DC Archive: Justice League of America, Vol 1

DC Archive: Justice League of America, Vol 1

By Gardner Fox, Mike Sekowsky & various (DC Comics)
ISBN: 1-56389-043-7

After the actual invention of the comicbook superhero – for which read the launch of Superman in 1938 – the most significant event in the industry’s progress was the combination of individual sales-points into a group. Thus what seems blindingly obvious to us with the benefit of four-colour hindsight was proven: a plethora of popular characters could multiply readership by combining forces. Plus of course, a whole bunch of superheroes is a lot cooler than just one – or even one and a sidekick.

And so the birth of the Justice Society of America in the winter 1940 issue of All Star Comics is rightly revered as a true landmark in the development of comic books, and when Julius Schwartz revived the superhero genre in the late 1950s, the key moment came with the inevitable teaming of his reconfigured mystery men.

And that was issue #28 of The Brave and the Bold, a swords-and sandals classical adventure title that had recently become a try-out magazine like Showcase. In 1959, just before Christmas, the ads began running: “Just Imagine! The mightiest heroes of our time… have banded together as the Justice League of America to stamp out the forces of evil wherever and whenever they appear!”

Released with a March 1960 cover-date, that first tale was written by the brilliant and indefatigable Gardner Fox and illustrated by the quirky, understated Mike Sekowsky with inks by Bernard Sachs, Joe Giella and Murphy Anderson.

‘Starro the Conqueror’ saw Flash, Green Lantern, Wonder Woman, Aquaman, and J’onn J’onzz, the Manhunter from Mars defeat a marauding alien starfish whilst Superman and Batman stood by just in case (in those naive days editors feared their top characters could be “over-exposed” and consequently lose popularity). The heroes also picked up a typical American kid as mascot. Snapper Carr would prove a focus of controversy for decades to come.

Confident of his material and the superhero genre’s fresh appeal Schwartz had two more thrillers ready for the following issues. B&B #29 saw the team defeat a marauder from the future in ‘The Challenge of the Weapons Master’ (inked by Sachs and Giella) and #30 saw their first mad-scientist arch-villain in the form of Professor Ivo and his super android Amazo. ‘The Case of the Stolen Super Powers’ by Fox, Sekowsky and Sachs ended their tryout run. Three months later the new bi-monthly title debuted.

Although somewhat sedate by modern standards, the JLA was revolutionary in a comics marketplace where less than 10% of all sales featured costumed adventurers. Not only public imagination was struck by hero teams either. Stan Lee was apparently given a copy of Justice League by his boss and told to do something similar for the tottering comics company he ran – and look what came of that!

‘The World of No Return’ in issue #1 introduced trans-dimensional tyrant Despero to bedevil the World’s Greatest Heroes, and once again the plucky Snapper Carr was the key to defeating the villain and saving the day. The second issue, ‘Secret of the Sinister Sorcerers’, presented an astounding conundrum when the villains of Magic-Land transposed the location of their dimension with Earth’s, causing the Laws of Science to be replaced with the Lore of Mysticism. The true mettle of our heroes was shown when they had to use ingenuity rather than their powers to defeat their foes, and by this time Superman and Batman were allowed a more active part in the proceedings.

Issue #3 introduced the despicable Kanjar Ro who unsuccessfully attempted to turn the team into his personal army in ‘The Slave Ship of Space’, and with the next episode the first of many new members joined the team. Green Arrow saved the day in the science-fiction thriller ‘Doom of the Star Diamond’, but was almost kicked out in #5 as the insidious Doctor Destiny inadvertently framed him ‘When Gravity Went Wild!’

This first deluxe hardcover concludes with ‘The Wheel of Misfortune’ a mystery thriller that introduced the pernicious and persistent master of wild science Professor Amos Fortune, who would return time and again to bedevil many incarnations of the League, and is perhaps their most underrated foe.

These tales are a perfect example of all that was best about the Silver Age of comics, combining optimism and ingenuity with bonhomie and adventure. This slice of better times also has the benefit of cherishing wonderment whilst actually being historically valid for any fan of our medium. And best of all the stories here are still captivating and enthralling transports of delight. This is a glorious “must-have-item” for every fan and thrill-seeker whatever their age.

© 1960, 1961, 1992 DC Comics. All Rights Reserved.

Anne Rice’s The Tale of the Body Thief

Anne Rice's The Tale of the Body Thief

Adapted by Faye Perozich, Travis Moore, Michael Halbleib, & Daerick Gross (Titan Books)
ISBN: 978-1-84023-246-2

For awhile Anne Rice’s Vampire Lestat tales were a graphic novel phenomenon, but nearly a decade later do those adaptations stand up on their own?

This somewhat plain and predictable package would rather suggest that they don’t, although that might just be due to the lackluster original plot as much as the rushed and flimsy art and dialogue.

Lestat has apparently long harboured the desire to be human again and feel the sun on his face, so when a psychic bandit offers to trade bodies with him for a week or so he ignores common sense and the advice of his few true friends and gets played for an altogether different sort of sucker. Then it’s simply a brief hunt to find his body and get back into it to pad out this remarkably tension-free horror-less drama.

The art too is weak and insubstantial despite the presence of the excellent Daerick Gross as part of the team. I’m not sure what Rice fans made of this book but it’s certainly a big disappointment in terms of graphic narrative. Unless you’re desperate this is something you can live a long time – if not forever – without.

© 2000 Anne O’Brien Rice. All Rights Reserved.

Hellblazer: Rake at the Gates of Hell

Hellblazer: Rake at the Gates of Hell

By Garth Ennis & Steve Dillon (Vertigo)
ISBN 1-84023-255-2

Garth Ennis and Steve Dillon bowed out as chroniclers of the urban wizard and all-around nasty-piece-of-work John Constantine in grand manner by wrapping up all his loose ends and pretty much eradicating everything built during the writer’s tenure. They also showed a resurgent anti-hero pull the greatest bait-and-switch in comics history whilst beating the Devil at his own game.

On two separate occasions The Prince of Darkness has been defeated by the mocking Magician. But finally driven far beyond fury Satan has a plan to finally crush Constantine. Amidst the hell-on-Earth of a London race-riot he makes his move, destroying all the Magician’s friends and allies. Heaven, Hell, and the Earth between are at risk when the trap is sprung. But who is actually ensnared?

I’m once again avoiding specific details as this is a masterful display of storytelling and should be enjoyed without any dilution – but only if and after first reading the previous volumes leading up to this bravura climax. So track down Hellblazer: Dangerous Habits ISBN: 1-56389-150-6, Bloodlines ISBN: 978-1-84576-650-4, Fear and Loathing ISBN: 978-1-56389-202-8, Tainted Love ISBN: 978-1-56389-456-5 and Damnation’s Flame ISBN: 978-1-84023-096-3, before you even think about tackling this incredible book.

Collecting issues #78-83 of the monthly comicbook and including the tough and touching Heartland one-shot which followed Constantine’s lost love Kit as she returned home to Belfast; this is an excellent example of grown-up comics and a treat that any horror fan would love.

© 2001 DC Comics. All Rights Reserved.

I Love You, Broom Hilda

I Love You, Broom Hilda

By Russell Myers (Tempo Books/Grossett & Dunlap)
ISBN 0-448-12160-3

Broom-Hilda launched on 19th April 1970, the conception of comic strip veteran Elliot Caplin (1913-2000: writer and/or creator of The Heart of Juliet Jones, Little Orphan Annie, Big Ben Bolt, Long Sam and Abbie and Slats plus a host of other classic strips–and the brother of Al Capp). He passed it on to 32 year old Russell Myers to write and draw, choosing to remain in the background as agent and business manager.

Myers, who’d previously worked as a Hallmark Card artist whilst trying to break in to the strip biz, hit the ground running and the zany antics of the old girl soon garnered lots of fans through the Chicago Tribune Syndicate’s many client papers.

Like all popular strips Broom-Hilda dances on that line dividing homogeneity and uniqueness. A successful strip concept has to appeal to a vast audience – not all of them rocket scientists – but be strong enough to provide lots of gags and still be perceived as a stand-out property. The brief, terse and decidedly surreal adventures of a homely, sharp-tongued witch and her peculiar supporting cast (which in this book from the third year of publication includes Irwin the Troll, Gaylord Buzzard, and the enigmatic and professionally abusive Grelber) proved exactly what the 1970s public wanted.

Claiming to be 1500 years old and Attilla the Hun’s ex-wife, Broom-Hilda’s cleaned up a little over the years. She is no longer a booze-swilling, stogie-smoking harridan, and she’s a little lonely. She’s still looking for a second husband…

Broom Hilda has had a few brushes with fame. In 1971 she had her own segment on the Filmation animated series Archie’s TV Funnies and in 1978 she was part of the line-up for The Fabulous Funnies – another Filmation vehicle which starred her alongside strip stars Alley Oop, Tumbleweeds, and Nancy. There’s even talk of a stage musical…

Russell Myers was awarded the Best Humour strip Award in 1975 by the American National Cartoonist Society and the strip is still going strong today. If you can track down any of the collections from the 1970s and early 1980s the stylish, loose yet meticulous line-work of Myers lends an abstract weight and intensity to the panels that got gradually left behind as papers forced strips into smaller and smaller boxes, although the pointed and deprecating humour remains a constant for this splendid feature.

© 1973 The Chicago Tribune. All Rights Reserved.

Superman/Gen Thirteen

Superman/Gen 13

By Adam Hughes, Lee Bermejo & John Nyberg (WildStorm/DC Comics)
ISBN: 978-1-84023-328-5

The hoary old amnesia/mistaken identity plot gets a wonderfully tongue-in-cheek dusting off in this far, far above-average cross-company team-up when the highly proper Man of Steel meets the wild and wooly super-powered drop-outs of Gen 13.

Freefall, Burnout, Rainmaker and Grunge are pretty typical Generation X teens – apart from their superpowers – and they’re pretty bummed that the stiff and prissy Fairchild gets to choose their next vacation destination. But they’re frankly appalled when she decides to take them to Metropolis, home of the biggest boy-scout in the universe.

When the team stumbles upon a super-battle and the “nearly” invulnerable Fairchild gets a formidable shot to the head from a gigantic robot Gorilla, their troubles really begin. Confused, the pneumatic leader wanders off, and deducing that she’s actually Supergirl, causes swathes of destruction whilst trying to remember how to use her “other superpowers.” And then her friends realize with horror that she was holding all the spending money!

Unable to find her and getting pretty peckish, the team has to swallow their collective scorn and actually ask the Stiff of Steel for help, and the World’s Most Perfect Hero comes to realise that even he isn’t invulnerable to the mockery of the “Cool Kids” in this brilliantly funny generation gap comedy from scripter Adam Hughes and artists Bermejo and Nyberg.

Fast, funny, action-packed and loaded with brilliant one-liners that hark back to the glory-days of the Giffen/DeMatteis/Maguire Justice League International this slim tale is as fresh and delightful a confection as any jaded, angst-laden fan could wish for. Track it down and cleanse your palate before the next braided-mega-epic rumbles along.

© 2000, 2001 DC Comics. All Rights Reserved.

Two Will Come, Book 1

Two Will Come, Book 1

By Kyungok Kang (NetComics)
ISBN: 978-1-60009-116-2

This is a rather gentle suspense – and potentially, horror – story for older kids which has a lot to offer adult readers. Jina is a young Korean Girl with all the usual problems of the comfortable modern miss, but her family is keeping a big, dark secret from her.

Hundreds of years ago her ancestors were rulers and one vain and foolish king ordered the death of a magical serpent called Imugi, just as it was preparing to ascend to Heaven. It cursed the family for eternity, decreeing that in every generation one of them would die, because of the actions of two people close to them. The fear, distrust and misery of this most subtle pronouncement has blighted the family through the centuries and for all their attempts to forestall their doom with priests, fortune tellers and exorcisms, nothing has worked. Long ago they decided to keep all knowledge of the curse from the children, only revealing the secret when – or if – they reach a certain age.

Jina doesn’t have many friends but as her birthday approaches her school rivalry with that obnoxious boy Jaesuk looks to be turning into something more, the girls in class seem less aggressive and distant and her cousin Myunghyun has returned from America after three years, bringing with him a gorgeous and enigmatic young man named Yoojin Lee. As the days progress she grows closer to them all but her new relationships are troubling her parents. The latest soothsayer has determined that Jina is the most probable target of this generation’s curse which means that two people close to her will cause her death…

More teen-soap than thriller, this undemanding manhwa fantasy has a subtle undercurrent to it which promises much. I for one will follow this pretty eye-candy to see if there’s a bitter bite beneath all the saccharine…

© 2007 Kyungok Kang. All Rights Reserved. English text © 2007 NetComics.

Superwest Comics

Superwest Comics

By Massimo Mattioli (Catalan Communications)
ISBN: 0-87416-035-9

Writer/artist Massimo Mattioli was born in 1943 and grew up in an Italy rapidly rebuilding after cataclysmic social and military upheaval. He started his comic career in 1965 with the strips Il Ragnato Gigi, Ipo, Rita e Pino and Vermetto Sigh in Italy’s Il Vittorioso magazine. Before the end of the decade he was in “swinging London” working primarily for men’s magazines such as Mayfair, Penthouse and Plexus.

He moved to Paris and created M. le Magicien for Pif and worked on Le Canard Sauvage before settling again in Italy. For the newspaper Paese Sera he created Pasquino and was a regular in Il Gionaliono for more than two decades. But his work wasn’t only safe and mainstream. He co-founded the alternative magazine Il Cannibale and created Lucertola, Gatto Gattino and the impressive SF strip Joe Galaxy, which migrated to his own magazine Frigidaire alongside his Friske the Frog and the infamous Squeak the Mouse.

One day I’d like to review some of those series if they ever make it to an English edition, but until then let’s content ourselves with another contentious and controversial Frigidaire alumni: Superwest Comics.

Released to America at the end of the 1980s, Superwest is a broad but incisive parody of superheroes and anti-capitalist treatise from an insightful and bold stylist with a highly subversive, wickedly funny point to make. Looking like a blend of Disney villains and the gentle Disney superhero parody SuperGoof, but rendered in thirties animation style, our rat-like hero swallows a power-pill and gains incredible abilities to defend the masses.

Boldly experimental, iconoclastic with scant regard for scary copyright lawyers and strictly for adults, this volume translates and presents ‘Panic in the City’, ‘Porno Massacre’, ‘Cartoons Hold-Up’, ‘Scanner’, ‘The Shadow’ and the wildly experimental ‘Very Hot Dogs/100 Werewolves/The Wild Night’, with faux covers and feature pages tossed in for free. It is ironic, brash and wickedly funny.

I want more and so I suspect will you…

© 1987 Massimo Mattioli. All Rights Reserved. English language edition © 1987 Catalan Communications.

Superman: Time and Time Again

Superman: Time and Time Again

By various (DC Comics)
ISBN: 978-1-56389-129-8

When Superman was re-imagined after Crisis on Infinite Earths, many of his more omnipotent abilities were discarded. He was a limited hero, more in touch with humanity because he wasn’t so far above it. One thing that was abandoned was his casual ability to travel through time.

Indeed, rather than being able to navigate the chronal corridors with ease, in this splendid epic from 1991 (originally published as Action Comics #663-665, Adventures of Superman #476-478, and Superman volume 2 #54-55 plus epilogues from #61 and 73) he is trapped in a cataclysmic temporal warp, bounced around from era to era and unable to return to his home and loved ones.

When a rogue Linear Man, (self appointed guardians of the Time Stream) tries to return the hero Booster Gold to the 25th century he originated from, Superman intervenes, but a tremendous explosion sends him careening through time. Each “landing” leaves him in a significant period of Earth’s history and only gigantic explosions can launch him back into the time stream.

As well as the mandatory “walking with dinosaurs” the Man of Steel also meets the World War II Justice Society of America, fights Nazis in the Warsaw Ghetto, tussles with a mammoth, fights The Demon during the fall of Camelot and encounters the Legion of Super Heroes at three critical points of their career.

This hugely enjoyable epic is by Dan Jurgens, Jerry Ordway, Roger Stern, Bob McLeod, Brett Breeding, Dennis Janke, Tom Grummett, and Jose Marzan and is both highly readable and cheerfully accessible for both returning and first time fans.

© 1991, 1992, 1994 DC Comics. All Rights Reserved.

Caught Short

Caught Short

By Brian Howard Heaton (Grub Street)
ISBN: 978-0-95881-760-1

Here I go again bemoaning the gradual loss of the cheap ‘n’ cheerful cartoon paperbacks that were so ubiquitous in the past but are now fast fading as the much more important sounding Graphic Novels and Trade Collections carve a niche in our psyches and on our bookshelves. And here’s another disturbing thought – how many people these days even have bookshelves and any sort of tome to put on them?

None of which matters a jot or tittle as I call to your attention a relatively late entry in the field from Brian Howard Heaton subtitled “89 ways to pee in public without being spotted”. This sort of themed gag-book was the last commercial gasp in a tradition of pictorial entertainments that began with Punch, and evolved into a saucy standby of British life.

Heaton is a competent artist in the modern style and the gags range from contrived to fiendishly clever, all delivered with easy charm and utterly without text – never an easy job in cartooning. If you find this book or anything similar give it a try; this sort of thing use to be bread ‘n’ butter in our game, and you really will mess them if they disappear forever.

© 1992 Brian Howard Heaton. All Rights Reserved.

Eden: It’s An Endless World! Vol 4

Eden: It's An Endless World! Vol 4

By Hiroki Endo (Titan Books)
ISBN: 978-1-84576-502-6

After the deadly ‘Closure Virus’ decimates the world the survivors have to cope with the global power-grab of the paramilitary secret society Propater. Elijah Ballard is one such survivor, searching for his mother in the ruins of a still un-pacified South America. Falling in with a rebel unit lead by the ominous Colonel Khan, Elijah is unaware of just how important he is, and just what part his mother now plays in the bloody new world order.

This volume of Hiroki Endo’s gripping, brutal post-apocalyptic thriller splits the action between the contemporary battle with a disturbing back-story origin for the compelling young rebel Kenji; a cold, psychotic killer who seems as alien and inhuman as any cybernetic monstrosity devised by the world-devouring Propater forces. By exploring Kenji’s violent past and unconventional relationship with older brother Ryuichi, the author also offers a glimpse at the origins of the Conquerer’s technology. It appears that the Closure Virus is the basis of the Cyborg technology now decimating Khan and his unit…

Eden is a brutal, savage epic, meticulous and compelling: This volume ends with a seemingly unconnected vignette showing what’s happening to Mana, Elijah’s missing sister – absent since the first book. How this sweet, innocuous interlude will fit into the dark, apocalyptic mosaic of this drama is something for another time…

And you really should stick around for it. This book is printed in the ‘read-from-back-to-front’ manga format.

© 2007 Hiroki Endo. All Rights Reserved.