lead Thor under the city to jointly confront and conquer a horrific lord of fear in #230’s ‘The Sky Above… the Pits Below!’ (Buckler & Sinnott).

Of greater moment is the revelation in Asgard that almighty Odin has gone missing…

John Buscema returned in #231, inked by Dick Giordano to limn ‘A Spectre from the Past!’ wherein Thor learns that his former love Jane Foster is dying. Whilst doting Sif fruitlessly returns to Asgard seeking a cure, the grieving Thunderer is momentarily distracted when Hercules is attacked by anthropoidal throwback and disembodied spirit Armak the First Man who possesses the body of an unwary séance attendee and runs amok in the streets.

Since gaining his liberty Firelord had been aimlessly travelling the globe. Lured by Asgardian magic he becomes wicked Loki’s vassal in ‘Lo, the Raging Battle!’

Heartsick Thor meanwhile will not leave Jane’s hospital bedside, prompting Sif and Hercules to travel to the end of the universe to retrieve the mystic Runestaff of Kamo Tharnn. No sooner do they depart than the ensorcelled Firelord attacks and whilst incensed, impatient Thor knocks sense back into him, his evil half-brother leads an Asgardian army in a sneak attack on America…

With ‘Midgard Aflame’ (Buscema & Stone) Thor leads the human resistance and learns for the first time that his father is missing. Odin’s faithful vizier reveals that the All-Father has divested himself of his memory and chosen to reside somewhere on Earth as a hapless mortal…

With the humans preparing to unleash their atomic arsenal against the Asgardians, the invasion suddenly ends with a savage duel between Thor and Loki in ‘O, Bitter Victory!’ (Buscema & Sinnott) after which the Thunderer returns to Jane’s side, unaware that he is being stalked by a merciless old enemy. At the same time Sif and Hercules have clashed with he ‘Who Lurks Beyond the Labyrinth!’ and secured a remedy for Thor’s mortal beloved…

Thor #236 opens as the Storm God revels in furious combat with the Absorbing Man. Unknown to the blockbusting battlers, at that very moment Sif is expressing her own love for her wayward prince by using the Runestaff to fix Jane in ‘One Life to Give!’

…And somewhere in California an imposing old man called Orrin ponders his strangely selective amnesia and wonders how he can possibly possess such incredible strength…

With battle concluded Thor hastens back to Jane and finds her completely cured. His joy is short-lived however as he realises that Sif is gone, seemingly forever…

Issue #237 finds reunited lovers Don Blake and Jane Foster cautiously getting reacquainted and pondering Sif’s incredible sacrifice when a horde of Asgardian Trolls led by ‘Ulik Unchained’ calamitously attack New York. Before long they have made off with the recently restored Jane under cover of the blockbusting melee that ensues…

Gerry Conway concludes his run with Thor #238 as the Thunder God capitulates to his hostage-taking foe and is taken below the worlds of Earth and Asgard on the ‘Night of the Troll!’

Ulik wants to overthrow his king Gierrodur and is confident his hold over mighty Thor will accomplish the act for him, but he is utterly unprepared for the new martial spirit which possesses his formerly frail mortal hostage Jane…

…And in California old man Orrin decides to use his power to help the poor, quickly arousing the ire of the local authorities…

Writer/Editor Roy Thomas and artist Sal Buscema join Sinnott in Thor #239 as the Thunder God brutally ends his association with the trolls even as in California Orrin’s rabble-rousing civil unrest is cut short when a colossal pyramid containing Egyptian gods erupts from the ground in ‘Time-Quake!’

Thor knows nothing on the latest upheaval. He has taken off for distant Asgard, uncovering a mysterious force draining his people of their power and vitality. Warned by duplicitous seer Mimir the anguished godling rushes back to Earth and clashes with the puissant Horus ‘When the Gods Make War!’ (Thomas, Bill Mantlo, Sal Buscema & Klaus Janson). The depleted Egyptian pantheon have desperate need of an All-Father and have conditioned Odin/Orrin to believe that he is their long-lost patron Atum-Re…

Jane is already waiting in California when Thor arrives and she is present when the elder deity devastatingly assaults his astounded son. Happily her cool head prevails and soon the warring deities are talking. An uneasy alliance forms and the truth comes out. Horus, Isis and Osiris are in a final battle with vile Death God Seth and need the power of a supreme over-god to assure a victory for the forces of Life…

The cosmic conflict concludes in #241 as ‘The Death-Ship Sails the Stars!’ (Mantlo, John Buscema & Sinnott) with the ghastly Seth and his demonic servants repulsed and Jane again playing a major role: even shaking Odin out of his mind-wiped state…

A semblance of creative stability resumed with #242 as writer Len Wein joined John Buscema & Sinnott, beginning their tenure with epic time travel tale ‘When the Servitor Commands!’ The colossal all-conquering construct had scooped up Thor, Jane and visiting Asgardians Fandral the Dashing, Voluminous Volstagg and Hogun the Grim at the behest of malevolent chrononaut and old enemy Zarrko…

The Tomorrow Man is claiming to be on the side of the angels this time: looking for heroes to help stop a trio of entropic entities travelling back from the end of time and destroying all life as they go. Although suspicious, the assemble crusaders agree to help stop ‘Turmoil in the Time Stream!’ caused by the diabolical Time-Twisters…

Constant clashes with vagrant monsters and warriors plucked from their own eras barely slows the heroes but neither do they hinder the widdershins progress of the Armageddon entities in ‘This is the Way the World Ends!’ However by the time the voyagers discover ‘The Temple at the End of Time!’ which spawned the Time-Twisters and end the crisis before it began, Zarrko has already reverted to type and tried to betray them… much to his own regret…

This bombastic battle book then concludes with a 2-part rematch between Thunder God and Flaming Fury as #246 reveals ‘The Fury of Firelord!’, following the unworldly alien’s meeting with a lovely witch working for Latin American rebel and would-be tin pot dictator El Lobo.

However, whilst Thor heads south to stop a civil war in Asgard, his boon companion Balder comes to a staggering conclusion: Odin may be back in body but his spirit is still ailing. In fact the All-Father might well be completely insane…

When Thor also succumbs to sinister gypsy enchantments and ‘The Flame and the Hammer!’ unite to crush the feeble democracy of Costa Verde, once again vibrant valiant Jane is there save the day…

To Be Continued…

The tales gathered here may lack the sheer punch and verve of the early years but fans of ferocious Fights ‘n’ Tights fantasy will find this tome still stuffed with intrigue and action, magnificently rendered by artists who, whilst not possessing Kirby’s vaulting visionary passion, were every inch his equal in craft and dedication, making this a definite and decidedly economical must-read for all fans of the character and the genre.

©1974, 1975, 1976, 2012 Marvel Characters, Inc. All rights reserved.

X-Men Legacy: Aftermath


By Mike Carey, Paul Davidson, Harvey Tolibao, Jorge Molina, Rafa Sandoval, Sandu Florea, Craig Yeung & various (Marvel)
ISBN: 978-0-7851-5636-9

Since its creation in 1963 and triumphant revival in 1975, Marvel’s Mutant franchise has grown into an almighty engine for telling all manner of stories and tackling a host of social issues, so it’s nice to see one that falls back on the basics and simply addresses the prime directive of superhero comics: beat the bad guys, mash the monsters and save the day. Of course with the X-Men nothing is ever that straightforward…

Written throughout by Mike Carey, this particular collection gathers X-Men Legacy #242-244 and 248-249 (released between November 2010 and May 2011), neatly bridging one of those incessantly periodic crossover events to relate small tales of everyday strangeness…

At this point in time, the evolutionary offshoot dubbed Homo Sapiens Superior is at its lowest ebb. As seen in the House of M and Decimation storylines, Scarlet Witch Wanda Maximoff – ravaged by madness and her own reality-warping power – had reduced the world’s multi-million plus mutant population to a couple of hundred individuals with three simple words… “No More Mutants”…

In the wake of this horrific reduction in numbers, Earth’s remaining Children of the Atom relocated to an island off San Francisco, only to be mercilessly targeted by super-Sentinel Bastion who attacked both their enclave of Utopia and the human city surrounding it in response to the birth of the first new mutant, Hope Summers…

It all begins here with the two-part ‘Fables of the Reconstruction’ (illustrated by Paul Davidson) as young psionic Hellion is undergoing therapy. He’s reacting badly to the robotic hands he’s been beta-testing ever since Bastion took his real ones.

They work fine but the young man is barely suppressing a lot of unexpressed anger over his maiming…

With regular remedies not working, leader of the X-nation Cyclops includes him in the squads of mutants assisting in the reconstruction of San Francisco but events spiral hopelessly out of control when the last vestiges of Bastion’s programming turns cyborg ally Karima Shapandar into a marauding Omega Sentinel hell-bent on destroying them all.

With all her friends fighting at less than their best, desperately trying to save the decent human within, only deeply-traumatised Hellion seems capable of acting decisively. But why did he go so far and how did he get so powerful…?

Following those shocking events, ‘None So Blind’ then focuses on telepathic precognitive Ruth “Blindfold” Aldine who is the only one to notice that something is abducting mutants right off Utopia Island. She’s used to being ignored, however, so sets off to find the threat on her own.

Good thing Rogue and mutant machine-smith Madison Jeffries decided to check up on her wacky theory of a transdimensional trapdoor spider…

Chronologically the events of the apocalyptic ‘Age of X’ follow – neatly fitting into their own trade paperback which I’ll get to one day – before the day-to-day dramas resume here with all the psychically-scarred mutant warriors re-evaluating their lives following a week in an alternate world that was the best and worst of all possible worlds…

Back in our reality but all deeply dosed in PTSD, the heroes are all trying to come to grips with revelations of their own dark inner demons in the first part of ‘Aftermath’ (with art by Jorge Molina, Craig Yeung & Pat Davidson) when mutant elder statesman Magneto shares with Rogue a story of his childhood in Nazi concentration camps…

The ferocious self-assessments they and others such as former thief Gambit and reformed villain Frenzy undergo in the concluding chapter – illustrated by Rafa Sandoval – will forever change the way the X-nation is perceived by humanity…

With covers by Leinil Francis Yu, Joy Ang, Mico Suayan and Marte Gracia plus information pages on Blindfold, Hellion and the Omega Sentinel this slim, stirring, compelling Fights ‘n’ Tights tome is a superb example of how, even in comicbooks, might makes right.
© 2010, 2011, 2012 Marvel Characters Inc. All rights reserved.

Essential Marvel Team-Up volume 2


By Len Wein, Gerry Conway, Bill Mantlo, Jim Mooney, Sal Buscema, Mike Esposito, Ron Wilson & various (Marvel)
ISBN: 978-0-7851-2173-3

Inspiration isn’t everything. In fact as Marvel slowly grew to a position of market dominance in the wake of the losing their two most innovative and inspirational creators, they did so less by experimentation and more by expanding proven concepts and properties.

The only real exception to this was an en bloc creation of horror titles in response to the industry down-turn in super-hero sales – a move expedited by a rapid revision in the wordings of the increasingly ineffectual Comics Code Authority mandates.

The concept of team-up books – an established star joining or battling (frequently both) less well-selling company characters – was not new when Marvel decided to award their most popular hero the lion’s share of this new title, but they wisely left their options open by allocating an occasional substitute lead in the Human Torch.

In those halcyon simpler times editors were acutely conscious of potential over-exposure – and since super-heroes were actually in a decline they may well have been right.

Nevertheless Marvel Team-Up was the second official Spider-Man title (an abortive companion title Spectacular Spider-Man was created for the more respectable – and expensive – magazine market in 1968 but folded after two issues) when it launched in March 1972, and immediately began bucking the downward trend for costumed crusaders.

Spanning September 1974 to November 1976, this second Essentially mammoth monochrome compilation gathers the turbulent collaborations from Marvel Team-Up #25-51 plus a crossover tale from Marvel Two-In-One # 17 and opens with ‘Three into Two Won’t Go!’ (by Len Wein, Jim Mooney & Frank Giacoia) as Daredevil joins the Wondrous Wallcrawler in thrashing inept costumed kidnappers Cat-Man, Bird-Man and Ape-Man, after which MTU #26 finds the Torch and Thor battling to save the world from Lava Men in ‘The Fire This Time…’ by Wein, Mooney, Giacoia & Dave Hunt.

At this time, in a desperate effort to build some internal continuity into the perforce brutally brief encounters, the scripter introduced a shadowy trio of sinister observers with an undisclosed agenda who would monitor superhero episodes and eventually be revealed as providers of outrageous technologies for many of the one-shot villains who came and went so quickly…

They weren’t involved when the Chameleon framed Spider-Man (again) and tricked the Hulk into freeing a man from the New York Men’s Detention Center for the most unexpected reason of all in #27’s ‘A Friend in Need!’ (Wein, Mooney & Giacoia), but did have a hand in ‘The City Stealers!’ (#28 by new regular creative team Gerry Conway, Mooney & Vince Colletta) when strange mechanoids swiped the island of Manhattan, forcing Spidey and Hercules (mostly Hercules) to drag it back to its original position…

Marvel Team-Up #29 displays a far less amicable pairing as flaming kid Johnny Storm and patronising know-it-all Iron Man butt heads whilst tracking a seeming super-saboteur in ‘Beware the Coming of Infinitus! or How Can You Stop the Reincarnated Man?’

Spider-Man and The Falcon then find that ‘All That Glitters is not Gold!’ in #30 whilst tracking a mind-control drug back to its crazy concoctor Midas, the Golden Man before Mooney bowed out in MTU #31 as the Webspinner and Iron Fist experience time unravelling whilst battling reverse-aging Drom, the Backwards Man ‘For a Few Fists More!’

Conway and Colletta welcomed Sal Buscema aboard as penciller in #32 for a fiery collaboration between the Human Torch and Son of Satan who inflicted ‘All the Fires in Hell…!’ on a demon which had possessed Johnny’s pal Wyatt Wingfoot and assorted fellow members of his Native American Keewazi tribe.

The search for continuity continued in #33 when Spider-Man and Nighthawk acrimoniously tackle raving mega-nutcase Norton Fester – who had forgotten he had super strength – in ‘Anybody Here Know a Guy Named Meteor Man?’

Whilst Nighthawk was happy to drop the case at the earliest opportunity, his Defenders comrade Valkyrie was ready to step in and help Spidey finish off the looney Looter, but they both missed the real threat: mutant demagogue Jeremiah, Prophet of the Lord, who had acquired Fester’s home to house his mind-controlled cult of human psychic batteries in ‘Beware the Death Crusade!’

The latter maniac’s predations were ended in Marvel Team-Up #35 when the Torch and Doctor Strange saved Valkyrie from becoming a sacrifice in the zealot’s deranged ‘Blood Church!’ whilst in #36 Spider-Man was kidnapped and shipped off to Switzerland by assuredly insane Baron Ludwig Von Shtupf, who proclaimed himself The Monster Maker…

‘Once Upon a Time, in a Castle…’ the bonkers biologist wanted to pick-&-mix creature traits and had already secured The Frankenstein Monster to practise on, but after the Webslinger busts them both out and they stumble upon sexy SHIELD Agent Klemmer their rapid counterattack goes badly wrong after Von Shtupf unleashes his other captive – the furiously feral Man-Wolf – and only big Frankie can prevent a wave of ‘Snow Death!’

As new creative team Bill Mantlo, Sal Buscema & Mike Esposito take over, the Amazing Arachnid is back in the USA for issue #38, meeting The Beast and barely surviving the ‘Night of the Griffin’ when the former X-Man’s constantly-evolving manmade monster foe goes on a ruthless murder spree…

Another extended epic begins when Spider-Man and the Torch are simultaneously targeted by supposedly deceased archenemies Crime-Master and The Big Man in #39’s ‘Any Number Can Slay!’ The masked mobsters are fighting for control of the city and each has recruited their own specialist meta-thugs – Sandman and The Enforcers respectively – but the shady double-dealers are all utterly unprepared for the intervention of mystic martial arts mavens The Sons of the Tiger in #40’s ‘Murder’s Better the Second Time Around!’…

Mantlo and Buscema then undertook a truly impressive and ambitious epic with a time-&-space spanning multi-parter which saw the Amazing Arachnid visiting the past and a number of alternate tomorrows beginning with ‘A Witch in Time!’ in Marvel Team-Up #41.

The opening instalment saw mutant Avenger Scarlet Witch abducted by infamous witch-hunter Cotton Mather who used Doctor Doom‘s time machine to drag her back to Salem in 1692. Her plight was observed by Spider-Man who naturally followed but he failed to save her and was himself accused of infernal sorcery in that rabid Massachusetts town…

Whilst Mather fanned hysterical flames of paranoia, the Avenger’s synthezoid husband time-travelled to her side in #42’s ‘Visions of Hate!’, only to fall before the witch-finder’s mysterious power too. As the innocents of Salem prepare themselves for death, the heroes make their escape but fall to Mather’s hitherto unseen benefactor The Dark Rider.

Just as the master manipulator reveals himself however the stakes change again when a severely affronted Doctor Doom appears angrily demanding to know who’s been playing with his toys in #43’s ‘A Past Gone Mad!’

The frantic battle against an immortal chronal predator seems predestined to fail until the time-tides are unexpectedly turned in MTU #44 with the last-minute arrival of mind-goddess Moondragon but in the aftermath Spider-Man tragically discovers that history is well-nigh impossible to alter in ‘Death in the Year Before Yesterday!’

The Arachnid is the last to return to the 20th century but his departure in issue #45 results in deadly diversions and ‘Future-Shock!’ as he lands in devastated (alternate future) New York City 2019 where Warrior of the Worlds Killraven helps him survive numerous attacks by mutants and Martians in terrifying tripods before sending him back on his way home..

Unfortunately before he gets there the Wallcrawler experiences another shocking stopover in ‘Am I Now or Have I Ever Been?’, with cyborg warrior Deathlok saving him from a mutant hive-mind in a Manhattan shattered by war a mere fifteen years after his own lost and longed-for era…

A scared, sad and sobered Spider-Man finally makes it home in Marvel Two-In-One #17 just in time for a crossover with The Thing. That blockbuster opens with ‘This City… Afire!’ by Mantlo, Sal B & Esposito where, after battling beside Ka-Zar in the Savage Land, big Ben Grimm is ignominiously returned to the Big Apple by mutated madman Basilisk who has created an erupting volcano in the Hudson River…

Already reeling, Spidey swings into action for the cataclysmic conclusion in Marvel Team-Up #47 where Mantlo, Ron Wilson & Dan Adkins render the spectacular clash of heroes who boldly proclaim ‘I Have to Fight the Basilisk!’

MTU #48 begins another suspenseful extended saga when ‘Enter: the Wraith!’ (Mantlo, Sal Buscema & Esposito) introduces Police Captain Jean DeWolff as Spidey and Iron Man struggle to stop a mad bomber using model planes to destroy city landmarks and Stark International properties. As the heroes fruitlessly pursue leads, the enigmatic Wraith turns his attention upon them and proves to be not only connected to Jean but some kind of psionic metahuman…

With Iron Man again the guest-star, issue #49 reveals that ‘Madness is All in the Mind!’ as the masked maniac resumes his irresistible psychic assaults and explosive attacks on New York and the tragic story of Jean’s Police Commissioner dad and murdered cop brother comes out.

However the connection between them and the unstoppable villain are only exposed after the Webslinger recruits Master of Mystic Arts Doctor Strange to apply his unique gifts to the problem in #50’s ‘The Mystery of the Wraith!’

The saga and this character-packed compilation conclude with Marvel Team-Up #51 and ‘The Trial of the Wraith!’ by a most unusual panel of judges whose hidden abilities are not enough to prevent one last crack of the whip by the unrepentant renegade…

These stories and illustration of these tales are of variable quality – frankly ranging from just plain daft to utterly gripping – but all have an honest drive to entertain and most fans of the genre would find little to complain about.

Although not really a book for the casual or more maturely-oriented enthusiast there’s lots of fun on hand and younger readers will have a blast, so there’s no real reason not to add this tome to your library…
© 1974, 1975, 1976, 2006 Marvel Characters, Inc. All Rights Reserved.

Avengers: Earth’s Mightiest Heroes Ultimate Collection


By Joe Casey, Scott Kolins, Will Rosado, Tom Palmer & various (Marvel)
ISBN: 978-0-7851-5937-7

One of the most momentous events in Marvel Comics history occurred in 1963 when a disparate array of individual heroes banded together to stop the Incredible Hulk. The Avengers combined most of the company’s fledgling superhero line in one bright, shiny and highly commercial package. Over the decades the roster has continually changed until now almost every character in their universe has at some time numbered amongst the team’s colourful ranks…

During Marvel’s rebirth in the early 1960’s Stan Lee & Jack Kirby took their lead from a small but growing band of costumed characters debuting or being revived and reimagined at the Distinguished Competition. Julie Schwartz’ retooling of DC Comics’ Golden Age mystery-men had paid big dividends for the industry leader as the decade turned, and Managing Editor Lee’s boss (uncle and publisher Martin Goodman) insisted that his company should get in on the act too.

Although National/DC had achieved incredible success with revised and updated versions of the company’s old stable, the natural gambit of trying the same revivification process on characters that had dominated Timely/Atlas in those halcyon days didn’t go quite so well.

The Justice League of America-inspired Fantastic Four featured a new Human Torch but his subsequent solo series began to founder almost as soon as Kirby stopped drawing it. Sub-Mariner was back too, but as a villain, as yet incapable of carrying his own title…

So a procession of new costumed heroes began, with Lee, Kirby and Steve Ditko churning out numerous inventive and inspired “super-characters”.

Not all caught on: The Hulk folded after six issues and even Spider-Man would have failed if writer/editor Lee hadn’t really, really pushed his uncle Martin…

Even so, after nearly 18 months during which the fledgling House of Ideas had churned out a small stable of leading men (but only a sidekick woman), Lee & Kirby finally had enough players to stock an “all-star” ensemble – the format which had made the JLA a commercial winner – and thus assembled a handful of them into a force for justice and even higher sales…

Cover-dated September 1963, The Avengers #1 launched as part of an expansion programme which also included Sgt. Fury and his Howling Commandos and The X-Men and, despite a few rocky patches, the series grew into one of the company’s perennial top sellers.

Those early Avengers yarns became a cornerstone of the company’s crucially interlinked continuity and as decades passed they were frequently revisited and re-examined. In 2005 however Joe Casey and artist Scott Kolins (with colourists Morry Hollowell & Will Quintana) took the occasional exercises in creativity a little further, offering an 8-issue modernising miniseries which added devious back-writing to the original stories – with a spot of post-modern in-filling – which exposed secrets and revealed how the team actually came to hold its prominent and predominant position in the Marvel Universe…

Avengers: Earth’s Mightiest Heroes #1-8 ran fortnightly from January to April 2005 and was successful enough to warrant a second season – Avengers: Earth’s Mightiest Heroes II #1-8 which repeated the trick from January to May 2007, and both epics are re-presented here in a splendid, no-nonsense softcover compilation.

The drama begins (chronologically set between Avengers #1 and 2 ) as industrialist Tony Stark reviews media coverage of the coalition of mystery men currently residing in his family’s townhouse and ponders how best to keep such diverse and headstrong personalities as Ant Man, The Wasp, Thor and the Hulk together.

Across town in a seedy dive, a young troublemaker and pool-shark named Clint Barton can’t understand why folks are so nervous about the masked freaks…

Two weeks later the team has fallen apart and the Avengers are actually hunting their gamma-fuelled former colleague. In the course of events they unexpectedly recover a legendary form from a coffin of ice…

The gradually assimilation of partially amnesiac WWII legend Captain America into a terrifying new time is not without problems and the iconic and grimly experienced warrior is keenly aware of the seething tensions that beset the team he has joined.

Iron Man is still fervently pursuing an exalted Federal status for the Avengers but the army are baulking: clearly set on putting the wilfully independent powerhouses under military jurisdiction.

After a ferocious clash with Lava Men from the earth’s deep interior the word finally comes. The powers that be have created an all-encompassing “Avengers Priority Security Status” – but only for as long as the fickle public’s new darling and National Treasure Captain America stays with the team…

Self-made scientific genius Hank Pym created the roles of Ant Man and the Wasp – AKA girlfriend Janet Van Dyne – but his inherent mental instability has caused him to push further and harder ever since he joined the ranks of a squad that includes a patriotic legend, an infallible metal juggernaut and a god.

Now as Giant Man he is letting his feelings of inadequacy drive a wedge between him and his lover even as the Army ups the pressure to take over the team, and reborn Steve Rogers increasingly sinks into survivor’s guilt over the comrades he failed to save in the war.

His torment kicks into overdrive when Nazi war criminal and arch foe Baron Zemo comes out of hiding to attack the Avenger with his Masters of Evil…

When an invader out of time strikes, the Avengers finally and very publicly prove their worth to the government, and with Kang the Conqueror sent packing the team at last secure their favoured-but-fully-independent security clearance. Meanwhile in the streets a wanted vigilante dubbed Hawkeye saves Avengers butler Edwin Jarvis and they strike up a most irregular friendship…

The cases come thick and fast but the internal tensions never seem to dissipate. In far distant Balkan Transia fugitive mutants Wanda and Pietro desperately search for a place where they can feel safe whilst in America Cap is becoming increasingly obsessed with tracking down Zemo.

After a battle with Count Nefaria leaves the Wasp near death from a gunshot wound, Giant Man also edges closer to a complete breakdown. As a surgeon battles to save her life, Pym swears that he’s going to quit and take her away from all the madness but before that can happen Zemo returns to abduct the Sentinel of Liberty’s teenaged friend Rick Jones…

The team acrimoniously divides with Cap trailing the monomaniac to Bolivia whilst the rest of the Avengers remain for a final battle against the Masters of Evil. Below stairs Jarvis and Clint are concocting a scheme of their own…

As the death-duel in Bolivia concludes, in Germany two restless young mutants orchestrate their return to America and – with a little collusion from Jarvis – Hawkeye “auditions” for Earth’s Mightiest Heroes…

As Cap and Rick wearily make their way back to civilisation, Iron Man deals with the Government fallout when they hear the news that their Red, White and Blue poster boy is missing. Soon news leaks out that the rest of the original team have decided to quit and Stark has lined up a wanted vigilante and two outlaw mutants to replace them…

The initial secret history lesson concludes with the astounded Captain America’s re-emergence and reluctant succession to leadership of a team of obnoxious and arrogant young felons he is expected to mould into true heroes…

The rest is history…

The second bite of the cherry (by Casey, Will Rosado, Tom Palmer & Quintana) focuses on a time when the Avengers were in resurgent form. The Founders had all returned at a time when Pym (now calling himself Goliath), Wasp and Hawkeye had been joined by enigmatic African monarch Black Panther and the action commences immediately following the expanded team’s attack by an android called The Vision – whom they promptly signed up (Avengers #58 if you’re keeping count)…

The density-shifting “synthezoid” was created by robotic nemesis Ultron (a murderous AI created by Pym whilst suffering one of his many psychotic breaks) before switching allegiances, and the first issue opens as the highly-suspect new Avenger is impounded by SHIELD for investigation and clearance. The ostensible reason is that another autonomous murder mechanism – the Super-Adaptoid – has escaped from custody and humanity can’t be too careful…

In the Philippines, the real cause of all the anti technology tension and overweening suspicion are busy. Science terrorists Advanced Idea Mechanics have secretly stolen the Adaptoid and begun seeing how they can improve an already ultimate killing machine…

At a hidden SHIELD base interrogator Jasper Sitwell has met his match in The Vision but still perseveres in trying to dig out dirt on the android and its “master” Ultron.

The Panther meanwhile has foregone his status as a VIP dignitary to teach at an inner city school under the alias of Luke Charles. What he finds there is a true education…

Hawkeye too is under pressure as his lover Black Widow reveals she’s going back into the spy-game. With Pym close to apoplexy at the government’s quasi-legal rendition of the Vision, nobody is in a particularly good mood when SHIELD supremo Nick Fury demands the team head to the Philippines to investigate AIM’s latest enterprise.

With Fury’s carrot-&-stick pep talk ringing in their ears the heroes – rejoined by the just released Vision – jet off, unaware that in Manhattan an assassination plot against King T’Challa/Mr. Charles has brought one of Panther’s greatest enemies to America…

The heroes are challenged over the Pacific skies by a massed-produced army of Super-Adaptoids and are soon engaged in the fight of their lives…

Overwhelmed, the party is in danger of being swamped and Goliath valiantly turns himself into as colossal human rampart to stem the tide and save the endangered island population whilst his comrades are despatched to take out the AIM superbase…

Left all alone Pym fights in a maddened frenzy and becomes increasingly obsessed with how human the things he is incessantly slaughtering seem to be. By the time the triumphant team get Goliath home he is a deeply traumatised shell of a man…

Luke Charles returns to school in time to get deeply embroiled in a bullying case that will inevitably end in gunplay and tragedy. And then the apparently recuperating Hank Pym goes missing…

Soon after a new and excessively brutal hero named Yellowjacket is making news even as Agent Sitwell again targets the Vision for further debriefing after Pym’s “massacre” of mechanical lifeforms on AIM Island. This time he has brought in SHIELD’s top psychologist Agent Carver to try and get under the newcomer’s artificial skin…

The spies are in heated argument with Hawkeye when Yellowjacket breaks in, claiming to have murdered the Man of Many Sizes and demanding to take Goliath’s place on the team…

Nobody is fooled. Everyone has recognised the abrasive stranger as Pym gone far off the deep end, but Carver prevents them from saying anything. She advises that he is clearly inches from being utterly incurable and devises a treatment to cure him which basically comprises “play along and don’t do anything to upset the crazy man”…

That even includes allowing Yellowjacket to kidnap the Wasp and agreeing to let him marry his hostage…

The wedding is held at Avengers Mansion and includes a Who’s Who of heroes along for the ride, but the scheme spirals out of control when the Circus of Crime (not privy to the details of the service) use the gathering as the perfect opportunity to kill all America’s costumed champions in one go…

That deadly dilemma is apparently enough to shock Pym back to his right senses but in the aftermath a number of SHIELD agents are brutally slaughtered as Wakandan assassin Death Tiger gets ever closer to fulfilling his own mission of murder…

And to cap off all the chaos the still at large Super-Adaptoid also attacks, determined to expunge the race-traitor Vision who has perpetrated the ultimate betrayal by siding with inferior humanity and denying the innate superiority and inevitable ascension of mechanical and artificial lifeforms…

Politically savvy, wryly cynical and compellingly action-packed, this extremely impressive Fights ‘n’ Tights chronicle is a superb addition to the annals of the Avengers and would serve as perfect comics vehicle for those movie blockbuster fans in search of a print-fix for their costumed crusader cravings…
© 2005, 2007, 2012 Marvel Characters, Inc. All rights reserved.

New Avengers: Secret Invasion Book 2


By Brian Michael Bendis, Billy Tan, Jim Cheung, Michael Gaydos & various (Marvel)
ISBN: 978-0-7851-2949-3

The Skrulls are shape-shifting aliens who’ve bedevilled Earth since Fantastic Four #2, and they have long been a pernicious cornerstone of the Marvel Universe. After decades of use, abuse and misuse the insidious invaders were made the sinister stars of a colossal braided mega-crossover event beginning in April 2008 and running through all titles until Christmas.

The premise of Secret Invasion is simple: the would-be alien conquerors have only just survived a devastating catastrophe which destroyed much of their empire; subsequently leading to a mass religious conversion. They are now utterly resolved and dedicated to make Earth their new holy homeworld.

To this end they have gradually replaced a number of key Earth denizens – most notably superheroes and other metahumans. When their plot is discovered no defender of the Earth truly knows who is on their side…

Moreover the cosmic charlatans have also unravelled the secrets of Earth magic and genetic superpowers, creating amped-up counterparts to Earth’s mightiest. They are now primed and able to destroy the world’s heroic champions in face to face confrontations.

Rather than give too much away, let me just say that if you like this sort of thing you’ll love it, and a detailed familiarity is not crucial to your understanding. However, for a complete experience, you will want to see the other 22 “Secret Invasion” volumes that accompany this one, although at a pinch you could get by with only the key collection Secret Invasion – which contains the 8-issue core miniseries, one-shot spin-off “Who Do You Trust?” and illustrated textbook “Skrulls” which claims to provide a listing and biography for every shape-shifter yet encountered in the Marvel Universe (but if they left any out, who could tell?).

The New Avengers segment of the saga concludes in the book, collecting issues #43-47 (September 2008 to January 2009) and offering more supplementary and sidebar insights to the main event as the Invasion progresses, focussing again on individual character pieces to propel the narrative rather than vast battles.

Scripted throughout by Brian Michael Bendis, the first tale (illustrated by Billy Tan & Danny Miki) returns to the moment which turned a cold war of suspicion and attrition into a hot shooting match after a spaceship full of what appeared to be Earth heroes crashed into the dinosaur preserve known as the Savage Land.

These returnees all claimed to be the originals, taken at various times and upon landing accused those who had been on Earth prior to their crash of being alien impostors. The most shocking example was Captain America, whom everybody saw assassinated weeks previously on prime time TV…

Whilst the Star Spangled Avenger is exposed as a Skrull a flashback reveals how potent the new Skrull strategy is, not only copying the body and powers but programming the infiltrator with false memories so that it actually believes itself to be the human hero it mimics…

These unwitting Trojan Horses have been mixed in with genuine shanghaied Terrans and eventually allowed to escape back to Earth…

With art by Tan & Matt Banning, the next sneak peek harks back to the time when Earth’s “Illuminati” – Reed Richards, Tony (Iron Man) Stark, Black Bolt, Stephen Strange, Charles Xavier and Namor, the Sub-Mariner – confronted and were consequently captured by the Skrulls.

Although the heroes eventually escaped they left behind far too many genetic secrets, and this shocking history lesson proceeds to reveal how neophyte scientist Dro’ge Fenu Edu used the mind and personality of Richards to forge the final link in the aliens’ infallible invasion plan…

Jim Cheung, Matt Dell & Jay Leisten illustrated the next chapter which intersected with publishing event House of M as deep-cover agent and invasion commander Queen Veranke found herself caught up in the reality-warping spell of the Scarlet Witch.

As that deeply troubled woman remade the world in a crazed attempt to create a mutant paradise, Veranke was forced to see things that would sharpen her resolve to eradicate humanity once the previous reality was (mostly) restored…

Tan & Banning were back for #46 as mystic gangster The Hood and his syndicate of super-criminals rescue murderous menace Madame Masque from SHIELD agents, only to discover that the high-tech lawmen are shapeshifting aliens…

As the villains struggle to decide what their role will be in the coming struggle, The Hood at last learns where his own incredible abilities come from…

The catalogue of changeling tales concludes with a Tan, Michael Gaydos & Banning art collaboration as new parents Luke Cage and Jessica Jones review how they first met when the former “Hero for Hire” commissioned actual private detective Jones to track down his estranged father.

Some heartbreaks lead to new loves but as the woman known as “Alias” gradually moved into Cage’s life, neither knew that one day it would all lead to a Skrull impersonating the Avengers’ butler, stealing their baby…

Quirky, moving, and winningly low-key, the stories gathered here are supplemented with a cover gallery from by Aleksi Briclot and a selection of landmark original covers his homages are based on, including Avengers Annual #2 by John Buscema, New Avengers: Illuminati #1 by Cheung, House of M #1 by Esad Ribic, Bring on the Bad Guys by John Romita Sr. and West Coast Avengers #1 by Bob Hall.

Although impressive and entertaining, this great Fights ‘n’ Tights tome doesn’t really stand alone, but you will also certainly benefit from checking out the collections Secret Invasion: the Infiltration, Avengers Disassembled, and Annihilation volumes 1-3, as well as the rather pivotal New Avengers: Illuminati graphic novel.

Despite the copious homework list I’ve provided, this book is still a solid action-adventure read, with plenty of human drama to balance the paranoia and power-plays: a pure guilty pleasure.
© 2008, 2009, 2011 Marvel Characters, Inc. All rights reserved.

Ultimate Comics Spider-Man by Brian Bendis volume 4


By Brian Michael Bendis, Sara Pichelli, David Marquez, Justin Ponsor & various (Marvel) ISBN: 978-0-7851-6503-3

When the Ultimate Spider-Man died, writer Brian Michael Bendis and Marvel promised that a new hero would arise from the ashes…

Marvel’s Ultimates imprint began in 2000 with a post-modern take on major characters and concepts to bring them into line with the tastes of 21st century readers – apparently a wholly different demographic from us baby-boomers and our descendents content to stick with the precepts sprung from founding talents Jack Kirby, Steve Ditko and Stan Lee… or perhaps just those unable or unwilling to deal with five decades (seven if you include Golden Age Timely tales retroactively co-opted into the mix) of continuity baggage which saturated the originals.

Of course the darkly nihilistic new universe soon became as continuity-constricted as its ancestor and in 2008 cleansing exercise “Ultimatum” culminated in a reign of terror which killed dozens of super-humans and millions of mere mortals in a devastating tsunami that inundated Manhattan courtesy of mutant menace Magneto.

In the months that followed, plucky Peter Parker and his fellow meta-human survivors struggled to restore order to a dangerous new world, but just as Spider-Man finally gained a measure of acceptance and was hailed a hero by the masses, he took a bullet for Captain America and very publicly met his end during a catastrophic super-villain showdown …

In the aftermath, child prodigy Miles Morales gained suspiciously similar powers (super-strong and fast and able to walk up walls, plus invisibility and a crippling “venom-charge”) and started out on the same deadly learning curve: coping with astounding new physical abilities, painfully discovering the daily costs of living a life of lies and realising how a crippling sense of responsibility is the most seductive method of self-harm and worst of all of possible gifts.

He was helped and hindered in equal amounts by his uncle Aaron: a career super-criminal dubbed The Prowler. Things started to go spiral out of control the night Aaron Davis died in battle with the new arachnid hero in town, but now – months later – the repercussions of the televised event have finally caught up with the boy who would be Spider-Man…

Written throughout by Bendis, this luxurious hardcover collection (re-presenting Ultimate Comics Spider-Man #16.1 and #19-25, from December 2012 to June 2013) finds the juvenile wall-crawler recovering in the aftermath of a second War Between the States.

That internecine conflict almost destroyed the Republic but has left the traumatised public in no mood to tolerate mysteries or put up with unexplained and potentially dangerous characters and vigilantes.

The action opens with jump-on tale ‘Point One’ (illustrated by David Marquez

from Ultimate Comics Spider-Man #16.1) wherein unscrupulous reporter Betty Brant uses her considerable investigative skills to establish a link between The Prowler, the second Spider-Man, the genetic experiments of Norman Osborn and a guy named Morales.

As she digs deeper and follows the brief career of the new hero, Betty not only uncovers the remains of the genegineered spider which transformed Miles, but also learns far more than she should have from disgraced Oscorp biochemist Dr. Conrad Marcus, as well as engendering the unwelcome interest of scientific monolith Roxxon Industries and a brutal, relentless monstrosity…

The main event is 4-part epic ‘Venom War’ (art by Sara Pichelli) which opens in the days following the civil war. Child prodigy Miles and best-bud/superhero trainer Ganke are back at Brooklyn Visions Academy Boarding School. Miles spends only weekends at home, and now he and his confidante are eagerly attempting to master Peter Parker‘s web-fluid formula and wrist-shooters which the inexperienced hero has recently inherited.

As a mysterious monster raids and wrecks Roxxon’s HQ, in Manhattan homicide cop and ex-SHIELD agent Mariah Hill is investigating the bloody murder of a journalist. Her interviews at the Daily Bugle all lead her to the Davis/Morales home in Brooklyn.

Marcus’ dad Jefferson Davis has become an involuntary and extremely camera-shy celebrity because of his stand against the secessionist organisation Hydra. When a film crew bursts into the family home he understandably goes ballistic and kicks them to the kerb, but his fury is futile in the face of the towering, metamorphic horror known as Venom, which chooses that moment to attack the person it accuses of being Spider-Man…

The next chapter opens seconds later as the beast lunges, and in the family home Miles suits up and springs into battle…

The clash is savage and terrifying. As the TV parasites carry on filming, Jefferson joins the severely overmatched Spider-Man only to be smashed and broken like a bug…

The Arachnid kid goes crazy but his best efforts – and the fusillade of shots from the just- arrived cops – are useless. Only after the shattered lad employs his devastating venom blasts does he succeed in driving off the amorphous atrocity…

The shocking struggle has been broadcast all over the world. Elsewhere in Brooklyn two girls cherished by the original web-spinner immediately drop what they’re doing and rush to the scene of the battle…

Many months previously, as part of the crowd of grateful strangers attending Peter Parker’s memorial, Miles and Ganke had talked to another mourner, a girl who was intimate with the murdered hero. Gwen Stacy offered quiet insights to the boy child who had just acquired his powers and then altered the course of his life forever by sharing a simple mantra: “with great power comes great responsibility”…

Now she and Mary Jane Watson arrive at the crime scene ready to share their experience in keeping secrets just as attending detective Mariah Hill reaches the conclusion that the shell-shocked boy crying on the stairs is Spider-Man…

His mother Rio Morales is in the ambulance taking Jefferson to hospital and Miles is in no state to fend off questions from an experienced SHIELD interrogator or even speak to his equally traumatised buddy Ganke, but Gwen and Mary Jane certainly are and quickly shut down the situation and terminate the interview.

As they explain all the ghastly secrets of the Venom monster and its connection to the Parker family, speculation leads the youngsters to the idea that maybe the genetic quirk which made Peter Spider-Man might be repeated in the Morales family…

Deep below their feet the shapeshifting symbiote is reconstituting. Soon it breaks out of the sewers to again consume human hosts. The consciousness in charge of the marauding terror hasn’t given up its search for Spider-Man and is all too quickly bursting into the hospital where Rio is waiting for word on her husband…

The shocking conclusion begins with news of the assault reaching Miles. Hill, convinced she is right, gives Miles crucial advice for the battle she knows his coming. By the time Spider-Man reaches the medical centre Venom is carving a bloody swathe through the patients and doctors and the consequent clash is terrifying to behold.

With bodies falling everywhere Miles eventually finds a grotesque and dreadful way to stop the beast and expose the villain within, but in the aftermath realises that the awful cost has been another person he loves…

As the ruthless boss of Roxxon now makes Spider-Man his only priority, in Brooklyn Miles wakes from a deep sleep and realises his life has changed forever. At last he understands the horror and tragedy which underpins the legend of Spider-Man. This time though, the response to a death in the family is not guilty defiance and an urge to make things right, but a crushing, total surrender…

To Be Continued…

With covers by Sara Pichelli, this is a tense, breathtaking action-packed, thriller full of the humour and drama which blessed the original Lee/Ditko tales: a controversial but worthy way to continue and advance the legend that Fights ‘n’ Tights addicts will admire and adore… © 2012, 2013 Marvel Characters, Inc. All rights reserved.