Scott Pilgrim, Vol 4: Scott Pilgrim Gets it Together

Scott Pilgrim Gets it Together

By Bryan Lee O’Malley (Oni Press)
ISBN: 978-1-93266-449-2

The always entertaining Bryan Lee O’Malley returns to thrill, chill and astound with the next instalment in his pictorial saga of Scott Pilgrim, the World’s most wonderful waste of space, time and infinite dimensions.

Scott’s a young post-Generation X-er, who’s more or less content to drift through life, but even he has problems he can’t escape, ignore, avoid or sleep through. When he finds himself jobless, homeless, aimless and arguing with the other members of his band that’s one thing, but when he realises that he’s increasingly emotionally dependent on his mysterious girlfriend Ramona Flowers… Something has to change.

It’s not being only halfway through death-duelling with her seven evil ex-boyfriends, or the fact that the girl-he-almost-had is back in town and mixing him up that’s causing the grief. It’s the suspicion that he and Ramona might actually have something real growing which forces the most drastic action yet – getting a job!

This volume includes a full colour 8-page vignette to supplement the incisive black and white cartooning. Surreal, mock-heroic, powerfully addictive graphic narrative informed by video games, anime and manga, this is a warm, funny and superbly well-crafted series that does more to break English-language comics out of its self-built ghetto than any superhero title ever possibly could. If you want a quality read, and would like to see the future of our medium, this should be on your shelf or shopping list.

â„¢ & © 2007 Bryan Lee O’Malley. All Rights Reserved.

DC Archive: Adam Strange Volume 1

Adam Strange Archive

By Gardner Fox, Carmine Infantino & Mike Sekowsky (DC Comics)
ISBN: 1-4012-0148-2

For many of us the Silver Age of comics is the ideal era. Varnished by nostalgia (because that’s when most of us caught this crazy childhood bug) the clear, clean-cut, uncomplicated optimism of the late 1950s and early 1960s produced captivating heroes and villains who were still far less terrifying than the Cold War baddies who troubled the grown-ups. The sheer talent and professionalism of the creators working in that temporarily revitalised comics world resulted in triumph after triumph which brightened our young lives and remarkably still shine today with quality and achievement.

One of the most compelling stars of those days was an ordinary Earthman who regularly travelled to another world for spectacular adventures, armed with nothing more than a ray-gun, a jetpack and his own ingenuity. His name was Adam Strange, and like so many of that era’s triumphs he was the brainchild of Julius Schwartz and his close team of creative stars.

Showcase was a try-out comic designed to launch new series and concepts with minimal commitment of publishing resources. If the new character sold well initially a regular series would follow. The process had already worked with phenomenal success. The revised Flash, Challengers of the Unknown and Lois Lane had all won their own titles and Editorial Director Irwin Donenfeld now wanted his two Showcase editors to create science fiction heroes to capitalise on the twin zeitgeists of the Space Race and the popular fascination with movie monsters and aliens.

Jack Schiff came up with the futuristic crime fighter Space Ranger (who debuted in issues #15-16) and Schwartz went to Gardner Fox, Mike Sekowsky and Bernard Sachs to craft the saga of a modern-day explorer in the most uncharted territory yet imagined.

Showcase #17 (cover-dated November-December 1958) launched ‘Adventures on Other Worlds’, and told of archaeologist Strange who, whilst fleeing from enraged natives in Peru, jumps a 25 ft chasm only to be hit by a stray teleport beam from a planet orbiting Alpha Centauri. He materialises in another world, filled with giant plants and monsters and is rescued by a beautiful woman named Alanna who teaches him her language.

‘Secret of the Eternal City!’ reveals that Rann is a planet recovering from an atomic war, and the beam was in fact a simple flare, one of many sent in an attempt to communicate with other races. In the four years (speed of light, right? As you Know, Bob… Alpha Centauri is about 4.3 light-years from Sol) the Zeta-Flare travelled through space cosmic radiation converted it into a teleportation beam. Until the radiation drains from his body Strange would be a very willing prisoner on a fantastic new world.

And an incredibly unlucky one apparently, as no sooner has Adam started acclimatising than an alien race named The Eternals invade, seeking a mineral that will grant them immortality. His courage and sharp wits enable him to defeat the invaders only to have the radiation finally fade, drawing him home before the adoring Alanna can administer a hero’s reward. And thus was established the principles of this beguiling series. Adam would intercept a follow-up Zeta-beam hoping for some time with his alien sweetheart only to be confronted with a planet-menacing crisis.

The very next of these, ‘The Planet and the Pendulum’ saw him obtain the crimson spacesuit and weaponry that became his distinctive trademark in a tale of alien invaders which also introduced the subplot of Rann’s warring city-states, all desperate to progress and all at different stages of recovery and development. This tale also appeared in Showcase #17.

The next issue featured the self-explanatory ‘Invaders from the Atom Universe’ and ‘The Dozen Dooms of Adam Strange’ wherein the hero must outwit the dictator of Dys who plans to invade Alanna’s city of Rannagar. With this story Sachs was replaced by Joe Giella as inker, although he would return as soon as #19’s Gil Kane cover, the first to feature the title ‘Adam Strange’ over the unwieldy ‘Adventures on Other Worlds’. ‘Challenge of the Star-Hunter’ and ‘Mystery of the Mental Menace’ are classic puzzle tales as the Earthman must out wit a shape-changing alien and an all-powerful energy-being. These tales were the last in Showcase (cover-dated March-April1959). With the August issue Adam Strange took over the lead spot and cover of the anthology comic Mystery in Space.

As well as a new home, the series also found a new artist. Carmine Infantino, who had worked such magic with The Flash, applied his clean, classical line and superb design sense to create a stark, pristine, sleekly beautiful universe that was spellbinding in its cool but deeply humanistic manner, and genuinely thrilling in its imaginative wonders. MIS #53 began an immaculate run of exotic high adventures with ‘Menace of the Robot Raiders!’ by Fox, Infantino and Sachs, followed in glorious succession by ‘Invaders of the Underground World’ and ‘The Beast from the Runaway World!’

With #56 Murphy Anderson became the semi-regular inker, and his precision brush and pen made the art a thing of unparalleled beauty. ‘The Menace of the Super-Atom’ and ‘Mystery of the Giant Footprints’ are sheer visual poetry, but even ‘Chariot in the Sky’, ‘The Duel of the Two Adam Stranges’ (MIS #58 and #59, inked by Giella) and ‘The Attack of the Tentacle World’, ‘Threat of the Tornado Tyrant’ and ‘Beast with the Sizzling Blue Eyes’ (MIS #60-62, inked by Sachs) were – and still are – streets ahead of the competition in terms of thrills, spectacle and imagination.

Anderson returned with #63, which introduced some much-needed recurring villains who employed ‘The Weapon That Swallowed Men!’, #64’s chilling ‘The Radio-active Menace!’ and, ending this volume, ‘The Mechanical Masters of Rann’, all superb short-story marvels that appealed to their young readers’ every sense – especially that burgeoning sense of wonder.

The deluxe Archive format makes a fitting home for these extraordinary exploits that are still some of the best written and drawn science fiction comics ever produced. Whether for nostalgia’s sake, for your own entertainment or even to get your own impressionable ones properly indoctrinated, you really need this book in your home.

© 1958, 1959, 1960, 1961, 2003 DC Comics. All Rights Reserved.

Milton Caniff’s Steve Canyon 1949

Milton Caniff's Steve Canyon 1949

By Milton Caniff (Checker Book Publishing Group)
ISBN 0-9710249-1-X

The third collection in the daily travails of Milton Caniff’s post-war aviation adventurer covers the period from February 8th 1949 until February 18th 1950, which those fine people at Checker have subdivided into three episodes for your convenience.

‘Operation Snowflower’ leads off the excitement and originally ran (seven days a week, mind) until May 18th. It opens with Canyon and crew anxiously awaiting news of Happy Easter and the unscrupulous Cheetah who were last seen falling out of Canyon’s plane. However the arrival of ruthless millionairess Copper Calhoon soon distracts them all as she informs them that she now also owns the company which Canyon is working for.

As the post-revolutionary Chinese Republic began to flex its muscles in the build-up to the Korean War, the ever-contemporary Caniff began weaving the snippets of research and speculative news items he scrupulously collected into the grand story unfolding on his drawing board. Ever the patriot, his opinions and pro-“Free World” stance gives some of these strips a somewhat parochial if not outright jingoistic flavour, but as with all fiction viewed through the lens of time passed, context is everything.

Unlike his unpopular stance on Vietnam two decades later, this was not an issue that divided America. However the public and officials of the USA treated Communists and “Pinkos” within their own borders, the Red Menace of Russia and China was real, immediate, and actively working against Western Interests. The real talking point here is not the extent of a creator’s percieved paranoia, but rather the restraint which Caniff showed within his strip compared to what was going on in the world outside it.

Calhoon has Canyon flying uranium ores out of the rugged mountain country, and Red agents are agitating to get the raw materials for their own arms programs. The sabotage and unrest they’ve instigated have made the task dangerous and nearly impossible. As all the hard-bitten pilots continue their task Calhoon pressgangs young Reed Kimberly into becoming a companion for the locals’ mysterious ruler – “the Crag Hag”. Keeping the natives on-side is vital and the reluctant lad is nervous about his diplomatic role, but unbeknownst to all, the fearsome sounding Empress is actually a beautiful young teenager named Snow Flower, hungry to hear about the fabulous land of America, and desperate to see anyone her own age – especially boys!

The situation grows progressively worse as the Communist-backed rebels tighten their encirclement of the capital city of Damma. The fall is a foregone conclusion and Calhoon is making her escape plans whilst her men continue their ore flights out. As the city falls she is wounded, forcing Steve to fly her to safety on the last plane out. The Princess, Reed and the imposing Soldier-of-Fortune Dogie Hogan are forced to flee on foot, in a cracking sequence, pursued by the victorious and vicious rebels. When Canyon flies a rescue mission, only the heartbroken Kimberly awaits him. Snow Flower and Hogan have returned to the mountains to organise a resistance movement to fight the Communists.

‘Dragonflies’ follows, originally running from May 19th to October 9th. Steve and the recuperating Reed are cooling their heels, fretting about their total lack of cash or work, when the larger-than-life author and lecturer Romulus Brandywine commissions Steve to fly him around the highly volatile region on a research trip, accompanied by his secretary, the sassy and capable Summer Smith.

Whilst en route from India to the China coast their plane is forced down by Communist rebels, but after much intrigue and action they escape to become part of an anti-communist Foreign Legion of Pilots fighting a holding action against the seemingly unstoppable Red Hordes: The Dragonfly Squadron of the Western Chinese faction.

As if the ongoing conflict trapping the valiant fliers were not enough grief, Steve and Summer’s mutual attraction causes friction amongst the men, but when the hero finds himself once again in a last ditch siege, there’s a pleasant surprise in store as Happy Easter turns up, leading a division of anti-Red cavalry to – temporarily – save the day.

‘Teammates’ began on October 10th 1949 and ran well into 1950 (although this book concludes with February 18th instalment). It introduces a possible rival and definite complication with the unwanted arrival of a new flier at the temporarily reprieved airbase. Doe Redwood is an air-ace who flew half-way around the world to join the fight, in a brand-new top-of-the-line fighter plane, infinitely superior to the crates the veterans use. But she’s a woman and therefore trouble…

No sooner has the dust settled from the traditional culture-clash, battle-of-the-sexes than Steve and Doe have to go undercover into Communist-held territory to liberate vitally needed parts and supplies. However the mission goes spectacularly wrong when they encounter and old friend and foe – svelte Soviet Submarine commander Captain Akoola – and her ward Convoy…

Exotic, frenetic, full of traditional values and as always, captivating in both word and picture, this is another old-fashioned, unreconstructed delight. Caniff was the master of the daily strip drama and he always will be.

© 2004, Checker Book Publishing Group, an authorized collection of works
© Ester Parsons Caniff Estate 1949, 1950. All characters and distinctive likenesses thereof are trademarks of the Ester Parsons Caniff Estate. All Rights Reserved.

Milton Caniff’s Steve Canyon 1947

Steve Canyon 1947 

By Milton Caniff (Checker Book Publishing Group)
ISBN 0-9710249-9-5

After leaving the incredibly successful and world-renowned Terry and the Pirates newspaper strip Milton Caniff created another iconic comic hero in the demobbed World War II pilot Steve Canyon. The reasons for the move were basically rights and creative control, but it’s also easy to see another reason. Terry, set in a fabled Orient, even with the contemporary realism the author so captivatingly imparted, is a young man’s strip and limited by locale.

The worldly, if not war-weary, Canyon was a mature adventurer who could be sent literally anywhere and would appeal to the older, wiser readers of Atom-Age America, now a fully active, if perhaps reluctant, player on the world stage. Canyon also reflects an older creator who has seen so much more of human nature and frailty than even the mysterious Orient could provide. Put another way, William Shakespeare could write “Romeo and Juliet” as a young man, but needed more than passion and genius to produce “King Lear”.

Steve Canyon began on 13th January 1947, after a long period of public anticipation following a very conspicuous resignation from Terry. Always a master of suspense and adept at manipulating his reader’s attention, Caniff’s eponymous hero didn’t actually appear until January 16th (and then only in a ‘file photograph’). The public first met Stevenson Burton Canyon, bomber pilot, medal winning war-hero, Air-Force flight instructor and latterly, independent charter airline operator in the first Sunday colour page, on 19th January 1947.

By then eager readers had glimpsed his friends and future enemies, how acquaintances felt about him and even been introduced to ultra-rich and super-spoiled Copper Calhoun, the latest in a startlingly long line of devastating Femme Fatales created by Caniff to bedevil his heroes and captivate his audiences. And the magic promptly began.

This series of collections from Checker represents the strip in yearly segments and this one begins as Calhoun manoeuvres Canyon’s Horizons Unlimited charter line into flying her to countries where her pre-war holdings were disrupted, only to encounter deadly peril from both strangers and trusted employees. There’s also a goodly helping of old fashioned intrigue, jealousy and racketeering in the mix too.

The action and tragedy lead directly to an encounter with a couple of deadly female con-artists in ‘Delta’, and a gripping, yet light-hearted romp in the booming petroleum industry in ‘Easter’s Oil’ – which introduces the off-the-wall supporting character Happy Easter and the lascivious Madame Lynx, who would play such large and charismatic roles in the strip’s future.

The first volume ends with ‘Jewels of Africa’, a classic of suspense with the modern day pirate and Wrecker Herr Splitz falling foul of our heroes in a world rapidly becoming a hotbed of International tension. As Caniff’s strip became more and more a compass of geo-political adventure, his skill with human drama became increasingly mature and intense. This was comic strip noir that was still irresistible to a broad spectrum of readers. And that’s as true now as it was then. Steve Canyon is magnificent comic art at its two-fisted best.

© 2003, Checker Book Publishing Group, an authorized collection of works © Ester Parsons Caniff Estate 1947.
All characters and distinctive likenesses thereof are trademarks of the Ester Parsons Caniff Estate. All Rights Reserved.

Wallace and Gromit: The Whippet Vanishes

Wallace and Grommit: The Whippet Vanishes 

By Simon Furman, Ian Rimmer and Jimmy Hansen (Titan Books)
ISBN: 1-84023-498-9

There are lots of comics and graphic novels that derive from movie and television sources, and for whatever reason, most of them just do not cut it. This is a noteworthy exception.

This publication, dedicated to the further adventures of Northern boffin Wallace and the incomparable best-of-breed working dog Gromit, sees them take on the role of amateur Pet Detectives in a helter-skelter romp to track down a mysterious pet-napper.

All their trademark insanity and high energy action abounds as they deal with snow drifts and missing garden Gnomes and add another eccentric evil genius to their catalogue of arch-villains.

Great fun for all ages and I’d like to offer my particular congratulations for captivating art and colour from Jimmy Hansen and John Burns. Puppets have never been drawn so well.

© 2004 Aardman Animations. All Rights Reserved.

Scott Pilgrim Vol 2: vs the World

Scott Pilgrim Vol 2: vs the World 

By Bryan Lee O’Malley (Oni Press)
ISBN: 1-9326-6412-2

A second volume of Scott Pilgrim so soon? Ultra-cool. For those of you not in the know, Scott is just this guy who is eking out a generally stress-free existence in modern Toronto, not working, hanging out, sleeping late, and dating two girls. He’s in a band, but they pretty much suck.

Did I say stress-free? Not so much this time as his gay room-mate orders him to sort himself out and dump the under-age girlfriend, Asian-American teen-ninja, Knives Chau, and concentrate on just Ramona Flowers. This latter chick Scott truly loves, and anyway, he’s already sworn to fight all her evil ex-boyfriends, the aptly titled “League of Ramona’s Evil Ex-Boyfriends”.

Of course, love and two-timing is never simple, as Knives decides that she’s not quite ready to be dumped, so she gets a new look and decides to use her ninja powers to battle Ramona. We’re treated to a more vulnerable Scott Pilgrim here as he writes Ramona a thrash love song, is nearly defeated by her second E.E-B. – skate-boarding movie star Lucas Lee – has to cook a meal and even make some decisions!

Tip in a brief look at his awesome origin, and you have a wonderful slice of sheer captivating entertainment, that is by turn, warm, funny, surreal and un-putdownable.

There are an abundance of teen oriented comic books on the stands at the moment, but this is the only one that has managed to co-opt the pulp science-fiction aspiration of instilling a Sense of Wonder into every moment, and this whimsical approach is the perfect antidote to all that angst, testosterone and fashionista marketing.

You really should treat yourself to one of the first classics comic books of the 21st century. Go buy it now.

â„¢ & © 2005 Bryan Lee O’Malley. All Rights Reserved.

Scott Pilgrim’s Precious Little Life

Scott Pilgrim's Precious Little Life 

By Bryan Lee O’Malley (Oni Press)
ISBN: 1-9326-6408-4

Is it just me, or is all the really cool, really fun and really fresh comic stuff coming out of the alternative/Small Press/creator owned/ self-published sector of the comic industry? Like so many others my age I grew up in a time with very few strip publishers, and though I love ’em dearly still, I’m acutely aware of just how limited a range those mainstream creators were allowed to work within.

I’m simply appalled that in an era of specialist retailers, comic conventions and all the computer age paraphernalia that should keep editors and publishers totally clued in to the appetites of their customer base, the same old stuff is perpetually retooled and recycled whilst everybody and his aunt bemoans the unstoppable decline in comics sales and the inevitable death of the medium.

I have some maxims that might solve this conundrum. Produce work for your audience, not yourselves. Variety is the spice of life. Nothing ventured, nothing gained. Think about the work first, and the Subsidiary Merchandising Rights last. This is an entertainment medium: Your goal should be to make entertainment.

Having got that off my voluminous chest, I can whole-heartedly recommend the work of Bryan Lee O’Malley. His Manga-esque tales of an adorable boy-idol slacker, shambling his way through a contemporary, if somewhat surreal, life is a gentle stroll through a world that manages to feel warmly nostalgic no matter what age you are or where you grew up. Scott Pilgrim is young, lazy and gorgeous, shares a flat with his cool, gay best mate, plays in a band and has girlfriend hassles. He lives his life from moment to moment and manages to keep a firm grip on both angst and hormones.

Although ostensibly targeting the modern counter-culture of the troubled teen, skate-boarding, new punk generation, there is a wonderfully accessible universality to his problematic existence and his perpetually stop-gap solutions. In terms of content alone this should be considered a mass-market item. And should enough people see this work to make Scott Pilgrim a “bankable” commodity pray that the author keeps some form of creative control, because this is that rarest of comic books. The stories and characters are unbelievably good but the sometimes crude and often over-exuberant drawing is absolutely perfect for this material. Nothing and nobody else could possibly do it justice – and that includes any dream cast any Hollywood producer could possibly drool over.

This is a great comic book. Go buy it now.

â„¢ & © 2004 Bryan Lee O’Malley. All Rights Reserved.

Scott Pilgrim Vol 3: Scott Pilgrim & the Infinite Sadness

Scott Pilgrim Vol 3 

By Bryan Lee O’Malley

Oni Press

O’Malley’s Manga-styled tales of an adorable boy-idol slacker, shambling his way through a contemporary, if somewhat skewed, life is a gentle stroll through a world that manages to feel warmly nostalgic no matter what age you are or where you grew up. Scott Pilgrim is young, lazy and gorgeous, shares a flat with his cool, gay best mate, plays in a band and has girlfriend hassles. He lives his life from moment to moment and manages to keep a moist grip on both angst and hormones.

The third outing for the world’s most precious slacker sees his life-challenges spiral to unbelievable heights and depths. Ramona, his new girlfriend, has revealed that before they can find eternal happiness – or at least date – Scott must defeat her seven previous boyfriends – who are all Evil and Mighty! The complications keep on abounding as Evil Boyfriend #3 is Todd, who is currently seeing Scott’s ex! To make things worse, she’s in a more famous band than Scott and is determined to make him suffer.

This extraordinary blend of pop and sub-culture, replete with ninjas, bionic chicks, teen rebellion and sheer surreal cartoonery is absolutely irresistible reading for anyone who’s got a brain and a secret desire to try being young just one more time. Funny, compelling and probably addictive, and so entertaining you could probably dance to it. This is another great comic book. Go buy it now, and don’t miss the first two either.

â„¢ & © 2006 Bryan Lee O’Malley. All Rights Reserved.