Showcase Presents Superman volume 2


By Otto Binder, Jerry Siegel, Jerry Coleman, Bill Finger, Wayne Boring, Al Plastino, Curt Swan & various (DC Comics)
ISBN: 978-1-4012-1041-0

Although we all think of Jerry Siegel and Joe Shuster’s iconic creation as the epitome of comicbook creation, the truth is that very soon after his launch in Action Comics #1 Superman became a fictional multimedia star in the same league as Mickey Mouse, Popeye, Tarzan and Sherlock Holmes.

Far more people have seen or heard the Man of Steel than have ever read him – and yes, that does include the globally syndicated newspaper strips. By the time his 20th anniversary rolled around he had been a regular on radio, starred in a series of astounding animated cartoons, a novel by George Lowther and two movies, He was a perennial success for toy and puzzle manufacturers and had just ended his first smash live-action television serial. In his future were three more (Superboy, Lois & Clark and Smallville), a stage musical, a franchise of stellar movies and an almost seamless succession of games, bubblegum cards and TV cartoons beginning with The New Adventures of Superman in 1966 and continuing ever since. Even Krypto got in on the small-screen act…

However, that’s not all there is to these gloriously engaging super-sagas culled from the Metropolis Marvel’s lead feature in Action Comics #258-277 and the all-star sagas from Superman #134-145 (reliving the period November 1959 to May 1961 and including selected snippets from Superman Annuals #1& 2) presented in crisp, clean black and white for this sterling second Showcase Presents collection.

During the 1950s, even as his back-story was expanded and elaborated, Superman had settled into an ordered existence. Nothing could really hurt him, nothing ever changed, and pure thrills seemed in short supply. With the TV show concentrating on the action, the Comics-Code-hamstrung funnybook writers increasingly concentrated on supplying wonder, intrigue, imagination and, whenever possible, a few laughs as well…

The wholesome intrigue and breathtaking fantasy commence here with Action Comics #258’s ‘The Menace of Cosmic Man’ a sharp mystery written by Bill Finger and illustrated by Wayne Boring & Stan Kaye, wherein an impoverished European dictatorship suddenly announced it had its own all-powerful costumed champion; drawing Lois Lane and Clark Kent into a potentially deadly investigation, whilst #259 featured the hallucinogenic thriller ‘The Revenge of Luthor!’ by Jerry Siegel & Al Plastino with a seemingly impossible clash between the Man of Tomorrow and his own younger self which almost led to certain death for Lois and school sweetheart Lana Lang…

Superman #134 (January 1960) was a full-length epic from Binder, Boring & Kaye as ‘The Super-Menace of Metropolis’ saw the Caped Kryptonian apparently undertake a concerted attack upon humanity, leading to shocking revelations in ‘The Revenge Against Jor-El!’ before a blockbusting final battle against an unsuspected Kandorian foe in ‘Duel of the Supermen!’

There was the usual heartbreak for Lois when Superman and Supergirl perpetrated a romantic hoax on the world to thwart a potential alien attack in ‘Mighty Maid!’ (Action #260, Binder & Plastino), whilst Superman #135 offered three Siegel stories beginning with the Untold Tale ‘When Lois First Suspected Clark was Superman!’, illustrated by Plastino, after which ‘Superman’s Mermaid Sweetheart!’ (Boring & Kaye) reintroduced Clark Kent’s college love Lori Lemaris in another superbly effective, bittersweet tear-jerker and ‘The Trio of Steel!’ found the Man of Steel again battling his most impossible foe in a classy conundrum (art by Plastino again).

Action #261 revealed the secret history of ‘Superman’s Fortress of Solitude!‘ by unravelling a cunning criminal plot against the indomitable hero in a clever yarn from Siegel, Boring & Kaye after which ‘When Superman Lost his Powers!’ (#262, Robert Bernstein, Boring & Kaye) saw the Daily Planet staff trapped in another dimension where the Man of Tomorrow was merely mortal and Lois’ suspicions were again aroused…

Superman #136 began with ‘The Man who Married Lois Lane!’ by Bernstein, Boring & Kaye wherein the frustrated reporter finally gave in and settled for a superman from the future – with tragic results – after which another Untold Tale revealed how the World first learned ‘The Secret of Kryptonite!’ (Jerry Coleman & Plastino) and how, as ‘The Super-Clown of Metropolis!’, Superman was blackmailed into attempting to make a millionaire misanthrope laugh in a smart character-driven yarn from Siegel & Plastino.

Action #263 introduced ‘The World of Bizarros!’ (Binder, Boring & Kaye) wherein the ghastly doppelganger used an imperfect duplicator machine to create an entire race in his broken image, whilst Superman #137, ‘The Super-Brat from Krypton!’, (Siegel, Curt Swan & John Forte) revealed how an energy duplicate of baby Kal-El was raised by criminals to become ‘The Young Super-Bully’ before finally confronting his noble counterpart in ‘Superman vs. Super-Menace!’

In Action Comics #264 a clash with the newly-minted artificial race culminated in the Caped Kryptonian almost becoming ‘The Superman Bizarro!’ in a tense thriller from Binder, Boring & Kaye whilst ‘The “Superman” from Outer Space!’ in #265 (Binder, Swan & Forte) recounted the tragically short career of Hyper-Man, planetary champion of Earth-like world Oceania, after which Superman #138 debuted ‘Titano the Super-Ape!’: a chimpanzee mutated into a Kryptonite-empowered King Kong clone with a devotion to Lois and big hatred for the Man of Steel: a beloved masterpiece by Binder, Boring & Kaye combining action, pathos and drama to superb effect.

‘Superman’s Black Magic!’ (Siegel & Plastino) balanced that epic tear-jerker with a clever yarn wherein the Action Ace instigated a devilish sting to catch superstitious crooks whilst ‘The Mermaid from Atlantis!’ by Siegel Boring & Kaye, saw the newlywed Lori Lemaris attempt to trick Superman into finally proposing to Lois.

Action #266 found the heroic hunk trapped on another world, ‘The Captive of the Amazons.’ Their queen wanted the Man of Tomorrow for her sixth husband and was prepared to destroy Earth to make her dreams come true…

Superman #139 began with ‘The New Life of Super-Merman!’ as the Caped Kryptonian and Lori schemed to marry Lois off to a nice, safe multi-millionaire who really loved her in a rather dated and potentially offensive tale from Siegel, Boring & Kaye, whereas ‘The Jolly Jailhouse!’ (Coleman & Plastino) is safe and solid entertainment, providing a light-hearted clash between a would-be dictator and the World’s Most Uncooperative political prisoner Clark Kent; after which ‘The Untold Story of Red Kryptonite!’ (Binder, Boring & Kaye) offered a dramatic dilemma, a redefinition of the parameters of the deadly crimson mineral, and plenty of thrills with the Man of Steel forced to risk deadly danger and lots of informative flashbacks to rescue a sunken submarine…

Binder, Boring & Kaye produced the spectacular two-part clash ‘Hercules in the 20th Century!’ and ‘Superman’s Battle with Hercules!’ (Action #267-268, and separated here by the cover of Superman Annual #1) as Luthor brought the Hellenic demi-god to Metropolis to battle the “evil king” Superman. Events turned even more serious when the legendary warrior fell for Lois and marshalled all the magical powers of the Olympians to destroy his unwitting rival…

Although later played for laughs, most of the earlier appearances of Superman‘s warped double were generally moving comi-tragedies, such as issue #140 which featured Binder, Boring & Kaye’s ‘The Son of Bizarro!’ wherein the fractured facsimile and his wife Bizarro-Lois had a perfect, human baby. The fast growing tyke had super-powers but was shunned by the populace of the world of monsters.

His simple-minded, heartbroken father had no choice but to exile his son in space where chance brought the lad crashing to Earth as ‘The Orphan Bizarro!’. Sent to the same institution where Supergirl resided, “Baby Buster” soon became a permanent headache for the Girl of Steel until a tragic accident seemingly mutated him and his distraught father came looking for him at the head of an angry army of enraged Superman duplicates. A devastating battle was narrowly avoided and a happy ending only materialised with the introduction of ‘The Bizarro Supergirl!’…

Action Comics #269 told a clever tale of identity-saving when Lois tricked Clark into standing before ‘The Truth Mirror!’ (Siegel, Swan & George Klein), whilst Superman #141 again showed the writer’s winning form in ‘Superman’s Return to Krypton!’ Illustrated by Boring & Kaye the epic Grand Tragedy revealed in ‘Superman Meets Jor-El and Lara Again!’ how an accident marooned the adoptive Earth hero in the past on his doomed home-world. Reconciled to dying there with his people, in ‘Superman’s Kryptonian Romance’ Kal-El found love with his ideal soul-mate Lyla Lerrol, only to be torn from her side and returned to Earth against his will in concluding chapter ‘The Surprise of Fate!’

This bold saga was a fan favourite for decades thereafter, and remains one of the very best stories of the period.

In Action #270 Binder, Swan, Forte provided a whimsical interlude in ‘The Old Man of Metropolis!’ as the Metropolis Marvel glimpsed his own twilight years whilst ‘Voyage to Dimension X!’ by Binder & Plastino in #271 saw him narrowly escape his greatest foe’s latest diabolical plot.

Superman #142 opened with ‘Lois Lane’s Secret Helper!’ by Binder & Kurt Schaffenberger, as faithful Krypto tried to play matchmaker whereas ‘Superman Meets Al Capone!’ saw the time-lost Man of Tomorrow clash with the legendary mobster (Binder, Boring & Kaye) before battling a wandering ‘Flame-Dragon from Krypton!’ with some helpful assistance from his best super-buddies in a sharp yarn from Siegel, Boring & Kaye.

Another prototype team-up featured in Action #272’s ‘Superman’s Rival, Mental Man!’ a clever criminal-sting caper by Siegel, Swan & Kaye, which centred around Lois’ unsuspected talents as comic strip creator, whilst over in Superman #143 ‘The Great Superman Hoax!’ (Bernstein, Boring & Kaye) saw a criminal try to convince Lois that he was actually the Man of Might. ‘Lois Lane’s Lucky Day!’ (Siegel & Forte) found the daring reporter busting a crooked carnival – with a little covert Kryptonian help – before ‘Bizarro Meets Frankenstein!’ by Binder, Boring & Kaye saw the befuddled duplicate invade Earth to prove he was the scariest monster of all time…

Action #273 had Superman turn the table on the pestiferous 5th Dimensional pixie by invading ‘The World of Mxyzptlk!’ in a light-hearted romp from Siegel & Plastino and next issue lose his abilities to Lois in ‘The Reversed Super-Powers!’ (Siegel & Schaffenberger.

Superman #144 led with the combative thriller ‘The Super-Weapon!’ by Siegel, Swan & Kaye, after which Siegel & Plastino revealed the Untold Tale of ‘Superboy’s First Public Appearance!’ before going on to describe the terrifying plight of Superman, Supergirl and Krypto as ‘The Orphans of Space!’

Action #275 saw a classic clash with alien marauder Brainiac whose latest weapon was ‘The Menace of Red-Green Kryptonite!’ (Coleman, Boring & Kaye) after which Superman #145 opened with a salutary fable by Siegel, Swan & Kaye proving why Lois couldn’t be trusted with ‘The Secret Identity of Superman!’ ‘The Interplanetary Circus!’, by Bernstein & Plastino, then held Earth hostage until the Man of Steel agreed to join them, but even after outwitting those scoundrels Superman was utterly flummoxed by the incredible events of ‘The Night of March 31st!’ – a deliciously surreal, whimsical and bizarre mystery-puzzle from Siegel, Swan & Sheldon Moldoff.

This second superb collection concludes with the stirring cover of Superman Annual #2 and the scintillating double-page Map of Krypton by Siegel & Plastino which enflamed the imagination of every kid who ever saw it…

Superman has proven to be all things to all fans over his decades of existence, and with the character undergoing another radical overhaul at this time, these timeless tales of charm and joy and wholesome wit are more necessary than ever: not just as a reminder of great tales of the past but as an all-ages primer of the wonders still to come…

© 1959, 1960, 1961, 2006 DC Comics. All Rights Reserved.

Showcase Presents World’s Finest volume 2


By Jerry Coleman, Bill Finger, Edmond Hamilton, Jim Mooney, Curt Swan, Dick Sprang & various (DC Comics)
ISBN: 978-1-84856-053-6

For decades Superman and Batman were the quintessential superhero partners: the “World’s Finest” team. They were friends as well as colleagues and the pairing made sound financial sense since DC’s top heroes could cross-pollinate and cross-sell their combined readerships.

This most inevitable of Paladin Pairings first occurred on the Superman radio show in the early 1940s, whilst in comics the pair had only briefly met whilst on a Justice Society of America adventure in All-Star Comics #36 (August-September 1947) – and perhaps even there they missed each other in the gaudy hubbub…

Of course they had shared the covers on World’s Finest Comics from the outset, but never crossed paths inside; sticking firmly to their specified solo adventures within. However once that Rubicon was crossed thanks to spiralling costs and dwindling page-counts the industry never looked back…

This second blockbusting black and white chronicle gathers their cataclysmic collaborations from World’s Finest Comics #112-145, spanning September 1960 to November 1964, just as the entire planet was about to go superhero crazy and especially Batman mad…

Issue #112 by Jerry Coleman, Dick Sprang & Sheldon Moldoff featured a unique and tragic warning in ‘The Menace of Superman’s Pet’ as a phenomenally cute teddy bear from space proved to be an unbelievably dangerous menace and unforgettable true friend. Bring tissues you big baby…

In an era when disturbing menace was frowned upon, many tales featured intellectual dilemmas and unavoidable pests. Both Gotham Guardian and Man of Steel had their own magical 5th dimensional gadflies and it was therefore only a matter of time until ‘Bat-Mite Meets Mr. Mxyzptlk’ in a madcap duel to see whose hero was best… with America caught in the metamorphic middle.

WF #114 found Superman, Batman and Robin shanghaied to the distant world of Zoron as ‘Captives of the Space Globes’ where their abilities were reversed but justice was still served in the end, after which ‘The Curse that Doomed Superman’ saw the Action Ace consistently outfoxed by a scurrilous Swami with Batman helpless to assist him…

Curt Swan & Stan Kaye illustrated #116’s thrilling monster mash ‘The Creature From Beyond’ as a criminal alien out-powered Superman whilst concealing an incredible secret, and all the formula bases were covered as Lex Luthor used ‘Super-Batwoman and the Super-Creature’ to execute his most sinister scheme against the World’s Finest heroes.

In #118 Sprang & Moldoff illustrated ‘The Creature that was Exchanged for Superman’ as the Man of Tomorrow was hijacked to another world so that a transplanted monster could undertake a sinister search and leaving the Dynamic Duo to fight a desperate holding action whilst ‘The Secret of Tigerman’ in #119 (and inked by Stan Kaye) found a dashing new hero in charge as the valiant trio attempted to outwit a sinister new criminal mastermind.

Veteran artist Jim Mooney began illustrating Coleman’s scripts in #120 starting with ‘The Challenge of the Faceless Creatures’ as amorphous monsters repeatedly siphoned off Superman’s powers for nefarious purposes after which the Gotham Gangbuster was eerily transformed into a destructive horror in the trans-dimensional thriller ‘The Mirror Batman’ and #122 (inked by Kaye) saw an alien lawman cause a seeming betrayal by the Dark Knight, leading to ‘The Capture of Superman’…

Zany frustration and magical pranks were the order of the day in #123 as ‘The Incredible Team of Bat-Mite and Mr. Mxyzptlk’ (Sprang & Moldoff) returned to again determine whose hero was greatest, whilst ‘The Mystery of the Alien Super-Boy’ (#124, illustrated by Swan & Moldoff) pitted the heroes against a titanic teenager with awesome powers and a deadly hidden agenda whilst ‘The Hostages of the Island of Doom’ (Mooney & John Forte) saw Batman & Robin used as pawns to compel Superman’s assistance in a fantastic criminal’s play for ultimate power…

Luthor’s eternal vendetta inadvertently created an immensely destructive threat in ‘The Negative Superman’ (#126, scripted by Ed Herron for Mooney & Moldoff) which stretched Batman and Robin’s ingenuity to the limit before ‘The Sorcerer From the Stars’ (by Coleman) challenged the heroes to stop his plundering of Earth’s mystic secrets whilst ‘The Power that Transformed Batman’ (#128, Coleman & Mooney) temporarily made the Caped Crusader an unstoppable menace.

Dave Wood, Mooney & Moldoff pitted the World’s Finest team against their greatest enemies in #129’s ‘Joker-Luthor, Incorporated!’ whilst Coleman & Mooney posed an intergalactic puzzle with devastating consequences for the heroes in ‘Riddle of the Four Planets!’ and Bill Finger, Sprang & Moldoff presented a stirring action thriller when the team inexplicably added a surplus and incompetent fourth hero to the partnership in ‘The Mystery of the Crimson Avenger’ from #131.

With Finger the new regular scripter, tense mysteries played a stronger part in the dramas, such as when Superman was forced to travel back in time to rescue ‘Batman and Robin, Medieval Bandits’ (art by Mooney) and clear their names of historical ignominy, whilst #133 found ‘The Beasts of the Supernatural’ (Mooney & Moldoff) leeching the Man of Steel’s power and the Gotham Guardians hard-pressed to fool the mastermind behind the attacks after which the heroes battled for their lives against an alien dictator and ‘The Band of Super-Villains’ (Mooney)

World’s Finest Comics #135 (August 1963, inked by Moldoff) was Dick Sprang’s last pencil job on the series and a great swansong as ‘Menace of the Future Man’ saw the heroes valiantly and vainly battling a time-tossed foe who knew their every tactic and secret, after which ‘The Batman Nobody Remembered’ (Mooney & Moldoff) offered a paranoid nightmare wherein the Dark Detective faced a hostile world which thought him mad, whilst ‘Superman’s Secret Master!’ (#137, Finger & Mooney) seemingly turned the Action Ace into a servant of crime until Batman deduced the true state of affairs…

Finger bowed out in #138 with ‘Secret of the Captive Cavemen’ as an alien spy’s suicide led the heroes back 50,000 years to stop a plot to conquer Earth after which Dave Wood provided an eerie sci fi thriller in ‘The Ghost of Batman’ (Mooney & Moldoff) and a classic clash of powers in #140’s ‘The Clayface Superman!’ (Mooney) as the shape-shifting bandit duplicated the Metropolis Marvel’s unstoppable abilities…

A new era dawned in World’s Finest Comics #141 (May 1964) as author Edmond Hamilton and artists Curt Swan & George Klein ushered in a more realistic and less whimsical tone in ‘The Olsen-Robin Team vs. “the Superman-Batman Team!”’ wherein the junior partners rebelled and set up their own crime-fighting enterprise: however there was a hidden meaning to their increasingly wild escapades…

In #142 an embittered janitor suddenly gained all the powers of the Legion of Super-Heroes and attacked the heroes out of frustration and jealousy in ‘The Composite Superman!’ after which the Dark Knight suffered a near fatal wound and nervous breakdown in ‘The Feud Between Batman and Superman!’ a condition cured only after a deadly and disastrous recuperative trip to the Bottle City of Kandor.

Super-villains were becoming more popular and #144 highlighted two of the worst when ‘The 1,000 Tricks of Clayface and Brainiac!’ almost destroyed the World’s Finest team forever and this stellar second collection ends on an enthralling high note when Batman was press-ganged to an alien ‘Prison For Heroes!’: not as a cell-mate for Superman and other interplanetary champions, but as their sadistic jailer…

These are gloriously clever yet uncomplicated tales whose dazzling style has returned to inform if not dictate the form for much of DC’s modern television animation – especially the fabulous Batman: the Brave and the Bold series – and the contents of this tome are a veritable feast of witty, charming thrillers packing as much punch and wonder now as they always have.
© 1960-1964, 2008 DC Comics. All Rights Reserved.

Showcase Presents Legion of Super-Heroes volume 2


By Otto Binder, Jerry Siegel, Edmond Hamilton, Jim Shooter, Curt Swan, John Forte & various (DC Comics)
ISBN: 978-1- 4012-1724-2

Once upon a time, in the far future, a band of super-powered kids from a multitude of worlds took inspiration from the greatest legend of all time and formed a club of heroes. One day those Children of Tomorrow came back in time and invited their inspiration to join them…

And thus began the vast and epic saga of the Legion of Super-Heroes, as first envisioned by writer Otto Binder and artist Al Plastino in early 1958, just as the revived comicbook genre of superheroes was gathering an inexorable head of steam. Since that time the fortunes and popularity of the Legion have perpetually waxed and waned, with their future history tweaked and rebooted, retconned and overwritten over and again to comply with editorial diktat and popular whim.

This splendid, charm-soaked, action packed second monochrome collection continues to re-present those early tales from the disparate Superman Family titles in chronological order: the sagas from their own feature spanning Adventure Comics #322-348, plus guest-shots from Superboy #117, 124-125 98 and pertinent portions of Superman Annual #4, covering July 1964 to September 1966.

From Adventure #322 the fun-filled futurism opens with ‘The Super-Tests of the Super-Pets’ by Edmond Hamilton, John Forte & Sheldon Moldoff, wherein the Legion’s mighty animal companions – Krypto, Streaky the Super Cat, Beppo, the monkey from Krypton and Comet the magical Super-horse – were left to guard Earth as the major players continued to pursue the elusive Time Trapper.

When Chameleon Boy’s pet Proty II applied to join the bestial bunch they gave him a series of extremely difficult qualification tasks…

‘The Eight Impossible Missions!‘ (#323 by Jerry Siegel, Forte & George Klein) found the incomprehensibly smart Proty setting the human Legionnaires a set of challenges to determine their next leader, after which the tone switched to deadly danger in ‘The Legion of Super-Outlaws!’ by Hamilton & Forte, as a mad scientist bearing a grudge manipulated a super-team from far distant Lallor into attacking the United Planets heroes…

Issue #325 revealed how ‘Lex Luthor Meets the Legion of Super-Heroes!’ (Siegel & Forte) in a cunning tale of deadly deception whilst a ‘Revolt of the Girl Legionnaires!’ (Siegel, Forte & Klein) found the female members attempting to eradicate their male comrades. Of course they didn’t mean it and a sinister mastermind was behind it all…

Superboy #117 (December 1964) featured a classy thriller wherein Chameleon Boy, Invisible Kid, Ultra Boy, Element Lad and Brainiac 5 seemingly travelled back 1000 years to attack the Boy of Steel in ‘Superboy and the Five Legion Traitors!’ (Siegel, Curt Swan & Klein) whilst over in Adventure #327 ‘The Lone Wolf Legionnaire!’ introduced Brin Londo; a troubled teen framed for appalling crimes who would one day become a valued member of the team in a clever thriller from Hamilton, Forte, Klein & Moldoff.

Jerry Siegel & Jim Mooney began an engaging run of tales in #328 beginning with ‘The Lad who Wrecked the Legion!’ as the insidious Command Kid joined the superhero squad in order to dismantle it from within.

Narrowly escaping that fate, the heroes had to confront the topsy-turvy threat of their own imperfect doppelgangers in #329’s ‘The Bizarro Legion!’ after which another nefarious juvenile infiltrated the LSH intending to destroy them all in ‘Secret of the Mystery Legionnaire!’. The dastardly plan proceeded without a hitch until the victorious Dynamo-Boy recruited the malevolent Lightning Lord, Cosmic King and Saturn Queen and fell victim to ‘The Triumph of the Legion of Super-Villains!’ in #331.

Rescued and restored, the good kids were back in Adventure #332 to face ‘The Super-Moby Dick of Space!’ (by Hamilton & Forte) wherein the recently resurrected Lightning Lad suffered crippling injuries and an imminent nervous breakdown…

‘The War Between Krypton and Earth!’ in #333, by Hamilton, Forte & Klein, had the time travelling heroes flung back into the World’s antediluvian past and split into internecine factions on opposite sides of a conflict forgotten by history, after which ‘The Unknown Legionnaire!’ (Hamilton, Forte & Moldoff) posed a perilous puzzle with an oppressed race’s future at stake…

The same creative team introduced deadly super-villain ‘Starfinger!’ in #335 who framed a luckless Legionnaire for his incredible crimes before ‘The True Identity of Starfinger!’ (inked by Klein) was revealed and the entire team focused on the real menace.

Superboy #124 (October 1965, by Otto Binder & George Papp) featured Lana Lang as ‘The Insect Queen of Smallville!’ who was rewarded with a shape-changing ring after rescuing a trapped alien. Naturally she used her new abilities to ferret out Clark Kent’s secrets…

Adventure #337 highlighted ‘The Weddings that Wrecked the Legion!’ by Hamilton, Forte & Moldoff as two couples resigned to marry. However, there was serious method in the seeming marital madness…

Long absent Bête Noir the Time Trapper at last returned in #338 when Siegel & Forte revealed ‘The Menace of the Sinister Super-Babies!’ with sultry Glorith of Baaldur using the Chronal Conqueror’s devices to turn everybody but Superboy and Brainiac 5 into mewling infants. When they turned the tables on the villains a new era dawned for the valiant Tomorrow Teens…

Superboy #125 (November 1965) signalled darker days ahead by introducing a legion reservist with a tragic secret in ‘The Sacrifice of Kid Psycho!’ by Binder & Papp, after which Hamilton, Forte & Moldoff told the bittersweet tale of disaffected and tormented Lallorian hero Beast Boy who turned against humanity in Adventure Comics #339’s ‘Hunters of the Super-Beasts!’

The slow death of whimsy and light-hearted escapades culminated in #340 when Brainiac 5’s latest invention went berserk, becoming ‘Computo the Conqueror!’ (Siegel, Swan & Klein): attacking humanity and even killing one of the superheroes before ‘The Weirdo Legionnaire!’ (inked by Moldoff) began the team’s fight-back and eventual glorious triumph.

‘The Legionnaire who Killed!’ (#342 by Hamilton, Swan, Moldoff & Klein) saw Star Boy forced to take a life and confronted with the harshest of consequences, whilst ‘The Evil Hand of the Luck Lords!’ by Hamilton, Swan & Klein saw the bold band of heroes invade the stronghold of a sinister cult which claimed to control chance and destiny.

The same creative team ramped up the tension in Adventure #344 with ‘The Super-Stalag of Space!’ wherein the Legion – as well as many other planetary champions – were incarcerated by malicious alien overlord Nardo; an epic thriller completed in #345 with ‘The Execution of Matter-Eater Lad!’

With Adventure #346 (July 1966) the dramatic revolution culminated in ‘One of us is a Traitor!’ as Jim Shooter, barely a teenager, sold script and layouts (finished and inked by veteran Sheldon Moldoff) for a spectacular Earth invasion yarn as the sinister Khunds attacked and the depleted Legion inducted four new members to bolster their strength. However, although Princess Projectra, Nemesis Kid, Ferro Lad and Karate Kid were all capable fighters it was soon apparent that one was an enemy agent…

With Earth all but conquered ‘The Traitor’s Triumph!’ (Shooter, Swan & Klein) seemed assured, but there was one last surprise to come in this spectacular debut yarn from one of the industry’s most innovative creators…

This splendid second compendium concludes with a tense thriller by Shooter & Papp from Adventure #348 as the secret origin of Sun Boy was revealed when radioactive rogue Dr. Regulus attempted to gain misplaced vengeance in ‘Target-21 Legionnaires!’

But wait! There’s more!

Before the end there’s an expanded illustrated pictorial check-list and informational guide to the entire team by Swan, Klein & Al Plastino, culled from Superman Annual #4, 1961, Adventure Comics #316 and #365 (January 1964 & February 1968, respectively).

The Legion is undoubtedly one of the most beloved and bewildering creations in comicbook history and largely responsible for the growth of the groundswell movement that became American Comics Fandom. Moreover, these sparkling, simplistic and devastatingly addictive stories as much as the legendary Julie Schwartz Justice League fired up the interest and imaginations of a generation of young readers and built the industry we all know today.

These naive, silly, joyous, stirring and utterly compelling yarns are precious and fun beyond any ability to explain – even if we old lags gently mock them to ourselves and one another. If you love comics and haven’t read this stuff, you are the poorer for it and need to enrich your future life as soon as possible.
© 1961, 1964, 1965, 1966, 2008 DC Comics. All Rights Reserved.

Showcase Presents Elongated Man


By Gardner Fox, Carmine Infantino & various (DC Comics)
ISBN: 978-1-4012-1042-2

Once upon a time American comics editors believed readers would become jaded if  characters were over-used or over-exposed and so to combat that potential danger – and for sundry other commercial and economic reasons – they developed back-up features in most of their titles. By the mid-1960s the policy was largely abandoned as resurgent superheroes sprang up everywhere and readers just couldn’t get enough…but there were still one or two memorable holdouts.

In late 1963 Julius Schwartz took editorial control of Batman and Detective Comics and finally found a place for a character who had been lying mostly fallow ever since his debut as a walk-on in the April/May 1960 Flash.

The Elongated Man was Ralph Dibny, a circus-performer who discovered an additive in soft drink Gingold which seemed to give certain people increased muscular flexibility. Intrigued, he refined the chemical until he had developed a serum which gave him the ability to stretch, bend and compress his body to an incredible degree. Then Ralph had to decide how to use his new powers…

This charming, witty and very pretty compilation gathers all the Flash guest appearances from issues #112, 115, 119, 124, 130, 134, and 138 spanning April/May 1960 to August 1963 before re-presenting the Stretchable Sleuth’s entire scintillating run from Detective Comics #327-371 (May 1964-January 1968).

Designed as a modern take on the classic Golden Age champion Plastic Man, Dibny debuted in Flash #112 in ‘The Mystery of the Elongated Man!’ as a mysterious masked yet attention-seeking elastic do-gooder, of whom the Scarlet Speedster was nonetheless highly suspicious, in a cunningly crafted crime caper by John Broome, Carmine Infantino & Joe Giella. Dibny returned in #115 (September 1960 and inked by Murphy Anderson) when aliens attempted to conquer the Earth and the Vizier of Velocity needed ‘The Elongated Man’s Secret Weapon!’ as well as the guest-star himself to save the day.

In Flash #119 (March 1961), Flash rescued the vanished hero from ‘The Elongated Man’s Undersea Trap!’ which introduced the vivacious Sue Dibny (as a newly wed “Mrs Elongated Man”) in a mysterious and stirring tale of sub-sea alien slavers by regular creative team Broome, Infantino & Giella.

The threat was again extraterrestrial with #124′s alien invasion thriller ‘Space-Boomerang Trap!’ (November 1961) which featured an uneasy alliance between the Scarlet Speedster, Elongated Man and the sinister Captain Boomerang who naturally couldn’t be trusted as far as you could throw him…

Ralph collaborated with Flash’s junior partner in #130 (August 1962) only just defeating the wily Weather Wizard when ‘Kid Flash Meets the Elongated Man!’ but then sprang back into action with – and against – the senior partner in Flash #134 (February 1963), seemingly allied with Captain Cold ‘The Man who Mastered Absolute Zero!’ in a flamboyant thriller that almost ended his budding heroic career…

Gardner Fox scripted ‘The Pied Piper’s Double Doom!’ in Flash #138 (August 1963) a mesmerising team-up which saw both Elongated Man and the Scarlet Speedster enslaved by the Sinister Sultan of Sound, before ingenuity and justice finally prevailed.

When the back-up spot opened in Detective Comics (a position held by the Martian Manhunter since 1955 and only vacated because J’onn J’onzz had been promoted to the lead position in House of Mystery) Schwartz had Ralph Dibny slightly reconfigured as a flamboyant, fame-hungry, brilliantly canny travelling private eye solving mysteries for the sheer fun of it. Aided by his equally smart but thoroughly grounded wife, the short tales were patterned on the classic “Thin Man” filmic adventures of Nick and Norah Charles, blending clever, impossible crimes with slick sleuthing, all garnished with the outré heroic permutations and frantic physical antics first perfected in Jack Cole’s Plastic Man.

These complex yet uncomplicated sorties, drenched in fanciful charm and sly dry wit, began in Detective Comics #327 (May 1964) and ‘Ten Miles to Nowhere!’ (by Fox & Infantino, who inked himself for all the early episodes) wherein Ralph, who had publicly unmasked and become a minor celebrity, discovered that someone had been stealing his car and bringing it back as if nothing had happened. Of course it had to be a clever criminal plot of some sort…

A month later he solved the ‘Curious Case of the Barn-door Bandit!’ and debuted his rather revolting trademark of manically twitching his expanded nose whenever he “detected the scent of mystery in the air” before heading for cowboy country to unravel the ‘Puzzle of the Purple Pony!’ and play cupid for a young couple hunting a gold mine in #329.

Ralph and Sue were on an extended honeymoon tour, making him the only costumed hero without a city to protect. When they reached California Ralph became embroiled in a ‘Desert Double-Cross!’ where hostage-taking thieves raided the home of a wealthy recluse after which Detective #331 offered a rare full-length story in ‘Museum of Mixed-Up Men!’ (Fox, Infantino & Giella) as Batman, Robin and the Elongated Man united against a super-scientific felon able to steal memories and reshape victims’ faces.

Returned to a solo support role in #332, the Ductile Detective discovered Sue had been replaced by an alien in ‘The Elongated Man’s Other-World Wife!’ (with Sid Greene becoming the new permanent inker). Of course, nothing was as it seemed…

‘The Robbery That Never Happened!’ began when a jewellery-store customer suspiciously claimed he had been given too much change whilst ‘Battle of the Elongated Weapons!’ in #334 concentrated on a crook who had adapted Ralph’s Gingold serum to affect objects, after which bombastic battle it was back to mystery-solving when the Elongated Man was invited by Fairview City to round up a brazen bunch of uncatchable bandits in ‘Break Up of the Bottleneck Gang!’

While visiting Central City again Ralph was lured to the Mirror Master’s old lair and only barely survived ‘The House of “Flashy” Traps!’ and then risked certain death in the ‘Case of the 20 Grand Pay-off!’ by replacing Sue with a look-alike – for the best possible reasons – but without her knowledge or permission…

Narrowly surviving his wife’s wrath by turning the American tour into a World cruise, Ralph then tackled the ‘Case of the Curious Compass!’ in Amsterdam, foiling a gang of diamond smugglers, before returning to America and ferreting out funny-money pushers in ‘The Counterfeit Crime-Buster!’

Globe-trotting creator John Broome returned to script ‘Mystery of the Millionaire Cowboy!’ in Detective #340 (June 1965) as Ralph and Sue stumbled onto a seemingly haunted theatre and found crooks at the heart of the matter, whilst ‘The Elongated Man’s Change-of-Face!’ (by Fox, Infantino & Greene) saw a desperate newsman publish fake exploits to draw the fame-fuelled hero into investigating a town under siege, and ‘The Bandits and the Baroness!’ (Broome) saw the perpetually vacationing couple check in at a resort where every other guest was a Ralph Dibny, in a classy insurance scam story heavy with intrigue and tension.

A second full-length team-up with Batman featured in Detective Comics #343 (September 1965, by Broome, Infantino & Giella), in ‘The Secret War of the Phantom General!’; a tense action-thriller pitting the hard-pressed heroes against a hidden army of gangsters and Nazi war criminals, determined to take over Gotham City.

Having broken Ralph’s biggest case the happy couple headed for the Continent and encountered ‘Peril in Paris!’ (Broome, Infantino & Greene) when Sue went shopping as an ignorant American and returned a few hours later a fluent French-speaker…

‘Robberies in Reverse!’ (Fox) saw a baffling situation when shopkeepers began paying customers, leading Ralph to a severely skewed scientist’s accidental discovery whilst #346’s ‘Peephole to the Future!’ (Broome) saw the Elongated Man inexplicably develop the power of clairvoyance, which cleared up long before he could use it to tackle ‘The Man Who Hated Money!’ (Fox); a bandit who destroyed every penny he stole.

‘My Wife, the Witch!’ was Greene’s last ink job for a nearly a year; a Fox thriller wherein Sue apparently gained magical powers whilst ‘The 13 O’clock Robbery!’ with Infantino again inking his own work, found Ralph walk into a bizarre mystery and deadly booby-trapped mansion, before Hal Jordan’s best friend sought out the stretchable Sleuth to solve the riddle of ‘Green Lantern’s Blackout!’ – an entrancing, action-packed team-up with a future Justice League colleague, after which ‘The Case of the Costume-made Crook!’ found the Elongated Man ambushed by a felon using his old uniform as a implausible burglary tool.

Broome devised ‘The Counter of Monte Carlo!’ as the peripatetic Dibnys fell into a colossal espionage conspiracy at the casino and became pawns of a fortune teller in ‘The Puzzling Prophecies of the Tea Leaves!’ (Fox) before Broome delighted one more time with ‘The Double-Dealing Jewel Thieves!’ as a museum owner found that his imitation jewel exhibit was indeed filled with fakes…

As Fox assumed full scripting duties Mystic Minx Zatanna guest-starred in #355’s ‘The Tantalising Troubles of the Tripod Thieves!’, wherein stolen magical artefacts led Ralph into conflict with a band of violent thugs whilst ‘Truth Behind the False Faces!’ saw Infantino bow out on a high note as the Elongated Man helped a beat cop to his first big bust and solved the conundrum of a criminal wax museum.

Detective #357 (November 1966) featured ‘Tragedy of the Too-Lucky Thief!‘ (by Fox, Murphy Anderson & Greene) as the Dibnys discovered a gambler who hated to win but could not lose whilst Greene handled all the art on ‘The Faker-Takers of the Baker’s Dozen!’ wherein Sue’s latest artistic project led to the theft of a ancient masterpiece. Anderson soloed with Fox’s ‘Riddle of the Sleepytime Taxi!’, a compelling and glamorous tale of theft and espionage and when Ralph and Sue hit Swinging England in Detective #360 (February 1967, Fox & Anderson) with ‘London Caper of the Rockers and Mods!’, they met the monarch and prevented warring kid-gangs from desecrating our most famous tourist traps before heading home to ‘The Curious Clue of the Circus Crook!’ (Greene), wherein Ralph visited his old Big-Top boss and stopped a rash of robberies which had followed the show around the country.

Infantino found time in his increasingly busy schedule for a few more episodes, (both inked by Greene) beginning with ‘The Horse that Hunted Hoods’, a police steed with uncanny crime solving abilities, and continuing in a ‘Way-out Day in Wishbone City!’ wherein normally solid citizens – and even Sue – went temporarily insane and started a riot, after which unsung master Irv Novick stepped in to delineate the mystery of ‘The Ship That Sank Twice!’

‘The Crooks who Captured Themselves!’ (#365, with art by Greene) found Ralph losing control of his powers whilst Broome & Infantino reunited one last time for ‘Robber Round-up in Kiddy City!’ as, for a change, Sue sniffed out a theme-park mystery for Ralph to solve and Infantino finally bowed out with the superb ‘Enigma of the Elongated Evildoer!’ (written by Fox and inked by Greene) as the Debonair Detectives found a thief in a ski lodge who seemed to possess all Ralph’s elastic abilities…

The Atom guest-starred in #368, helping battle clock-criminal Chronos in ‘The Treacherous Time-Trap!’ by Fox, Gil Kane, Greene and iconoclastic newcomer Neal Adams illustrated the poignant puzzler ‘Legend of the Lover’s Lantern!’, after which Kane & Greene limned the intriguing all-action ‘Case of the Colorless Cash!’. The end of the year signalled the end of an era as Fox, Mike Sekowsky & Greene finished off the Elongated Man’s expansive run with the delightfully dizzy lost-loot yarn ‘The Bellringer and the Baffling Bongs’ (#371, January 1968).

With the next issue Detective Comics became an all Bat-family title and Ralph and Sue Dibny temporarily faded from view until revived as bit players in Flash and finally recruited into the Justice League as semi-regulars. Their charismatic relationship and unique genteel style has however, not been seen again: casualties of changing comics tastes and the replacement of sophistication with angsty shouting and testosterone-fuelled sturm und drang…

Witty, bright, clever and genuinely exciting these smart stories from a lost age are all beautiful to look at and a joy to read for any sharp kid and all joy-starved adults. This book is a shining tribute to the very best of DC’s Silver Age and a volume no fan of fun and adventure should be without.
© 1960, 1961, 1962, 1964, 1965, 1966, 1967, 1968, 2006 DC Comics. All Rights Reserved.

Showcase Presents Wonder Woman volume 3


By Robert Kanigher, Ross Andru & Mike Esposito (DC Comics)
ISBN: 978-1-84856-474-9

Wonder Woman was created by psychologist and polygraph pioneer William Moulton Marston – apparently at the behest of his formidable wife Elizabeth – and uniquely realised by Harry G. Peter just as the spectre of World War II began to affect America.

She debuted as a bonus in All Star Comics #8 (December 1941) before vaulting into her own cover-featured series in Sensation Comics a month later. An instant hit, she quickly won her own title (cover-dated Summer 1942).

Using the pen-name Charles Moulton, Marston scripted all her adventures until his death in 1947, whereupon Robert Kanigher took over the writer’s role. Venerable co-creator H. G. Peter continued on as illustrator until his death in 1958. Wonder Woman #97, in April of that year, was his last hurrah and the end of an era.

With the exception of Superman, Batman, Wonder Woman and a few anodyne back-up features, costumed heroes had all but died out at the end of the 1940s, replaced by merely mortal champions in a deluge of anthologised genre titles but Showcase #4 rekindled the public’s interest in costumed crime-busters with a new iteration of The Flash in 1956 and the fanciful floodgates opened wide once more…

Whilst re-inventing Golden Age Greats such as Green Lantern, Atom and Hawkman, National/DC gradually updated those hoary survivors who had weathered the backlash and the ever-resilient Amazing Amazon …

Artists Ross Andru & Mike Esposito, who illustrated every script in this all-ages compendium, had debuted as cover artists from #95, but with Wonder Woman #98 (May 1958) they took over the interiors as writer/editor Kanigher reinvented much of the original mythos, tinkering with her origins and unleashing her on an unsuspecting world in a fanciful blend of girlish whimsy, rampant sexism, strange romance, alien invasion, monster-mashing and utterly surreal (some would say-stream-of-consciousness) storytelling…

By the time of this collection, re-presenting issues #138-156 (May 1963-August 1965) of the Amazing Amazon’s adventures, the Silver Age revival of the superhero genre was in full swing and despite individual stories of stunning imagination and excellence the format and timbre of Wonder Woman was looking tired and increasingly out of step with the rest of National/DC’s gradually gelling shared continuity.

While all the other champions and defenders were getting together and teaming up at the drop of a hat – as indeed was the Princess of Power in Justice League of America – within the pages of her own title a timeless, isolated fantasy universe was carrying on much as it always had.

Increasingly however, the Amazon was being sidelined by imaginary stories starring her younger selves Wonder Tot and Wonder Girl and even her mother Hippolyta was regularly stealing the show and the limelight.

With this volume though, the tide finally began to turn back in Diana’s favour…

‘The Kite of Doom! (#138) presented another spectacular “Impossible Day” adventure starring the entire Wonder Woman Family (that would be Princess Diana at three different ages acting in concert with her mother in tales which where outside even the amorphous and negligible continuity of the series, where internal consistency and logic were always notional and extremely mutable) and found the four faces of Wonder Woman again battling nuclear nemesis Multiple Man, alien invaders and the daily blazing fireball of doom…

‘The Day Wonder Woman Revealed her Secret Identity!’ saw the goddess Aphrodite inflict the Amazon with amnesia whilst meddling in her stalled romance with pilot Steve Trevor whilst WW #140 was another Impossible Tale with Wonder Woman transformed into ‘The Human Lightning!’ as Morpheus, god of dreams tested the entire Wonder Family before ‘The Academy of Arch-Villains!’ offered a reward for the destruction of the heroine and had to face the sinister machinations of Angle Man, the Human Fireworks and the diminutive but deadly Mouse Man.

The whole family were imperilled by terrifying trans-dimensional duplicates in ‘Captives of the Mirage Giants!’ another implausible Impossible Tale whilst issue #143 offered two tales, beginning with an alien invasion which could only be foiled by a mystic sword hidden within ‘The Terror Trees of Forbidden Island’, after which Wonder Woman was reduced to helplessness by the malignant Mouse Man and locked in ‘The Amazon Mouse Trap!’

Another brace of yarns featured in #144: the impressively clever ‘Revolt of Wonder Woman!’ wherein the tireless crusader suffered a stress-related breakdown until a blind girl restored her faith and determination and ‘Mer-Boy vs. Bird-Boy!’ with Wingo, an avian rival for Wonder Girl’s affections ,complicating an already busy day as the Teen Titan tackled invading aliens, enemy atomic submarines and the ever-deadly fireball from space…

The Wonder Woman Family were impossibly back to confront bad dreams and time-plunderers in ‘The Phantom Sea-Beast!’ but only Wonder Woman and Diana Prince were on hand to fight the ‘War of the Underwater Giants!’ and win thousands of dollars – for charity, of course – from a story-obsessed millionaire…

WW #147 featured an impossible tale from the Amazon’s teenage years as ‘Bird-Girl – Fish-Girl!’ her sea and sky boyfriends were given their heart’s desire by Athena and Aphrodite and both wished for a more physically compatible inamorata, whilst ‘The Olympics of the Doomed’ celebrated the 1964 Games with a stirring action romp in which the dread Duke of Deception captured Wonder Woman and compelled her to compete in a sudden-death competition on Mars…

In ‘The Last Day of the Amazons!’ the impossible Wonder Family almost triggered the destruction of Paradise Island when Queen Hippolyta’s passion for her long-lost lover causes his statue to come to life in a land where the presence of all males is severely proscribed by the goddesses…

Wonder Woman #150 offered ‘The Phantom Fisher-Bird!’ – a strange but thrilling yarn wherein the Wonder Family were hunted by giant man-birds from another plane of existence and ‘Wonder Girl vs. the Teenage Monster!’ (#151, January 1965) saw the Daring Damsel dogged and desired by a cosmic Glop which absorbed and mimicked anything: machinery, atomic weapons, Rock ‘n Roll records, juvenile delinquency…

With #152 the lass even took cover billing becoming Wonder Woman Presents Wonder Girl and featured another Impossible Tale with the young heroine resisting dinosaurs, mythological demons, invaders from Mars, disastrous weather and the importunate advances of Mer-boy and Bird-Boy in ‘Wonder Girl’s Decision of Doom!’ and found herself adopted by a deranged and traumatised trapeze artist who just knew that he was ‘Wonder Girl’s Mysterious Father!’

A far darker delusion haunted her in #153 as the Duke of Deception engineered ‘Wonder Girl’s Stolen Face!’ and turned her into an uncontrollable beast until Wonder Tot, Hippolyta and Wonder Woman found a face-saving solution…

‘Battle of the Boiling Man!’ in #154 saw the title revert to the mature iteration of the Female Fury in the penultimate Impossible Tale wherein wilful deities, mythical beasts and an ambulatory volcano all conspired to test the Amazons to destruction…

‘I Married a Monster!’ was a take on Beauty and the Beast wherein Wonder Woman, fed up with the constant badgering, bickering and marriage proposals of Steve Trevor, Manno and Wingo, swore off men for good and promptly fell in love with a brooding bad-boy brute trapped in a floating castle…

Just when it seemed the series could sink no lower Wonder Woman #156 changed everything with ‘The Brain Pirate of the Inner World!’ – a stylish adventure written and drawn in an effective and charming pastiche of Moulton & Peter’s glorious Golden Age Amazon.

When Wonder Woman visited the comics emporium of the Dream Merchant she was totally immersed and drawn into one of her past cases: “re-experiencing” a battle with other-dimensional buccaneers who had stolen the mentalities and enslaved the bodies of Steve and her old sidekicks the Holliday Girls…

Wild, bold, action-packed and thrilling, with all that mushy multi-species romance stuff dropped and her younger selves forgotten, a new kind of Wonder Woman was coming…

But not in this eclectic, eccentric collection which ends on this welcome high note.

Always delightful yet often mind-boggling and practically incomprehensible by modern narrative standards, these exuberant, effulgent fantasies are usually illogical and occasionally just plain bonkers, but in those days adventure in the moment was paramount and if you could put rationality and consistency aside for a moment these utterly infectious romps simply sparkled then and now with fun, thrills and sheer spectacle.

Wonder Woman is rightly revered as a focus of female strength, independence and empowerment, but the welcoming nostalgia and easy familiarity of such innocuous imaginative fairytales must be a magical escape for open-minded readers, whilst the true, incomparable value of these stories is the incredible quality entertainment they still offer.

© 1963, 1964, 1965, 2009 DC Comics, Inc. All Rights Reserved.

Showcase Presents Strange Adventures volume 1


By John Broome, Otto Binder, Edmond Hamilton, Joe Samachson, Gardner Fox, Carmine Infantino, Gil Kane, Sid Greene & various (DC Comics)
ISBN13: 978-1-4012-1544-6

As the 1940s closed, masked mystery-men dwindled in popularity and the American comicbook industry found new heroes. Classical genre titles flourished; anthologies dedicated to crime, war, westerns and horror, were augmented by newer fads like funny animal, romance and especially science fiction which in 1950 finally escaped its glorious thud and blunder/ray guns/bikini babes in giant fishbowl helmets pulp roots (as perfectly epitomised in the uniquely wonderful Golden Age icon Planet Comics) with the introduction of Strange Adventures.

Packed with short adventures from jobbing SF writers and a plethora of new heroes such as Chris KL99, Captain Comet, the Atomic Knights and others, the magnificent monthly compendium (which was supplemented a year later with sister-title Mystery in Space) introduced wide-eyed youngsters to a fantastic but intrinsically rationalist universe and the wonders it might conceal…

This spectacular and economical monochrome collection features stories from the inception of the self-regulatory Comics Code (issues #54-73, covering March 1955 to October 1956) right up to the start of the Silver Age when superheroes began to successfully reappear, offering wide-eyed technological wonderment and the sure and certain knowledge that there were many and varied somethings “Out There”.

On a thematic note: a general but by no means concrete rule of thumb was that Strange Adventures generally occurred on Earth or were at least Earth-adjacent whilst as the name suggests Mystery in Space offered readers the run of the rest of the universe…

Moreover many of the plots, gimmicks, maguffins and even art were recycled for the later technologically-based Silver Age superhero revivals…

This mind-blowing, physics-challenging monochrome colossus opens with the March 1955 issue and four classic vignettes, beginning with ‘The Electric Man!’ by John Broome & Sy Barry, wherein a geologist in search of new power sources accidentally unleashes destructive voltaic beings from the centre of the Earth. As always – and in the grand tradition of legendary pulp sci-fi editor John Campbell – human ingenuity and decency generally solves the assorted crises efficiently and expeditiously…

‘The World’s Mightiest Weakling!’ from Otto Binder, Carmine Infantino & Bernard Sachs offered a charming yet impossible conundrum when a puny stripling gained incomprehensible mass and density during the course of an experiment, whilst ‘Interplanetary Camera!’ (Binder, Gil Kane & Sachs) gave a photographer a glimpse of the unknown when he found an alien image recorder and uncovered a plot to destroy Earth. The issue concluded with another Binder blinder in the taut thriller ‘The Robot Dragnet!’ illustrated by Harry Sharp & Joe Giella, with a rip-roaring romp of rampaging robotic rage.

This tale was actually the sequel to an earlier yarn but sufficiently and cleverly recapped so that there’s no confusion or loss of comprehensibility…

Issue #55 led with ‘The Gorilla who Challenged the World’ by Edmond Hamilton & Barry, wherein an ape’s intellect was scientifically enhanced to the point where he became a menace to all mankind. So great was his threat that this tale also was carried over to the next issue…

During this period editors were baffled by a bizarre truism: every issue of any title which featured gorillas on the cover always produced increased sales. Little wonder then that so many DC comics had hairy headliners…

‘Movie Men from Mars!’ (Hamilton, Sharp & Giella) found our world the unwilling location for cinematographers from the Red Planet. Unfortunately they were making a disaster movie…

‘A World Destroyed!’ by Joe Kubert offered a fanciful but gripping explanation for how the asteroid belts between Mars and Jupiter were formed and the cataclysm theme continued in ‘The Day the Sun Exploded!’ with Broome, Kane & Sachs depicting a desperate dash by scientists to save Earth from melting, after which Sid Gerson, Murphy Anderson & Giella revealed the baffling puzzle of ‘The Invisible Spaceman!’

Strange Adventures #56 opened whimsically with ‘The Fish-Men of Earth!’ (Broome, Infantino & Sachs) as air density went temporarily askew thanks to invading aliens, ‘Explorers of the Crystal Moon!‘ (Broome, Sharp & Sachs) found a little boy going for a secret solar safari with visiting extraterrestrials, and artist Paul Paxton inadvertently became ‘The Sculptor Who Saved the World!’ when future-men asked him to make some highly specific pieces for them. A fast-paced yarn by Broome, Kane & Giella saw penitent Dr. Jonas Mills correct his evolutionary error by finally defeating his mutated gorilla in the concluding part of the simian saga ‘The Jungle Emperor!’ by Hamilton & Barry.

Broome, Sid Greene & Sachs’ ‘The Spy from Saturn!’ opened issue #57 with a Terran scientist replaced by a perfect impostor, whilst ‘The Moonman and the Meteor!’ (Bill Finger & Barry) found millionaires and aliens trying to buy or inveigle a fallen star from a humble amateur astronomer for the best and worst of reasons, after which Binder, Kane & Giella proffered ‘The Riddle of Animal “X”’ when a small boy found a pet like no other creature on Earth, before ‘Spaceship Under the Earth!’ (Broome, Infantino & Giella) revealed an incredible ancient find to a Uranium prospector and some fugitive convicts desperate enough to try any means of escape…

Issue #58 began with a police chief’s frantic search for a superhuman felon in ‘I Hunted the Radium Man!’ (Dave Wood & Infantino) whilst ‘Prisoner of Two Worlds!’ by Finger & Barry saw the long awaited return of genius detective Darwin Jones of the Department of Scientific Investigation.

Although an anthology of short stories Strange Adventures featured a number of memorable returning characters and concepts such as Star Hawkins or Space Museum during its run. Jones debuted in the very first issue, solving fringe science dilemmas for the Federal Government and making thirteen appearances over as many years. In this third adventure he assisted alien peace-officers in preventing a visiting extraterrestrial from taking a commonplace earth object back to his homeworld where it would be a ghastly terror-weapon…

‘Dream-Journey Through Space!’ (Broome, Kane & Sachs) saw an ordinary human plucked from Earth to rescue an ancient civilisation from destruction and a humble but cunning ventriloquist save our world from invasion by invincible aliens in Finger, Greene & Giella’s ‘The Invisible Masters of Earth!’

A young married couple had to find a way to prove they weren’t animals on ‘The Ark from Planet X’ (Broome, Greene & Giella) which opened #59, whilst ‘The Super-Athletes from Outer Space!’ came to our world to train in a heavier gravity environment and found the galaxy’s greatest sports-coach in a charming tale by Binder, Kane & Sachs.

Ed “France” Herron & Infantino then explored the domino theory of cause and effect in ‘Legacy from the Future!’ before Broome & Barry delved into ancient history and doomsday weaponry to discover the secret of our solar system and ‘The World that Vanished!’

Strange Adventures #60 featured a light-hearted time-travel teaser by Broome, Jerry Grandenetti & Giella when historians gathered together famous historic personages from ‘Across the Ages!’ but ‘The Man Who Remembered 100,000 Years Ago!’ (Binder, Kane & Sachs) was a terse, tense thriller as lightning provoked ancestral memories of a previous civilisation just in time for a scientist to cancel the self-same experiment which had eradicated them…

Broome, Greene & Sachs then followed the life of a foundling boy who turned out to be an ‘Orphan of the Stars!’ and the issue ended with a future-set thriller where schoolboy Ted Carter won a place on a multi-species outing to the ‘World at the Edge of the Universe!’ (Binder & Barry).

In #61, ‘The Mirages from Space!’ (Binder, Kane & Sachs) were a portal into a fantastic other world and the secret of Earth’s ultimate salvation; ‘The Thermometer Man’ by Binder, Greene & Giella saw an scientist striving to save a stranded Neptunian from melting in the scorching hell of our world and a lighthouse keeper was forced to play smart to counter a Plutonian invasion with ‘The Strange Thinking-Cap of Willie Jones!’ (Herron & Barry) before Binder, Greene & Giella’s ‘The Amazing Two-Time Inventions’ found an amateur inventor making fortuitous contact with his counterparts in 3000AD…

Strange Adventures #62 introduced ‘The Fireproof Man’ (Broome, Infantino & Sachs) whose equally astounding dog foiled an alien invasion whilst an ordinary handyman fell into another dimension to become a messiah and ‘The Emperor of Planet X’ (Broome, Greene & Giella). Binder, Kane & Giella then reported an abortive ‘Invasion from Inner Space!’ before ‘The Watchdogs of the Universe!’ recruited their first human agent in a tantalising tale by Binder, Greene & Giella.

‘I Was the Man in the Moon!’ by Joe Samachson, Grandenetti & Giella started #63 with an intriguing puzzler as an ordinary Joe awoke to find aliens had inexplicably re-sculpted the lunar surface with his face whilst a Native American forest ranger was the planet’s only hope of translating an alien warning in The Sign Language of Space!’ (Binder, Greene & Giella).

‘Strange Journey to Earth!’ by Jerry Coleman & Kane Giella saw an ordinary school teacher deduce an alien’s odd actions and save the world and the issue ended in ‘Catastrophe County, U.S.A.!’ where Hamilton, Greene & Giella introduced scientists to the Government’s vast outdoor natural disaster lab…

Sales-boosting simians were back in #64 as Finger, Infantino & Sachs introduced hostile ‘Gorillas in Space!’ who were anything but, whilst a first contact misunderstanding resulted in terror and near-death for an Earth explorer lost in ‘The Maze of Mars’ (Binder, Greene & Sachs) after which a technological Indiana Jones became ‘The Man Who Discovered the West Pole!’ (Binder, Kane & Giella) and Samachson & Grandenetti crafted a canny tale of planetary peril in ‘The Earth-Drowners!’

In #65 (February 1956) ‘The Prisoner from Pluto!’ by Binder, Greene & Giella, featured an alien trying to warn Earth of imminent Saturnian attack and forced to extreme measures to accomplish his mission whilst a different kind of cultural upheaval was referenced in the quaint but clever tale of ‘The Rock-and-Roll Kid from Mars!’ by Samachson, Kane & Giella. A stage mentalist outfoxed genuine telepaths in ‘War of the Mind Readers!’ by Binder, Infantino & Sachs and a biologist turned temporary superhero to foil an alien attack in ‘The Man who Grew Wings!’ by Binder, Greene & Giella to end the issue.

Issue #66 opened with Broome & Infantino’s tale of ‘The Human Battery!’ as an undercover cop suddenly developed an incredible power, a guy in a diner mistakenly picked up ‘The Flying Raincoat!’ (Samachson, Greene & Giella) and accidentally averted an insidious clandestine invasion of our world before Binder, Kane & Sachs had Darwin Jones solve the ‘Strange Secret of the Time Capsule!’ and the metamorphic ‘Man of a Thousand Shapes!’ (Samachson, Infantino & Sachs) proved to be a being with a few secrets of his own…

Broome, Kane & Giella’s ‘The Martian Masquerader!’ in Strange Adventures #67 played clever games as editor Julie Schwartz (aka “Mr. Black”) was approached by an alien in need of assistance in tracking down an ET terrorist whilst Hamilton, Greene & Giella honed in on a subatomic scientist desperate to find his infinitesimal homeworld in ‘Search for a Lost World!’

‘The Talking Flower!’ in chemist Willie Pickens’ buttonhole was a lost alien who helped him save the world in Samachson, Infantino & Sachs’ charming romance but the time travelling travails experienced by archaeologist Roger Thorn after he discovered the ‘Gateway Through the Ages!’ (Hamilton, Greene & Giella) led only to danger and hard-earned knowledge.

Issue #68 opened with ‘The Man who Couldn’t Drown!’ (Broome, Infantino & Sachs): a tale of genetic throwbacks and unfathomable mystery whilst a ‘Strange Gift from Space!’ (Samachson, Greene & Giella) led to a safer planet for all, after which a chance chemical discovery produced a happy salvation in ‘The Balloons That Lifted a City!’ (Samachson, Kane & Giella) and a common thief got in way over his head when he robbed a laboratory in Samachson, Greene Sachs’ witty ‘The Game of Science!’

In #69 a time-traveller voyaged into pre-history and helped the dawning humans overcome ‘The Gorilla Conquest of Earth’ (Broome, Kane & Sachs) whilst the arrival of ‘The Museum from Mars’ (Gardner Fox, Greene & Giella) offered almost irresistible temptation and deadly danger to humanity and ‘The Man with Four Minds!’ (Hamilton & Infantino) saw a man with too much knowledge and power eschew it all for normality before ‘The Human Homing Pigeon!’ (Samachson, Greene & Giella) burned out his own unique gift in the service of his fellows…

The Triple Life of Dr. Pluto!’ by Broome, Greene & Giella in #70 dealt with the dangers of a human duplicating ray and Darwin Jones was faced with a deadly puzzle when warring aliens both claimed to be our friends and ‘Earth’s Secret Weapon!’ (Samachson, Kane & Giella). An early computer fell into the hands of a petty thief with outrageous consequences in ‘The Mechanical Mastermind!’ by Samachson & Infantino whilst the ‘Menace of the Martian Bubble!’ (Broome, Greene & Giella) was foiled by a purely human mind and the skills of a stage magician.

Issue #71 featured ‘Zero Hour for Earth!’ (Broome & Barry) as a scientist at world’s end sent a time twisting thought-message back to change future history, whilst invisible thieves of the planet’s fissionable resources were thwarted by a scientist with a unique visual impairment in ‘Raiders from the Ultra-Violet!’ by Binder, Greene & Giella, after which writer Ray Hollis saw a star fall and encountered ‘The Living Meteor!’ (Fox, Kane & Sachs) and a guy with a weight problem discovered he had become ‘The Man Who Ate Sunshine!’ in a clever conundrum from Samachson, Grandenetti & Giella.

Strange Adventures #72 began with a fabulous, self-evident spectacular in ‘The Skyscraper that Came to Life!’ by Broome, Greene & Giella, whilst a shooting star revealed an ancient ‘Puzzle from Planet X!’ which promised friendship or doom in a classy yarn from Hamilton, Greene & Sachs, after which ‘The Time-Wise Thief!’ (Gerson & John Giunta) provided a salutary moral for a bandit with too much technology and temptation before ‘The Man Who Lived Nine Lifetimes!’ (Binder, Kane & Giella) was aroused from a sleep of ages to save us all from robot invasion…

The initial flight of fantasy concludes with the contents of issue #73, beginning with ‘The Amazing Rain of Gems!’ by Broome, Greene & Giella wherein a sentient jewel almost beguiles the entire world, humans are hijacked to attend a ‘Science-Fiction Convention on Mars’ (Fox, Kane & Giella), ‘The Man With Future-Vision!’ (Fox, Infantino & Sachs) discovers that knowing what’s coming isn’t necessarily enough, and the imaginative inspiration ends with a clever time-paradox fable in Hamilton, Greene & Giella’s ‘Reverse Rescue of Earth!’

Conceived and edited by the brilliant Julie Schwartz and starring the cream of the era’s writers and artists, Strange Adventures set the standard for mind-boggling all-ages fantasy fiction. With stunning, evocative covers from such stellar art luminaries as Murphy Anderson, Carmine Infantino, Gil Kane and Ruben Moreira, this titanic tome is a perfect portal to other worlds and, in many ways, far better times.

If you dream in steel and plastic and are still wondering why you don’t own a personal jet-pack yet, this volume might go some way to assuaging that unquenchable fire for the stars…
© 1955, 1956, 2008 DC Comics. All Rights Reserved.

Showcase Presents Sgt. Rock volume 1


By Robert Kanigher, Joe Kubert, Bob Haney, Ross Andru & various (DC Comics)
ISBN: 978-1-4012-1713-6

Sgt Rock and the “combat-happy Joes” of Easy Company are one of the great and enduring creations of the American comic-book industry. The gritty meta-realism of Robert Kanigher’s ordinary guys in life-or-death situations captured the imaginations of generations of readers, young and old. So pervasive is this icon of comicbook combat, that’s it’s hard to grasp that Rock is not an immortal industry prototype like Superman, Batman and Wonder Woman – with us since the earliest moments of the industry – but is in fact a late addition to and child of the Silver Age of Comics.

This initial compendium collects in stunning black and white the tentative first steps in the character’s evolution from G.I. Combat #68 and Our Army at War #81-82 to the first full barrage of battle blockbusters from OAAW #83-117, covering January 1959 to April 1962, a period wherein all American comics were undergoing a staggering revolution in style, theme and quality.

Behind the stunning Jerry Grandenetti cover (the first of many in this impressive tome) from G.I. Combat #68, January 1959, lurks a quiet, unassuming story (by Kanigher & Joe Kubert) of an anonymous boxer who wasn’t particularly skilled but simply refused to be beaten. When ‘The Rock!’ enlisted in the US Army, however, that same Horatian quality attained mythic proportions as he held back an overwhelming Nazi attack by sheer grit and determination, remaining bloody but unbowed on a field littered with dead and broken men.

Dubbed “Rocky” the character returned as a sergeant in the April Our Army at War (#81) again facing superior German forces as ‘The Rock of Easy Co.!’ in a brief but telling vignette by Bob Haney, Ross Andru & Mike Esposito and finally won a personal identity as Sgt. Rock next issue, in the Mort Drucker illustrated ‘Hold Up Easy!’: another harsh and declarative mini-epic from Kanigher which saw hard-luck heroes Easy Company delayed and then saved by callow replacements who eventually came good…

Our Army at War #83 (June 1959) saw the true launch of the immortal everyman hero in ‘The Rock and the Wall!’ by Kanigher & Kubert: a tough-love, battlefield tutor shepherding his men to competence and survival amidst the constant perils of war. Here he met a rival for his men’s admiration in the equally impressive Joe Wall…

Irv Novick illustrated ‘Laughter on Snakehead Hill!’ as the embattled dog-faces of Easy fought to take a heavily fortified citadel whilst OAAW #85 introduced the first continuing cast member in the Kubert limned ‘Ice Cream Soldier!’ as Rock assuaged a fearful replacement’s jangled nerves with tales of another hopeless “green apple” who grew into his job.

This ploy of incorporating brief past-action episodes into a baptism of fire scenario would play over and over again and never got old…

Haney returned in #86 to script ‘Tank 711’ for Kubert as the terse top-kick educated another newbie in combat etiquette. Kanigher returned to describe the taking of “No-Return-Hill” and the initiation of four more raw recruits in ‘Calling Easy Co.!’ after which Grandenetti illustrated a brace of tales in #88 and 89; ‘The Hard Way’ in which Rock suffered a shocking crisis of confidence and ‘No Shot from Easy!’ wherein the indomitable sergeant was forced to give his toughest ever order…

Issue#90 holds classic Kubert as ‘Three Stripes Hill!’ revealed the story of how Rock won his stripes and the traditionally anthological Our Army at War offered three complete Sgt. Rock stories in #91, beginning with ‘No Answer From Sarge!’ as the NCO risked everything to drag a recruit out of a crippling funk, ‘Old Soldiers Never Run!’ where he had to weigh an old man’s pride against Easy’s continued existence, and the Haney scripted tragic fable of a sole-surviving Scottish soldier in ‘The Silent Piper!’

Issue #92 saw Kanigher and Kubert tackle battlefield superstitions in ‘Luck of Easy!’, ‘Deliver One Airfield!’ introduced Zack Nolan, a son of privilege who had to learn teamwork the hard way and #94’s ‘Target… Easy Company’ pitted the company against a German General determined to eradicate the high-profile heroes.

OAAW #95 debuted the charismatic and ambitious Bulldozer Nichols who wanted Rock’s rank and position in ‘Battle of the Stripes!’, after which ‘Last Stand for Easy!’ saw the still in-charge top-kick compelled to relinquish his lead-from-the-front position and ‘What Makes a Sergeant Run?’ found him again sharing his war wisdom with the young and the hapless.

Haney penned ‘Soldiers Never Die!’ in #98 with Rock forced to overcome his team’s trauma at losing a beloved comrade whilst Kanigher described ‘Easy’s Hardest Battle!’ in #99 as the weary warrior recalled a number of instances which all qualified, before once more triumphing over insurmountable odds.

The Stalwart Sergeant risked everything to save a broken replacement in #100’s ‘No Exit For Easy!’ and repeated the task in ‘End of Easy!’ when a parachute drop went tragically awry, before #102’s ‘The Big Star!’ saw the consequences of depending on a young man utterly unsuited for combat…

‘Easy’s Had It!’ in #103 was another Haney contribution, exploring what happened when Rock was wounded and the company had to fight without their guiding light and lucky talisman, after which Kanigher assumed full script duties beginning with #104 and ‘A New Kind of War!’ with the grizzled vet totally outgunned by a valiant nurse who refused to retreat and never surrendered.

‘TNT Birthday!’ in #105 had Rock worried about the underage kid who had somehow got past all the instructors to join Easy under terrifying fire and ‘Meet Lt. Rock!’ (illustrated by Novick) saw the inveterate non-com forcibly promoted until he managed to undo the horrify prospect and #107’s ‘Doom Over Easy!’ again saw the savvy soldiers afflicted by crippling superstition.

The superb Russ Heath drew his first Rock strip in OAAW #108: ‘The Unknown Sergeant!’ found the Combat-Happy Joes passing through a French village with a statue of a WWI Yank “doughboy” bearing an uncanny resemblance to their own indomitable leader – provoking some very uncomfortable historical hallucinations – whilst Kubert’s return in #109’s ‘Roll Call of Heroes!’ signalled a dose of grim reality when Rock recalled his own deadly baptism of fire and lost comrades, after which a green Lieutenant almost caused mutiny and murder until he learned the rules of Combat Arithmetic in ‘That’s An Order!’

‘What’s the Price of a Dogtag?’ was painfully answered in the occupied streets and on seemingly deserted beaches in #111 whilst ‘Battle Shadow!’ focused on the burgeoning supporting cast in a blistering explosive extravaganza and African American soldier Jackie Johnson took centre stage (in a bold early example of comicbook affirmative action) for a memorable last-stand moment in ‘Eyes of a Blind Gunner’ in #113 (December 1961).

The incessant toll of lost comrades hit hard in ‘Killer Sergeant!’, whilst the civilian survivors and partisans who comprised ‘Rock’s Battle Family!’ helped him survive the worst the war could throw at him and featured a cameo from French Resistance star Mademoiselle Marie, but the ragged warrior was all alone when he answered #116’s ‘S.O.S. Sgt. Rock!’ to save lost comrade Ice Cream Soldier…

This inaugural battle-book concludes with a dramatic tale of three hopelessly square pegs who finally found their deep, round holes in #117’s traumatic saga of ‘The Snafu Squad!’

Robert Kanigher at his worst was a declarative, heavy-handed and formulaic writer, but when writing his best stuff – as he does here – an imaginative, evocative, iconoclastic and heart-rending reporter and observer of the warrior’s way and the unchanging condition of the dedicated and so very human ordinary foot-slogging G.I.

With superb combat covers from Kubert, Grandenetti, and Heath fronting each episode this battle-book is a visually perfect compendium and is a lost delight for any jaded comics fan looking for something more than flash and dazzle.

A perfect example of true Shock and Awe; these are stories every fan should see.
© 1959, 1960, 1961, 1962, 2007 DC Comics. All Rights Reserved.

Showcase Presents Legion of Super-Heroes volume 1


By Otto Binder, Jerry Siegel, Edmond Hamilton, Curt Swan, John Forte & various (DC Comics)
ISBN: 978-1- 4012-1382-4

Once upon a time, in the far future, a band of super-powered kids from dozens of alien civilisations took inspiration from the greatest legend of all time and formed a club of heroes. One day those Children of Tomorrow came back in time and invited that legend to join them…

And thus began the vast and epic saga of the Legion of Super-Heroes, as first envisioned by writer Otto Binder and artist Al Plastino in early 1958, just as the revived comicbook genre of superheroes was gathering an inexorable head of steam. Since that time the fortunes and popularity of the Legion have perpetually waxed and waned, with their future history tweaked and rebooted, retconned and overwritten again and again to comply with editorial diktat and popular whim.

This glorious, far-and-wide ranging monochrome collection assembles the many preliminary appearances of these valiant Tomorrow People and their inevitable progress towards and attainment of their own feature; including all pertinent material from Adventure Comics #247, 267, 282, 290, 293, and 300-321, Action Comics #267, 276, 287 and 289, Superboy #86, 89, 98, Superman #147, Superman Annual #4 and Superman’s Pal Jimmy Olsen #72 and 76.

The many-handed mob of juvenile universe-savers debuted in Adventure Comics #247 (April 1958) in a Superboy tale wherein three mysterious kids invited the Boy of Steel to the 30th century to join a team of metahuman champions all inspired by his historic career. Created by Otto Binder & Al Plastino, the throwaway concept inflamed public imagination and after a slew of further appearances throughout Superman Family titles, the LSH eventually took over Superboy’s lead spot in Adventure for their own far-flung, quirky escapades, with the Caped Kid Kryptonian reduced to “one of the in-crowd”…

However here the excitement was still gradually building as the kids returned more than a 18 months later in Adventure #267 (December 1959) for Jerry Siegel & George Papp to play with. In ‘Prisoner of the Super-Heroes!‘ the teen wonders turned up to attack and incarcerate the Boy of Steel because of a misunderstood ancient record…

The following summer Supergirl met the Legion in Action Comics #267 (August 1960, by Siegel & Jim Mooney) as Lightning Lad, Saturn Girl and Cosmic Boy secretly travelled to “modern day” America to invite the Maid of Might to join the team, in a repetition of their offer to Superboy 15 years previously (in nit-picking fact they claimed to be the children of the original team – a fact glossed over and forgotten these days: don’t time-travel stories make your head hurt…?).

Due to a dubious technicality, young and eager Kara Zor-El failed her initiation at the hands of ‘The Three Super-Heroes’ and was asked to reapply later – but at least we got to meet a few more Legionnaires, including Chameleon Boy, Invisible Kid and Colossal Boy…

With the editors still cautiously testing the waters, it was Superboy #86 (January 1961) before the ‘The Army of Living Kryptonite Men!’ by Siegel & Papp turned the LSH into a last-minute Deus ex Machina to save the Smallville Sentinel from juvenile delinquent Lex Luthor’s most insidious assault. Two months later in Adventure #282, Binder & Papp introduced Star Boy as a romantic rival for the Krypton Kid in ‘Lana Lang and the Legion of Super-Heroes!’

Action #276 (May 1961) introduced ‘Supergirl’s Three Super Girl-Friends’ by Siegel & Mooney, which finally saw the her crack the plasti-glass ceiling and join the team, sponsored by Saturn Girl, Phantom Girl and Triplicate Girl. We also met for the first time Bouncing Boy, Shrinking Violet, Sun Boy and potential bad-boy love-interest Brainiac 5 (well at least his distant ancestor Brainiac was a very bad boy…)

Next comes a pivotal two-part tale ‘Superboy’s Big Brother’ (by Robert Bernstein & Papp from Superboy #89, June 1961) in which an amnesiac, super-powered space traveller crashes in Smallville, speaking Kryptonese and carrying star-maps written by the Boy of Steel’s long-dead father…

Jubilant, baffled and suspicious in equal amounts the Superboy eventually, tragically discovered ‘The Secret of Mon-El’ by accidentally exposing the stranger to a lingering, inexorable death, before desperately providing critical life-support by depositing the dying alien in the Phantom Zone until a cure could be found…

With an August 1961 cover-date Superman #147 unleashed ‘The Legion of Super-Villains’ (Siegel, Curt Swan & Sheldon Moldoff): a stand-out thriller featuring Lex Luthor and the adult Legion coming far too close to destroying the Action Ace until the temporal cavalry arrived…

Adventure #290 (November) by Bernstein & Papp seemingly gave Sun Boy a starring role in ‘The Secret of the Seventh Super-Hero!’ – a clever tale of redemption and second chances, followed in #293 (February 1962) by a gripping thriller from Siegel, Swan & George Klein: ‘The Legion of Super-Traitors’ wherein the future heroes were turned evil, prompting Saturn Girl to recruit a Legion of Super-Pets including Krypto, Streaky the Super Cat, Beppo, the monkey from Krypton and Comet the magical Super-horse to save the world – and yes, I typed all that with a reasonably straight face…

‘Supergirl’s Greatest Challenge!’ by Siegel & Mooney (Action #287 April 1962) saw her visit the Legion (quibblers be warned: for some reason it was mis-determined as the 21st century in this story) and saved future Earth from invasion. She also met a telepathic descendent of her cat Streaky. His name was Whizzy (I could have omitted that fact but chose not to – once more for smug, comedic effect and in sympathy with cat owners everywhere)…

Action #289 featured ‘Superman’s Super-Courtship!’ wherein the Girl of Steel scoured the universe for an ideal mate for her cousin. One highly possible candidate was the adult Saturn Woman, but her husband Lightning Man objected… Perhaps charming at the time, but modern sensibilities might quail at the conclusion that his perfect match was a doppelganger of Supergirl herself, but thankfully a bit older…

By the release of Superboy #98 (July 1962), the decision had been made. The buying public wanted more Legion stories and after ‘The Boy With Ultra-Powers’ by Siegel, Swan & Klein introduced a mysterious lad with greater powers than the Boy of Steel, focus shifted to Adventure Comics #300 (cover dated September 1962) where the futuristic super-squad finally landed their own gig; even occasionally taking an alternating cover-spot from the still top-featured Superboy.

Tales of the Legion of Super-Heroes opened its stellar run with ‘The Face Behind the Lead Mask!’ by Siegel, John Forte & Plastino; a fast-paced premier which pitted Superboy and the 30th century champions against an impossibly unbeatable foe until Mon-El, long-trapped in the Phantom Zone, briefly escaped a millennium of confinement and saved the day…

In those halcyon days humour was as important as action, imagination and drama, so many of the early exploits were light-hearted and moralistic. Issue #301 offered hope to fat kids everywhere with ‘The Secret Origin of Bouncing Boy!’ by regular creative team Siegel & Forte, wherein the process of open auditions was instigated (providing devoted fans with loads of truly bizarre and memorable applicants over the years) whilst allowing the rebounding human rotunda to give a salutary pep talk and inspirational recount of heroism persevering over adversity.

Adventure #302 featured ‘Sun Boy’s Lost Power!’ as the golden boy was forced to resign until fortune and boldness restored his abilities whilst ‘The Fantastic Spy!’ in #303 provided a tense tale of espionage and possible betrayal by new member Matter-Eater Lad.

The happy readership was stunned by the events of #304 when Saturn Girl engineered ‘The Stolen Super-Powers!’ to make herself a one-woman Legion. Of course it was for the best possible reasons, but still didn’t prevent the shocking murder of Lightning Lad…

With comfortable complacency utterly destroyed #305 further shook everything up with ‘The Secret of the Mystery Legionnaire!’ who turned out to be the long-suffering Mon-El finally cured and freed from his Phantom Zone prison.

Normally I’d try to be more obscure about story details – after all my intention is to get new people reading old comics – but these “spoiler” revelations are crucial to further understanding here and besides you all know these characters are still around, don’t you?

Pulp science fiction writer Edmond Hamilton took over the major scripting role with Adventure #306 and introduced ‘The Legion of Substitute Heroes!’ (still quirkily, perfectly illustrated by John Forte): a group of rejected applicants who selflessly banded together to clandestinely assist the champions who had spurned them, after which transmuting orphan Element Lad joined the team, seeking vengeance of the space pirates who had wiped out his entire species in ‘The Secret Power of the Mystery Super-Hero!’ and #308 seemingly saw ‘The Return of Lightning Lad!’

Spoiler Warning: skip to the next paragraph NOW!!! if you don’t want to know it was actually his similarly empowered sister who once unmasked – and unmanned – took her brother’s place as Lightning Lass…

‘The Legion of Super-Monsters!’ was a straightforward clash with embittered applicant Jungle King who took his rejection far too personally and gathered a deadly clutch of space beasts to wreak havoc and vengeance whilst ‘The Doom of the Super-Heroes!’ in #310 was a frantic battle for survival against an impossible foe and Adventure #311 saw ‘The War Between the Substitute Heroes and the Legionnaires!’ begin with a cease-and-desist order from the A-Team which turned into secret salvation as the plucky, stubborn outcasts carried on anyway under the very noses of the blithely oblivious LSH…

Issue #312 (September 1963) saw the ‘The Super-Sacrifice of the Legionnaires!’ and the inevitable resurrection of Lightning Lad – but only after the harrowing sacrifice of one devoted team-member – whilst in Superman’s Pal Jimmy Olsen #72 (October) ‘The World of Doomed Olsens!’ (Siegel, Swan & Klein) depicted an intriguing enigma wherein the cub-reporter was confronted by materialisations of his most memorable metamorphoses (see the Superman: the Amazing Transformations of Jimmy Olsen for further details), only to deduce it was all a prank by those naughty Legion scamps… but one with a serious purpose behind the jolly japery…

In #313’s ‘The Condemned Legionnaires!’ (Hamilton, Swan, Klein & Forte) Supergirl played a starring role when the mysterious Satan Girl infected the team with a deadly plague and forced them all into perpetual quarantine whilst ‘The Super-Villains of All Ages!’ (illustrated by Forte) had a manic mastermind steal a Legion Time-Bubble to recruit the greatest monsters and malcontents of history – Nero, Hitler and John Dillinger – as his irresistible army of crime.

Why he was surprised when they double-crossed him and took over the bodies of Superboy, Mon-El and Ultra Boy is beyond me… Happily, the lesser legionnaires still proved more a match for the brain-switched rogues.

‘The Legionnaires Super-Contest!’ in #315 finally saw the Substitute heroes go public, for which the primary team offered to allow one of them to join the big boys. Which one? That’s the contest part…

Issue #316’s ‘The Renegade Super-Hero!’ saw one trusted team-mate revealed as a career criminal and go on the run, but of course there was more to the tale than first appeared, after which the heroes were introduced to ‘The Menace of Dream Girl!’ a ravishing clairvoyant who beguiled her way into the Legion for her own obscure, arcane reasons. In her well-meaning way she presaged the coming of deadly threat The Time Trapper and also found a moment to convert the electrically redundant sister of the revived Lightning Lad into the gravity-defying Light Lass.

Adventure #318 featured ‘The Mutiny of the Legionnaires!’ wherein Sun Boy succumbed to battle fatigue and became a draconian Captain Bligh during an extended rescue mission, whilst in Superman’s Pal Jimmy Olsen #76 (April 1964) Siegel & Forte described ‘Elastic Lad Jimmy and his Legion Romances!’ wherein the plucky journalist was inveigled into the future and found himself inexplicably irresistible to the comely costumed champions of Tomorrow. It wasn’t his primitive charm, though…

Hamilton & Forte began a strong run of grittier tales from #319 on, beginning with ‘The Legion’s Suicide Squad!’ as the Science Police asked the team to destroy, at all costs, a monolithic space fortress, whilst #320 debuted a daring new character in Dev-Em, a forgotten survivor of Superman’s dead homeworld who was little more than a petty thug when Superboy first defeated him.

Now in ‘The Revenge of the Knave From Krypton!’ by Siegel, Forte, Papp, Moldoff & Plastino, the rapscallion returned as either a reformed undercover cop or the greatest traitor in history…

The story portion of this wonderful tome concludes with Adventure #321 and ‘The Code of the Legion!’ by Hamilton, Forte & Plastino which revealed the team’s underlying Articles of Procedure during a dire espionage flap, whilst testing one Legionnaire to the limits of his honour and ingenuity and actually ending another’s service forever.

Perhaps.

This is followed by an appropriate extra from Superman Annual #4 which featured a two-page informational guide illustrated and pictorial check-list of the team by Swan & Klein which was amended and supplemented in Adventure #316 with an additional two pages of stunning micro-pin-ups, all faithfully included here. This fabulously innocent and imaginative chronicle also includes every cover the team starred on: mostly the work of honorary Legionnaire Curt Swan and inkers George Klein, Stan Kaye, and Sheldon Moldoff.

The Legion is undoubtedly one of the most beloved and bewildering creations in American comicbook history and largely responsible for the growth of the groundswell movement that became Comics Fandom. Moreover, these sparkling, simplistic and devastatingly addictive stories as much as the legendary Julie Schwartz Justice League fired up the interest and imaginations of a generation of young readers and built the industry we all know today.

These naive, silly, joyous, stirring and utterly compelling yarns are precious and fun beyond any ability to explain – even if we old lags gently mock them to ourselves and one another. If you love comics and haven’t read this stuff, you are the poorer for it and need to enrich your future life as soon as possible.

© 1958-1964, 2007 DC Comics. All Rights Reserved.

Showcase Presents Green Arrow volume 1


By France Herron, Dave Wood, Jack Kirby, George Papp, Lee Elias & various (DC Comics)
ISBN: 978-1-4012-0785-4

Green Arrow is one of DC’s Golden All-Stars: a fixture of the company’s landscape, in many instances for no discernable reason, more or less continually since his debut in 1941. He was originally created by Mort Weisinger and George Papp for More Fun Comics # 73 as an attempt to expand the company’s superhero portfolio, and in the early years proved quite successful. The bowman and boy partner Speedy were two of the few costumed heroes to survive the end of the Golden Age.

His blatant recombination of Batman and Robin Hood seemed to have very little going for itself but the Emerald Archer has somehow always managed to keep himself in vogue. He carried on adventuring in the back of other heroes’ comicbooks, joined the Justice League of America at the peak of their fame and became the spokes-hero of the anti-establishment generation during the 1960’s “Relevancy Comics” trend, courtesy of Denny O’Neil and Neal Adams.

Under Mike Grell’s stewardship and thanks to the epic miniseries Green Arrow: the Longbow Hunters (DC’s second ‘Prestige Format Mini-Series’ after the groundbreaking success of Miller’s Batman: The Dark Knight Returns) he at last became a headliner: an urban predator dealing with corporate thugs and serial killers rather than costumed goof-balls.

After his long career and a few venue changes, by the time Julie Schwartz’s revivification of the Superhero genre the Emerald Archer was solid second feature in both Adventure and World’s Finest Comics where, as part of the wave of retcons, reworkings and spruce-ups the company administered to all their remaining costumed old soldiers, a fresh start began in the summer of 1958…

This splendidly eclectic collection of the peripatetic Bowman’s perennial second string exploits gathers the pertinent material from Adventure Comics #250-269, World’s Finest Comics #95-140, Justice League of America #4 and his guest-shots in Brave and the Bold #50, 71 and 85, covering the period July 1958 to September 1969.

Part of that revival happily coincided with the return to National Comics of Jack Kirby after the collapse of Mainline: the comics company he and partner Joe Simon had created as part of the Crestwood/Prize publishing combine.

Not long after that groundbreaking move the industry was hit by the Comics Code censorship controversy and a sales downturn that hit many creators very, very hard…

This stunning monochrome compendium opens with ‘The Green Arrows of the World’ (by scripter Dave Wood and Jack with wife Roz inking) wherein heroic masked archers from many nations attended a conference in Star City unaware that a fugitive criminal was lurking within their midst, whilst that same month George Papp illustrated the anonymously scripted ‘Green Arrow vs Red Dart’ in World’s Finest Comics #95, a dashing tale of the Ace Archer’s potential criminal counterpart and his inevitable downfall.

Adventure #251 took a welcome turn to fantastic science fiction as Ed Herron & the Kirbys resolved ‘The Case of the Super-Arrows’ wherein the heroes took possession of high-tech trick shafts from 3000AD, whilst WFC #96 (writer unknown) revealed ‘Five Clues to Danger’ – a classic kidnap mystery made even more impressive by Kirby’s lean, raw illustration.

A rare continued case spanned Adventure‘s #252 and 253 as Wood, Jack & Roz revealed ‘The Mystery of the Giant Arrows’ before Green Arrow and Speedy temporarily became ‘Prisoners of Dimension Zero’ – a spectacular riot of giant aliens and incredible exotic otherworlds, followed in WF #97 with a grand old-school crime-caper in Herron’s ‘The Mystery of the Mechanical Octopus’.

Kirby was going from strength to strength and Adventure #254’s ‘The Green Arrow’s Last Stand’, written by Wood, is a particularly fine example as the Bold Bowmen crashed into a hidden valley where Sioux braves had thrived unchanged since the time of Custer whilst the next issue saw them battle a battalion of Japanese soldiers who refused to surrender their island bunker in ‘The War That Never Ended’ (also by Wood).

World’s Finest #98 almost ended the heroes’ careers in Herron’s ‘The Unmasked Archers’ wherein a practical joke caused the pair to expose themselves to public scrutiny and deadly danger…

During those heady days origins weren’t as important as imaginative situations, storytelling and just plain getting on with it, so co-creators Weisinger & Papp never bothered to provide one, leaving later workmen Herron, Jack & Roz (in Kirby’s penultimate tale before devoting all his energies to the fabulous newspaper strip Sky Masters) to fill in the blanks with ‘The Green Arrow’s First Case’ as the Silver Age superhero revival hit its stride in Adventure Comics #256 (January 1959).

Here we learned how wealthy wastrel Oliver Queen was cast away on a deserted island and learned to use a hand-made bow simply to survive. When a band of scurvy mutineers fetched up on his desolate shores Queen used his newfound skills to defeat them and returned to civilisation with a new career and secret purpose…

Adventure #257’s ‘The Arrows That Failed’ saw a criminal mastermind tamper with the archer’s equipment in a low-key but intriguing yarn by an unknown scripter, most memorable for being the first artistic outing for golden-age great Lee Elias who would become the strip’s sole artist until its demise after Kirby’s spectacular swan-song in WF #99. ‘Crimes Under Glass’ was written by Robert Bernstein and found the GA and Speedy battling cunning criminals with a canny clutch of optical armaments.

Adventure Comics #258 (March 1959) featured a rare cover appearance for the Emerald Archer as he guest-starred in the lead feature ‘Superboy Meets the Young Green Arrow’ by Jerry Coleman & Papp, after which inspiring boyhood on-the-job training the mature bowman then schooled a lost patrol of soldiers in Toxophily (that’s posh talk for archery, folks), desert survival and crime-busting in ‘The Arrow Platoon’: another anonymously scripted yarn limned by Elias.

The same month in WF #100 the Emerald Avenger faced light-hearted lampoonery and sinister larcenists in ‘The Case of the Green Error Clown’ by Herron and the now-firmly entrenched Elias, whilst Adventure #259 showed that ‘The Green Arrow’s Mystery Pupil’ had ulterior and sinister motives for his studies whilst #260 revealed ‘Green Arrow’s New Partner’ to be only a passing worry for Speedy in a clever drama by Bernstein.

World’s Finest #101 introduced a crook who bought or stole outlandish ideas for malevolent purposes in ‘The Battle of the Useless Inventions’ by lead writer Herron, whereas Adventure #261 and the uncredited fable ‘The Curse of the Wizard’s Arrow!’ used bad luck and spurious sorcery to test the Archers’ ingenuity.

WF #102 featured Herron’s snazzy crime-caper ‘The Case of the Camouflage King!’ whilst in Adventure #262 ‘The World’s Worst Archer!’, by Bernstein, finally gave Boy Bowman Speedy an origin of his own and explained how just how narrowly the part-Native American boy Roy Harper came to not being adopted by Oliver Queen, after which #263 ‘Have Arrow – Will Travel’ (Bernstein) saw the independent lad sell his skills to buy a boat… a solid lesson in thrift and good parenting if not reference-checking….

World’s Finest #103 offered a Bob Haney mystery-thriller ‘Challenge of the Phantom Bandit’ after which an anonymous scripter finally bowed to the obvious and dispatched the Emerald Archer to feudal Sherwood Forest in ‘The Green Arrow Robin Hood’ (Adventure #264, September 1959) and WF #104 found GA undercover on a modern Native American Reservation ‘Alias Chief Magic Bow’ (by Herron).

‘The Amateur Arrows!’ (by Bernstein in Adventure #265) had the Battling Bowmen act as Summer Camp tutors on a perilously perfidious Dude Ranch for kids, #266 again saw their trick-shot kit malfunction in a clever conundrum with a surprise mystery guest-star in Bernstein’s ‘The Case of the Vanished Arrows!’ and WF #105 introduced deceptively deadly toy-making terror ‘The Mighty Mr. Miniature’ (Herron).

In Adventure Comics #267 the editors tried another novel experiment in closer continuity. At this time the title starred Superboy with two back-up features following. The first of these starred equally perennial B-list survivor Aquaman who in that tale ‘The Manhunt on Land’ (but not this volume: you’ll need to scoop up Showcase Presents Aquaman volume 1 for the full saga) saw villainous Shark Norton trade territories with Green Arrow’s foe The Wizard. In a rare crossover, both parts of which were written by Bernstein, the two heroes worked the same case with Aquaman fighting on dry land whilst the Emerald Archer pursued his enemy beneath the waves in his impressively innovative strip ‘The Underwater Archers’.

‘The Crimes of the Pneumatic Man’ by Herron, (WF #106) debuted a rather daft balloon-based bandit, whilst Adventure #268 saw another time-trip result in ‘The Green Arrow in King Arthur’s Court!’ by Bernstein who also scripted the February 1960 issue #269 wherein ‘The Comic Book Archer!’ saw the pair aid a cartoonist in need of inspiration and salvation.

That was the hero’s last appearance in Adventure. From then on the Amazing Archers’ only home was World’s Finest Comics, beginning a lengthy and enthralling run from Herron & Elias in #107-112, systematically defeating ‘The Menace of the Mole Men’ – who weren’t what they seemed – and ‘The Creature from the Crater’ – which also wasn’t – before becoming ‘Prisoners of the Giant Bubble’, a clever crime caper loaded with action.

WF 110 introduced photonic pillager ‘The Sinister Spectrum Man’ with a far more memorable menace challenging the heroes in ‘The Crimes of the Clock King’ before a lucky felon discovered their hidden lair and became ‘The Spy in the Arrow-Cave’ a tale that starts weakly but ends on a powerfully poignant high note.

The painfully parochial and patronising tone of the times seeped into the saga of ‘The Amazing Miss Arrowette’ (scripted by Wood) in WF #113 as a hopeful, ambitious Ladies’ Archery competitor tried her very best to become Green Arrow’s main helpmeet. Moreover, in a series famed for absurd gimmick shafts, nothing ever came close to surpassing the Hair-Pin, Needle-and-Thread, Powder-Puff or Lotion Arrows in Bonnie King’s fetching and stylish little quiver…

The times were changing in other aspects, however, and fantasy elements were again popular at the end of 1960, as evidenced by Herron’s teaser in WF #114. ‘Green Arrow’s Alien Ally’ neatly segued into ‘The Mighty Arrow Army’ as the Ace Archers battled a South American dictator and then encountered a sharp-shooting circus chimp in #116’s ‘The Ape Archer’.

A jump to the big time occurred in Justice League of America #4 (April 1961) when Green Arrow was invited to join the world’s Greatest Super-Heroes just in time to save them all – and the Earth for good measure in Gardner Fox, Mike Sekowsky & Bernard Sachs’ epic sci fi extravaganza ‘Doom of the Star Diamond’ before returning to quirkiness and mere crime-crushing in WF #117 and ‘The Cartoon Archer’ by Wood & Elias, wherein a kidnapped cartoonist used caricature as a deadly weapon and desperate life-line…

World’s Finest #118 featured ‘The Return of Miss Arrowette’ (more Wood); a far less cringeworthy effort which nonetheless still managed to make the Bow Babe both competent and imbecilic at the same time, before Herron penned ‘The Man with the Magic Bow’ in #119, with an actual sorcerous antique falling into the greedy hands of a career criminal whilst Oliver Queen and Roy Harper became victims of ‘The Deadly Trophy Hunt’ in #120 and needed a little Arrow action to save the day and their secret identities.

Master scribe John Broome provided a taut and impressive tale of despair and redemption in #121 with ‘The Cop Who Lost his Nerve’ and WF #122 saw ‘The Booby-Trap Bandits’ (Haney) almost destroy our heroes in a tense suspense thriller and Wood wrote one of his very best GA yarns in #123 ‘The Man Who Foretold Disaster’. Herron rose to the challenge in WF 124-125: a brace of bold and grittily terse mini-epics beginning with a breathtaking gang-busting yarn ‘The Case of the Crime Specialists’ and the taut human drama of ‘The Man Who Defied Death’ to pay his son’s medical bills…

‘Dupe of the Decoy Bandits’ by Wood in #126 was another sharp game of cops and robbers whilst George Kashdan revealed the heart-warming identity of ‘Green Arrow’s Secret Partner’ in #127 after which Wood successfully tried his hand at human-scaled melodrama as a retiring cop proved himself ‘The Too-Old Hero’ in #128.

Oddly – perhaps typically – just as the quality of Green Arrow’s adventures steadily improved, his days as a solo star were finally ending. Herron scripted all but one of remaining year’s World’s Finest exploits, beginning with #129’s robotic renegade ‘The Iron Archer’, after which an author unknown contributed ‘The Human Sharks’ as the Bold Bowmen returned to battle crime beneath the seas.

A despondent boy was boosted out of a dire depression by joining his heroes in #131 and ‘A Cure for Billy Jones’ whilst ‘The Green Arrow Dummy’ was an identity-saver and unexpected crook catcher in its own right.

Subterranean thugs accidentally invaded and became ‘The Thing in the Arrowcave’ in #133, whilst ‘The Mystery of the Missing Inventors’ saw a final appearance and proper treatment of Arrowette, but the writing was on the wall. Green Arrow became an alternating feature and didn’t work again until WF #136 and the exotic mystery of ‘The Magician Boss of the Incas’ (September 1963).

A month later Brave and the Bold #50 saw the Ace Archer team-up in a book length adventure with the Martian Manhunter. ‘Wanted – the Capsule Master!’ pitted the newly minted Green Team in a furious fight with marauding extraterrestrial menace Vulkor; a fast-paced thriller by Bob Haney & George Roussos followed by WF #138’s ‘The Secret Face of Funny-Arrow!’ wherein a formerly positive and good natured spoof-performer took a sudden turn into darker and nastier “jokes” and World’s Finest #140 (March 1964) aptly presented ‘The Land of No Return’ by Bill Finger, with the Battling Bowmen falling into a time-locked limbo where heroes from history perpetually strove against deadly beasts and monsters…

The heroes’ decades-long careers ended there and they became nothing more than bit-players in JLA and Teen Titans exploits until Brave and the Bold #71 (April-May 1967) written by Haney and drawn by his Golden Age co-creator George Papp, wherein Green Arrow helped Batman survive ‘The Wrath of the Thunderbird!’ and crush a criminal entrepreneur determined to take over the wealth and resources of the Kijowa Indian Nation.

This volume ends with the first cathartic and thoroughly modern re-imagining of the character which paved the way for the rebellious, riotous, passionately socially-aware avenger of modern times.

Brave and the Bold #85 is arguably the best of an incredible run of team-ups in that title’s prestigious history and certainly the best yarn in this collection. ‘The Senator’s Been Shot!’ reunited Batman and Green Arrow in a superb multi-layered thriller of politics, corruption and cast-iron integrity, wherein Bruce Wayne became a stand-in for a law-maker and the Emerald Archer got a radical make-over that turned him into the fiery liberal gadfly champion of the relevancy generation – and every one since.

Ranging from calamitously repetitive and formulaic – but in a very good and entertaining way – to moments of sublime wonder and excitement, this is genuine mixed bag of Fights ‘n’ Tights swashbuckling with something for everyone and certainly bound to annoy as much as delight. All ages superhero action that’s unmissable. Even if you won’t love it all you’ll hate yourself for missing this spot-on selection.

© 1958-1964, 1967, 1969, 2006 DC Comics. All Rights Reserved.

Showcase Presents Superman volume 1


By Otto Binder, Jerry Coleman, Bill Finger, Jerry Siegel, Wayne Boring, Al Plastino, Curt Swan & various (DC Comics)
ISBN: 978-1-4012-0758-8

Although we all think of Jerry Siegel and Joe Shuster’s iconic creation as the epitome of comicbook creation the truth is that very soon after his launch in Action Comics #1 he became a multimedia star and far more people have seen or heard the Man of Steel than have ever read him – and yes, that does include the globally syndicated newspaper strip. By the time his 20th anniversary rolled around he had been a regular on radio, starred in a series of astounding animated cartoons and two movies and just ended his first smash live-action television serial. In his future were three more (Superboy, Lois & Clark and Smallville), a stage musical, a franchise of stellar movies and an almost seamless succession of TV cartoons beginning with The New Adventures of Superman in 1966 and continuing ever since. Even Krypto got in on the small-screen act…

It’s no wonder then that the tales from this Silver Age period should be so draped in the wholesome trappings of Tinseltown – even more so than most of celebrity-obsessed America. It didn’t hurt that editor Whitney Ellsworth was a part-time screenwriter, script editor and producer as well as National DC’s Hollywood point man.

However, that’s not all there is to these gloriously engaging super-sagas culled from Action Comics #241-257 and Superman #122-133, reliving the period June 1958 to November 1959 in crisp, clean black and white in this first economical Showcase Presents collection.

By the mid-1950s Superman had settled into an ordered existence. Nothing could really hurt him, nothing would ever change, and thrills seemed in short supply. With the TV show cementing the action, writers increasingly concentrated on supplying wonder, intrigue, imagination and, whenever possible, a few laughs as well.

The adventure begins with Action Comics #241 and ‘The Key to Fort Superman’ a fascinating and clever puzzle-play guest-featuring Batman, written by Jerry Coleman and illustrated by Wayne Boring & Stan Kaye, wherein an impossible intruder vexes the Man of Steel in his most sacrosanct sanctuary, after which Superman #122 (July, 1958) presented three yarns by veteran scripter Otto Binder beginning with ‘The Secret of the Space Souvenirs’ (illustrated by Al Plastino) as a temporary madness seemed to grip the Man of Tomorrow as he gathered artefacts for a proposed time-capsule, ‘Superman in the White House’ a fanciful dream by Jimmy Olsen also drawn by Plastino and the Boring/Kaye bamboozler which finds the hero investigating an outbreak of super-powers at a US military base in ‘The Super-Sergeant’…

That same month Binder & Plastino introduced both the greatest new villain and most expansive new character concept to the series had seen in years in The Super-Duel in Space’ (Action Comics #242) which saw an evil alien scientist named Brainiac attempt to add Metropolis to his collection of miniaturised cities in bottles.

As well as a titanic tussle in its own right, this tale completely changed the mythology of the Man of Steel, by introducing Kandor, a city full of Kryptonians who had escaped the planet’s destruction when Brainiac captured them. Although Superman rescued his fellow survivors, the villain escaped to strike again, and it would be years before the hero could restore the Kandorians to their true size.

Superman #123 (August 1958) featured ‘The Girl of Steel’ by Binder, Dick Sprang & Kaye which tested the potential of a distaff Supergirl as part of a three-chapter yarn involving a magic wishing totem, which tragically segued into ‘The Lost Super-Powers’ before granting the hero’s greatest dream and facilitating ‘Superman’s Return to Krypton’. Action #243 by Binder & Boring saw Superman mysteriously transformed into a beast in ‘The Lady and the Lion’ after which Superman #124 provided the intriguing menace of ‘The Super-Sword’ by Coleman & Plastino, Binder & Kurt Schaffenberger’s delightful desert island drama wherein Lois Lane became ‘Mrs. Superman’ and Clark Kent’s investigation of construction industry corruptions which compelled him to become ‘The Steeplejack of Steel’ (Binder, Boring & Kaye).

Curt Swan pencilled Binder’s ‘Super-Merman of the Sea’ (inked by Kaye) in Action #244: a canny mystery wherein the Man of Steel abandoned the surface world for an alien aquatic princess, after which Boring & Kaye delineated Binder’s compelling thriller ‘The Shrinking Superman!’ featuring an insidious menace from the Bottle City of Kandor…

‘Lois Lane’s Super-Dream’ (Coleman & Schaffenberger) opened Superman #125 (October-November 1958) with another potentially offensive and certainly sexist parable wherein the plucky news-hen learnt a salutary lesson about powers and responsibility whilst ‘Clark Kent’s College Days’ (illustrated by Plastino) began an occasional series of Untold Tales of Superman by revealing just how, when and why Superboy became the Man of Tomorrow, before Boring & Kaye concluded Coleman’s hat-trick with ‘Superman’s New Power’ as the hero gained new and incomprehensible abilities with catastrophic consequences

Action #246 featured ‘Krypton on Earth!’ (Binder, Boring & Kaye) as a trip to tourist attraction “Krypton Island” revealed a crafty criminal scam whilst #247 presented ‘Superman’s Lost Parents!’ (Binder & Plastino) wherein a criminal scheme to reveal the hero’s secret identity prompted an extreme face-saving solution, after which Superman #126 had Binder, Boring & Kaye reveal ‘Superman’s Hunt for Clark Kent’ a thrilling tale of amnesia and deduction whilst ‘The Spell of the Shandu Clock’ by Coleman, Boring & Kaye, provided spooky chills and clever ploys to outwit a malevolent mastermind and ‘The Two Faces of Superman’ (Coleman & Schaffenberger) again saw conniving Lois learn a much-needed lesson in humility.

Action #248 (January 1959) was a rare contribution from Bill Finger, illustrated by Boring & Kaye as the Caped Kryptonian became ‘The Man No Prison Could Hold!’ to topple a war criminal tyrant whilst Superman #127 opened with another Untold Tale of Superman, ‘When There Was No Clark Kent!’ (Coleman, Swan & Kaye) as an accident temporarily deprived the hero of his treasured alter ego, after which Coleman, Boring & Kaye exposed ‘The Make-Believe Superman’ as a depressed dad tried to impress his son with a most preposterous fib before another hugely popular character debuted in ‘Titano the Super-Ape!’. The chimpanzee who became a giant ape with Kryptonite vision was one of the most memorable “foes” of the period, courtesy of Binder, Boring & Kaye’s sublime treatment combining action, pathos and drama to superb effect.

‘The Kryptonite Man!’ by Binder & Plastino in Action #249, saw Lex Luthor deliberately irradiate himself with Green K to avoid capture, but his evil genius was no match for the hero’s sharp wits, used with equal aplomb in ‘The Eye of Metropolis!’ (Finger & Boring) as a prominent TV journalist sought to expose Superman’s secret identity in #250.

Bill Finger scripted the entirety of #128 as ‘Superman versus the Futuremen’ (Boring & Kaye) and ‘The Secret of the Futermen’ saw the Metropolis Marvel framed for heinous crimes and hijacked to the impossible year of 2000AD before outwitting his abductors and retuning in time to encounter ‘The Sleeping Beauty from Krypton!’ – actually Lois in another hare-brained scheme to trap her beloved into marriage, illustrated by the unmistakable and deliciously whimsical Kurt Schaffenberger.

‘The Oldest Man in Metropolis!’ by Robert Bernstein & Plastino, saw an unfortunate lab accident age Superman decades overnight in Action #251 whilst Superman #129 (May 1959) revealed ‘The Ghost of Lois Lane’ (Coleman, Boring & Kaye) to be anything but and Binder & Plastino’s ‘Clark Kent, Fireman of Steel!’ depicted the reporter’s aggravating and hilarious “luck” as a temporary fire-fighter before introducing the bewitching mermaid Lori Lemaris in ‘The Girl In Superman’s Past’ – another moving Untold Tale of Superman (from Finger & Boring) which again refined the Man of Steel’s intriguing early life.

Action Comics #252 (May 1959) would have been significant enough merely for introducing the threat of John Corben, a criminal whose crushed body was replaced by a robot body and Kryptonite heart to become ‘The Menace of Metallo!’ (by Bernstein & Plastino) but a new back-up feature also began in that issue which utterly revolutionised the Man of Tomorrow’s ongoing mythology.

‘The Supergirl from Krypton!’ introduced Kal-El’s cousin Kara Zor-El in another captivating, groundbreaking yarn by Binder & Plastino. The Maid of Might would occupy the back of Action and alternate covers for a decade and more to come, carving her own unique legend (see Showcase Presents Supergirl volumes 1 and 2)…

Issue #253 featured ‘The War Between Superman and Jimmy Olsen!’ by Alvin Schwartz, Swan & Kaye as an alien presence gave the boy reporter super-powers and a mania to conquer the world whilst Superman #130 presented ‘The Curse of Kryptonite!’ by Binder & Plastino, wherein the Man of Tomorrow relived his past experiences with the lethal mineral; ‘The Super-Servant of Crime!’ by Bernstein, Swan & John Sikela which finds the hero turning the tables on a petty crook who thinks he’s fooled the Action Ace, and ‘The Town That Hated Superman!’ (Binder, Boring & Kaye): a happy hamlet which had outlawed the hero and he simply had to know why…

‘The Battle with Bizarro!’ (Action Comics #254, by Binder & Plastino) re-introduced an imperfect duplicate super-being who had initially appeared in a well-received Superboy story (#68, from the previous year), courtesy of Luthor’s malfunctioning duplicator ray. Even way back then high sales trumped death and so popular was the fatally-flawed character that the tale was continued over two issues, concluding with ‘The Bride of Bizarro!’ in #255, an almost unheard of luxury back then, but here that bombastic, traumatic conclusion is separated by the contents of Superman #131, which firstly reintroduced a long-vanished pestiferous annoyance with ‘The Menace of Mr. Mxyzptlk!’ by Coleman & Plastino, before Lois Lane was granted a tantalising glimpse of ‘Superman’s Future Wife’ (Bernstein & Schaffenberger) and ‘The Unknown Super-Deeds’ revealed hitherto hidden connections with the Daily Planet staff long before Superboy left Smallville in another Untold Tale of Superman from Binder & Plastino.

Action #256 seemingly unleashed ‘The Superman of the Future’ (Binder, Swan & Kaye) whilst in Superman #132 (October 1959) Batman and the projections of a super-computer showed what might have happened if Superman had grown up on an unexploded Krypton in the three chapter epic ‘Superman’s Other Life’, ‘Futuro, Super-Hero of Krypton!’, ‘The Superman of Two Worlds!’ by Binder, Boring & Kaye.

Action #257 revealed Clark Kent as ‘The Reporter of Steel!’ after he was hit by a ray from mad scientist Luthor in a cunning yarn by Binder, Boring & Kaye before the contents of Superman #133 brings to a close this premier compendium with ‘The Super-Luck of Badge 77’ (Binder & Plastino) as the reporter tried his hand as a beat cop, before the first new tales by co-creator Jerry Siegel in nearly a decade: ‘How Perry White Hired Clark Kent’ (art by Plastino) and the wryly light-hearted ‘Superman Joins the Army!’ illustrated by Boring & Kaye.

Superman has proven to be all things to all fans over his decades of existence and with the character undergoing another radical overhaul at this time these timeless tales of charm and joy and wholesome wit are more necessary than ever: not just as a reminder of great tales of the past but as an all-ages primer of the wonders still to come…
© 1959-1963, 2005 DC Comics. All Rights Reserved.