Hey Skinny!

Great Advertisements from the Golden Age of Comic Books

Hey Skinny!

By Miles Beller and Jerry Leibowitz (Chronicle Books)
ISBN13: 978-0-8118-0828-6

A few years back there were a brace of books released that reprinted the iconic advertisements that peppered comic books; both American and the much more sedate British variety. Although mostly sensationalistic and concentrating on the kitsch value of their content, there’s still a valid reason to commemorate these histrionic and fantastic landmarks of nostalgia. The volume cited here is a slim and jolly little gem that features full page ads that appeared in US comic-books from the dawn of the form until the mid 1950’s.

Culled from such disparate sources as Alarming Tales, Blue Bolt, Buck Duck, Captain Marvel Adventures, Crime and Punishment, Heart Throbs, Little Lulu, Sad Sack, Terry and the Pirates and a host of others, these full colour seductions offer to fulfill every child’s dreams with such devices as the Technicolor Comicscope, a Jet “Rocket” Space Ship, a Phono-Toon, Forest-Fire Lamps, Space Cadet “Invisible Helmets”, Nutty Putty or even Captain Video Two-Way Communicators.

For older readers the secrets of a happy life are guaranteed with such boons to mankind as Wards Formula (for killing hair-destroying germs!), Baton Twirling in 5 Minutes, the Vacutex Gentle Suction Blackhead Remover, Anti-Bed-Wetting Tablets and of course the secrets of gaining weight and girlfriends.

Even if you’re not skinny this charming slice of yesteryear offers a warm and fuzzy feeling of simpler times now gone, for any fan who doesn’t take the industry and their passion too seriously.

© 1995 Miles Beller and Jerry Leibowitz. All Rights Reserved.

Figure Drawing Without a Model

Figure Drawing Without a Model

paperback edition
By Ron Tiner (David & Charles)
ISBN13: 978-0-71530-646-8

Having sat through a very large number of portfolio shows (where aspiring artists show their work in hope of advice and eventually a job) I’ve heard – and I must admit, uttered – the phrase “you need to do more life drawing” many hundreds of times. It’s a cliché but it’s universally absolutely true. The human body is the basic unit of meaning and communication in narrative fiction. Everything an artist needs to say depends on how you can render and manipulate that basic unit. And no-one ever EVER reaches the stage where they stop needing to practise observing, constructing and reducing 3-dimensional forms in real space into 2-dimensional analogues.

Rant over, I can admit that finding suitable classes and even the time to practise can be a real bother. So this book by illustrator, teacher and comic artist Ron Tiner, designed with the specialised needs of the narrative artist in mind, is an absolute gem for the aspiring and dedicated would-be creator. All the fundamentals are covered from Structure and Proportion, The Figure in Action, Imagination, Character and Expression, Picture and Composition and Graphic Narrative.

Especially useful for our purposes is the section on The Definitive Moment – depicting the most useful static image that best defines the intent of an action. When Splatman punches Doctor Deadly, what is the most telling, most satisfactory and most efficient figure, angle and composition to communicate the writer’s intention? Sounds woolly, I know, but it’s always the hardest skill for creators to develop, especially in scenes that need mood or tension rather than explosive drama, and this forthright examination here sells it perfectly.

This wonderful book, lavishly illustrated by a master of the comic strip, shows what the reader needs to know and reveals how the artist needs to think. Great stuff and absolutely invaluable – but still not a substitute for life-drawing classes…

So get both.

© 1992, 1997 Ron Tiner. All Rights Reserved.

Utopia’s Avenger, Volume 1

Utopia's Avenger, Volume 1

Created by Oh Se-Kwon (TOKYOPOP)
ISBN: 978-1-59816-670-5

This rip-roaring fantasy fight-fest has all the traditional hallmarks of what we westerners consider classic manga – although this is technically a manhwa thriller (i.e. a product of South Korea). In a world where flying bikes and feudal overlords co-exist bounty-hunter Hong Gil-Dong and his acolyte Danu rescue the abducted daughter of a merchant. As they conduct the beautiful Ju Sanghui back to safety they encounter bandits, assassins and monsters, and she realises that there is more to these rough capable men than at first appears.

Can Gil-Dong actually be the legendary fighter who founded and failed to save the fabled kingdom of Yuldo? If his claims are true and he is growing younger with each passing day will he have time to re-establish his kingdom before it’s too late? Or will the mysterious forces stalking him end his quest before he even has the chance?

Fast, furious, beautifully illustrated and untroubled by complexity, this is just plain fun to read. It ends in a cliff-hanger though so if you’re interested best pick up the next volume at the same time…

© 2004 Oh Se-Kwon, DAIWON C. I. Inc. English text © 2006 TOKYOPOP Inc. All Rights Reserved.

Starfawn

(FICTION ILLUSTRATED VOLUME 2)

 Starfawn

By Byron Preiss & Stephen Fabian (Byron Preiss Visual Publications Inc/Pyramid Books)
No ISBN

Byron Preiss’s publishing outfit was responsible for some pretty impressive steps in the development of the comic strip medium over the years. He used major talent, advocated the book over the periodical and was determined to always expand the fan-base rather than consolidate in a declining marketplace. By taking such risks he didn’t always hit his mark, but the results were always interesting and worthy of the readers time and money.

In this little gem, which boldly proclaims itself to be “in the Star Trek Tradition!”, he wrote an above average, if derivative, science fiction odyssey of First Contact that nonetheless still resonates today. His secret weapon was the hiring of pulp illustrator Stephen Fabian, whose pointillist artwork had been seen in Marvel’s black and white magazine line as well as increasingly in the anthology periodicals of the day.

Using a stippling technique reminiscent of SF classicists Virgil Finlay and Hannes Bok, the self-taught Fabian has since made a glittering career for himself (just Google him and see for yourself) and in this tale of a team of explorers and the startling metamorphosis that overtakes one of them shows that his sequential narrative and design skills are as impressive as his illustrative ability. With comic-book legend Marie Severin as colourist, this quaintly dated tale is still a great read and well worth seeking out if histrionic superheroes and moody misanthropes are beginning to pall your palate.

™ & © 1976 Byron Preiss Visual Publications Inc. All Rights Reserved.

The Brave and the Bold: The Lords of Luck

The Brave and the Bold: The Lords of Luck

By Mark Waid & George Pérez (DC Comics)
ISBN13: 978-1-84576-648-1

Maybe it’s just my age but I often think that I have a few deep-seated problems with most modern comics. Perhaps I’ve seen the same old plots regurgitated over and over too many times, or maybe the “old stuff” is only better because I’ve bronzed it uncritically with my personal nostalgias, but a large amount of modern output feels shallow, glossy and calculatedly contrived to me.

And then something like this turns up. The Brave and the Bold: The Lords of Luck collects the first six issues of another revival of this hallowed DC title and returns it not only to the fitting team-up format we all enjoyed but does it with such style, enthusiasm and outright joy that I’m almost a gawping, drooling nine-year-old again. Mark Waid, George Pérez and inkers Bob Wiacek and Scott Koblish have produced an intergalactic romp through time and space that rips through the DC Universe as a funny, thrilling and immensely satisfying murder-mystery-come-universal-conquest saga.

When Batman and Green Lantern discover absolutely identical corpses hundreds of miles apart it sets them on the trail of probability-warping aliens and the stolen Book of Destiny – a mystical chronicle of everything that ever was, is, and will be!

Each issue/chapter highlights a different team-up and eventually the hunt by Adam Strange, Blue Beetle, Destiny (of the Endless, no less) the Legion of Super Heroes, Lobo, Supergirl and a mystery favourite of long-ago (you’ll thank me for not blowing the secret, honestly!) plus an incredible assortment of cameo stars coalesces into a fabulous free-for-all that affirms and reinforces all the reasons I love this medium.

Great story, great art and great for all ages to read and re-read over and over again.

© 2006, 2007 DC Comics. All Rights Reserved.

Up Front

Up Front

By Bill Mauldin (W.W. Norton)
ISBN13: 978-0-39305-031-8

During World War II a talented and thoughtful young man named William Henry “Bill” Mauldin (29/10/1921 -22/01/2003) fought “Over There” with the 45th Division of the United States Infantry as well as many other fine units of the army. He learned to hate war and love his brother soldiers – and the American fighting man loved him back. During his service he began creating cartoons for Stars and Stripes, the US Armed Forces newspaper and his cartoons were reproduced in papers in Europe and America.

They mostly featured two slovenly “dogfaces” – a term he popularised – giving a trenchant and laconic view of the war from the very tip of the Sharp End. Willie and Joe, much to the dismay of the brassbound, spit-and-polish military doctrinaires, became the permanent and lasting image of the ordinary soldier, and they showed the conflict in ways the upper echelons of the army would prefer remained secret. Willie and Joe even became the subject of two films (Up Front -1951 and Back at the Front – 1952) whilst Willie made the cover of Time magazine in 1945, the year 23 year old Mauldin won his first Pulitzer Prize.

In 1945 a collection of his drawings, accompanied by a powerfully understated and heartfelt documentary essay, was published by Henry Holt and Co. Up Front was a sensation, telling the American public about the experiences of their Sons, Brothers, Fathers and Husbands in a way no historian would or did. This volume (with a new forward by Stephen Ambrose) is an anniversary re-issue of that publication. A biography, Back Home, followed in 1947. A Liberal and free-thinker, Mauldin’s anti-war, anti-idiots-in-charge-of-War views became increasingly unpopular in Cold War America.

Up Front

Despite being a War Hero his increasingly political cartoon work drifted out of favour and he left the business to become a journalist and illustrator. He was a film actor for awhile (appearing in Red Badge of Courage with Audie Murphy among other movies) and after an unsuccessful try for a seat in Congress in 1956 returned to newspaper cartooning in 1958. He retired in 1991, after a long and glittering career. He only ever drew Willie and Joe four times in that entire period (for an article on the “New Army” in Life magazine, for the funerals of “Soldiers Generals” Omar Bradley and George C. Marshall and to eulogize Milton Caniff). His fondest wish had been to kill the iconic dogfaces off on the final day of World War II, but Star and Stripes vetoed it.

Up Front is one of the most powerful statements about war ever to come out of America. The Willie and Joe cartoons and characters are some of the most enduring and honest symbols of all military history. Every Veterans Day in Peanuts from1969 to 1999, fellow veteran Charles Schulz would have Snoopy turn up at Mauldin’s house to drink Root beers and tell war stories with an old pal. When you read Sgt. Rock you’re looking at Mauldin’s legacy.

The issues, mordant wit and desperate camaraderie of his work is more important than ever in an age where increasingly cold and distant brass-hats and politicians send ever-more innocent lambs to further foreign fields for slaughter. With this volume and the forthcoming Fantagraphics Willie & Joe: The WWII Years, we should be well on the way to restoring the man and his works to the forefront of graphic consciousness, because tragically, his message is never going to be out of date…

Illustrations © 1944 United Features Syndicate. Text © 1945, 2005 the Estate of Bill Mauldin. All Rights Reserved.

The Songs of Michael Flanders & Donald Swann

The Songs of Michael Flanders & Donald Swann

Illustrated by various (International Music Publications Limited)
ISBN: 978-1-85909-439-6

I’m stretching my brief again here (and isn’t that a grisly image to conjure with?) to review this superb slice of comedy nostalgia that’s still readily available. Michael Flanders and Donald Swann were songwriters who made a big success of performing their own material on stage in a vibrant, satirical manner that captivated audiences both in the theatres but also on the increasingly important television variety circuit.

Their brand of gently jibing whimsy and mordant sarcasm delighted the folk of many nations, and songs such as ‘The Hippopotamus’ (you probably know it as “Mud, Mud, Glorious Mud”) or ‘The Reluctant Cannibal’ are still liable to break out whenever people of a certain age congregate near a piano. They were brilliantly funny on stage (the live albums At the Drop of a Hat and At the Drop of Another Hat are classic examples of comedy stand-up that still leave contemporary “improv” performers agog and breathless) and both of them died much too soon.

This book collects 41 of their funniest, most sarcastic, most touching and best songs, with both sheet music and separate lyrics augmented by cartoons and illustrations from some of Britain’s greatest humorous illustrators. H. M. Bateman, Hoffnung, Osbert Lancaster, David Low, Gerald Scarfe, Willy Fawkes (Trog), Edward Burra, Ionicus, Hewison, ffolkes, Ronald Searle and many others make this grand book a delight to look at as well read. If you ever needed a reason to dust off the old piano lessons…

© 1977, 1996 International Music Publications Limited. Illustrations © 1977 their respective copyright holders.

Rip in Time

Rip in Time

By Bruce Jones and Richard Corben (Fantagor Press)
ISBN: 0-9623841-1-9

This spectacular B-Movie pastiche from two veteran comics creators has all the elements of a blockbuster thrill-ride and rattles along like a roller coaster. L.A. cop Rip Scully is out with his millionaire fiancé when he stumbles across a liquor store hold-up. Although he subdues the female robber, her psychopathic partner manages to escape with the fiancé as a hostage.

In hot pursuit with the female bandit in tow, Rip and his quarry burst into a US Military project at just the wrong moment and all four are catapulted through a hole in time. Trapped millions of years in the past relationships might break down but the hatred of men remains immutable. And the dinosaurs only care about filling their bellies…

As if they weren’t in enough trouble, the project commander is under orders to leave no witnesses and has dispatched an insane bounty hunter to ensure that no one comes back from this Lost World…

Lovingly airbrushed artwork in Corben’s outrageous signature style, rendered in moody monochrome perfectly augments Jones’ racy, pacy dialogue in this delightfully visceral thriller to make this another classic long, long overdue for a revisit.

© 1986, 1987, 1990 Richard Corben and Bruce Jones. All Rights Reserved.

Sherlock Holmes Mysteries, Volume 1

Sherlock Holmes Mysteries, Volume 1

By Martin Powell & Seppo Makinen (Moonstone)
ISBN13: 978-0-97216-686-7

Writers and fans alike share an oddly perverse and seemingly overwhelming desire to “mix and match” their favourite literary figures, especially from the Victorian Era; that birthplace of so many facets of popular culture. Sherlock Holmes is so much a household name that his inclusion in any venture is a virtual guarantee of commercial success, but often no guarantee of quality.

Mercifully that’s not the case in this instance. This volume collects two intriguing cases originally released as comic-book miniseries published by Eternity Comics and collected as petite graphic novels at the end of the 1980s. This more conventionally sized tome bundles them together and I must admit they’ve lasted rather well.

Scarlet in Gaslight: An Adventure in Terror is an intriguing if workmanlike battle of wits between the Great Detective and Bram Stoker’s Lord of the Undead. The teaming of Holmes and Abraham Van Helsing is a delight and the uneasy alliance of Count Dracula and the more truly evil Professor Moriarty, as much as its dramatic severance, delivers a memorable thrill for neophytes and purists alike.

A Case of Blind Fear returns the Great Detective to his mystery-solving roots when Scotland Yard enlists his aid to explain a series of bizarre occurrences that have left London gripped in terror. When the incidents lead to impossible murders and all logical solutions have been exhausted, Holmes can only conclude that the culprit must be an Invisible Man! H.G. Well’s scientific romances are a perfect playground for Conan Doyle’s ultimate rationalist and this moody thriller is engaging in concept and effective in delivery.

Nearly twenty years before The League of Extraordinary Gentlemen (ISBN: 1-56389-858-6) these tales gripped and enchanted comic readers, and whilst not quite matching the impressive standard of Moore and O’Neill’s graphic masterpiece, they are infinitely superior to the truly appalling film it inspired.

Great fun, honestly crafted and well worthy of your attention.

™ & © 1988, 1989, 2003 Martin Powell and Seppo Makinen. All Rights Reserved.

Peter Pank

Peter Pank

By Max (Knockabout Comics)
ISBN 0-86166-079-X

Come back with me to the 1980s. It’s the first time that the cultural phenomenon of Punk Rock experienced a wave of Nostalgic Wistfulness – if not a full revival. Back then a rowdy and raucous strip from Europe was collected into a saucy, strident album that reads terribly well in our Post-Post-Modern Twenty-First Century.

Peter Pank is a sexy, sexist, ultra-violent and in-your-face-and-up-your-nose pastiche of J.M. Barrie’s immortal classic with the eponymous Oik who never grew up luring a much more physically mature Wendy and her two brothers to the fabulous realm of Punkland to have adventures with Hippies, nymphomaniac Sirens and the dreaded Captain Quiff and his desperate band of Teddy Boys.

Fast-paced, well drawn, irreverent, obnoxious and very, very rude this guilty graphic secret is a daft but readable treat for any adult that “had to be there, Man”, or even actually was…

© 1987 Max & Ediciones La Cupula. All Rights Reserved.