Ultimate Annuals volume 1


By Mark Millar, Brian K. Vaughn, Brian Michael Bendis, Jae Lee, Tom Raney, Mark Brooks, Jaime Mendoza Steve Dillon,& various (Marvel)
ISBN: 978-0-7851-2035-3

After Marvel’s financial problems and creative impasse in the late 1990s, the company took stock, braced itself and came back swinging. A critical new concept was the remodelling and modernising of their core characters for the new youth culture.

The Ultimate imprint abandoned monumental long-grown continuity – which had always been Marvel’s greatest asset – to re-imagine major characters in their own self-sufficient universe, offering varying degrees of radical makeover to appeal to the contemporary 21st century audience and offer them a chance to get in on the ground floor.

Creepy vigilante Spider-Man Parker was not-so-secretly a high-school geek, brilliant but bullied by his physical superiors whilst mutants were a dangerous, oppressed ethnic minority scaring the pants off the ordinary Americans they frequently hid amongst.

The Fantastic Four were two science nerds and their dim pals transformed into monsters, and global peacekeeping force S.H.I.E.L.D. kept them all under control with their own metahuman taskforce humbly designated The Ultimates…

The revived series all sported fresh and fashionable, modernistic, scientifically feasible rationales for all those insane super-abilities and freaks manifesting everywhere…

The experiment began in 2000 with a post-modern take on Ultimate Spider-Man. Ultimate X-Men followed in 2001, and the Mighty Avengers were reworked into The Ultimates in 2002 with Ultimate Fantastic Four joining the party in 2004.

The stories, design and even tone of the heroes were retooled for the perceived-as-different tastes of a new readership: those tired of or unwilling to stick with precepts originated by inspirational founding fathers Jack Kirby, Steve Ditko and Stan Lee, or (hopefully) new consumers unprepared or unwilling to deal with five decades (seven if you include Golden Age Timely tales retroactively co-opted into the mix) of interconnected story baggage.

The new universe quickly prospered and soon filled up with more refashioned, morally ambiguous heroes and villains but eventually even this darkly nihilistic new universe became as continuity-constricted as its ancestor.

Eventually, in 2008, an imprint-wide decluttering exercise “Ultimatum” culminated in a reign of terror which excised dozens of superhumans and millions of lesser mortals in a devastating tsunami which inundated Manhattan, courtesy of mutant menace Magneto.

Long before that, however, Marvel’s original keystone concepts were awarded their own celebratory summer specials and this stellar volume collects Ultimate Fantastic Four Annual#1, Ultimate X-Men Annual#1, Ultimate Spider-Man Annual#1 and The Ultimates Annual#1 (all from October 2005): a selection of relatively stand-alone sagas displaying the daringly different tone of the alternate yet chillingly familiar world.

The compilation kicks off with ‘Enter the Inhumans’ by Marl Millar, Jae Lee and colourist June Chung from Ultimate Fantastic Four Annual#1 wherein dim but pretty party boy Johnny Storm gets involved with a runaway princess bride.

The ethereally beautiful girl is named Crystal and she is fleeing from an arranged marriage to her creepy, crazy cousin Maximus. The match was decreed by her sister Medusa and King Black Bolt, rulers of a hidden race of super-powered parahumans who have concealed their existence from humanity for ten thousand years.

Even after the Human Torch almost dies defending her, Crystal is successfully abducted, compelling Reed, Sue, Ben and recuperating Johnny to go after her into the heart of hidden city Attilan, thanks to the teleporting talents of the princess’ faithful giant bulldog Lockjaw…

The subsequent confrontation with the lethally powerful Inhuman Royal Family leads to an inconclusive resolution but a shattering end to the lost city…

Romance plays a part in the next tale too. ‘Ultimate Sacrifice’ by Brian K. Vaughn, Tom Raney, Scott Hanna & Gina Going (Ultimate X-Men Annual#1) finds Nick Fury warning Charles Xavier that the unstoppable Juggernaut has escaped and is hunting the mutant girl he holds responsible for all his recent woes…

Unfortunately for everyone, Rogue has absconded to Las Vegas in the company of sexy bad-boy thief Gambit, where the rampaging monster maniac finally corners the duplicitous duo. Tragically Juggernaut completely underestimates his former squeeze’s lethal powers and the self-sacrificing ingenuity of the besotted Cajun…

The most significant change to Stan, Jack and Steve’s breakthrough concepts was a rather telling one: all the heroes were conceived as being far, far younger than their mainstream antecedents. This even affected the sensational Spider-Man tales wherein – after decades of comicbook stardom – the perennially youthful Peter Parker was at last portrayed as a proper High School kid rather than a stodgy 40-year old geek trapped in a teen’s body…

In ‘More than you Bargained For’ by Brian Michael Bendis, Mark Brooks, Jaime Mendoza, Scott Hanna & Dave Stewart – from Ultimate Spider-Man Annual#1 – the guilt-driven lad’s constant round of villain thrashing is derailed when cute but shy mutant Kitty Pryde makes the first tentative moves in her painfully adorable bid to make the mysterious hero her boyfriend…

That sweet, silly and utterly charming yarn is followed by a far darker and cunningly convoluted tale focusing on S.H.I.E.L.D. supremo Nick Fury and his long-term plan to mass produce an army of metahumans in ‘The Reserves’ by Millar, Steve Dillon & Paul Mounts.

Rather than highlighting stars like Iron Man and Captain America, the story follows the far from smooth development of a legion of Rocketmen, Goliaths, weather based warriors “The Four Seasons” and the short, tragic career of heroic hopeful super-soldier Lieberman. Of course the one-eyed master strategist has no time for regrets as he’s busy trying to avoid becoming the latest successful contract of infallible hitman Mister Nix…

Rocket-paced, razor sharp and blisteringly action-packed, this riotous romp is also liberally dosed with teen-oriented humour for the era of the acceptable nerd and go-getting geek, offering a smart and beguiling entrée into of Marvel’s other Universe that will impress open-minded old fans of the medium just as much as the newcomers they were ostensibly aiming for.
© 2005, 2006 Marvel Characters Inc. All rights reserved.

Marvel Platinum: the Definitive X-Men


By Stan Lee, Len Wein, Chris Claremont, Grant Morrison, Jack Kirby, John Byrne, Brent Eric Anderson, Jim Lee, Whilce Portacio, Frank Quitely & various (Marvel/Panini UK)
ISBN: 978-1-84653-599-4

Here’s another addition to the sterling Marvel Platinum/Definitive Edition series: a long-awaited treasury of tales reprinting certified landmarks from Uncanny X-Men #1, 141-142 and 281, Giant Size X-Men #1, Marvel Graphic Novel #5, X-Men volume 2, #1 and New X-Men #114-116 thereby providing a prodigious primer containing an immense amount of marvellously mythological mutagenic madness and Fights ‘n’ Tights fun.

Moreover, this mammoth tome offers a cover gallery by Jack Kirby & Sol Brodsky, Gil Kane & Cockrum, John Byrne & Terry Austin, Brent Anderson, Whilce Portacio & Art Thibert, Jim Lee & Scott Williams and Frank Quitely, an informative Foreword from editor Brady Webb, a vast text feature detailing the complex and convoluted history of the veritable army of heroes to have worn and Mike Conroy’s scholarly trawl through comicbook mythology in ‘The True Origin of the X-Men.

Cover-dated September 1963, X-Men #1 introduced gloomy, serious Scott “Slim” Summers (Cyclops), ebullient Bobby Drake AKA Iceman, wealthy golden boy Warren Worthington III codenamed Angel, and erudite, brutish genius Henry McCoy as The Beast.

These teens were very special students of Professor Charles Xavier, a wheelchair-bound telepath dedicated to brokering peace and achieving integration between the sprawling masses of humanity and Homo Superior: an emergent off-shoot race of mutants with incredible extra abilities.

Scripted by Stan Lee ‘X-Men’ opens with the boisterous students welcoming their newest classmate… Jean Grey (promptly dubbed Marvel Girl) – a beautiful young woman possessing the ability to move objects with her mind.

Whilst the Professor is explaining the team goals and mission in life an actual Evil Mutant, Magneto, is single-handedly taking over American missile-base Cape Citadel. A seemingly unassailable threat, the master of magnetism is nonetheless valiantly driven off by the young heroes on their first outing in under 15 minutes…

It doesn’t sound like much, but the gritty, dynamic power of Kirby’s art, solidly inked by veteran Paul Reinman, imparted a raw aggressive energy to the tale which carried the bi-monthly book irresistibly forward.

As the decade proceeded the team was occasionally supplemented by magnetic minx Polaris and cosmic powerhouse Havok – although they were usually referred to respectively if not respectfully as Lorna Dane and Scott’s brother Alex.

After nearly a decade of eccentric, mind-blowing adventures, the masked misfits faded away in early 1970 as mystery and supernatural horror themes once again gripped the world’s entertainment fields, consequently causing a sustained downturn in costumed hero comics.

Their title was cancelled then revived at the end of the year as a modest reprint vehicle: the missing mutants reduced to guest-stars and bit-players throughout the Marvel universe. The Beast was made over into a monster to fit the fashion of the times.

Then in the summer of 1975, at the behest of Editor-in-Chief Roy Thomas, Len Wein, Chris Claremont & Dave Cockrum revived and refashioned the mutant mystique with a brand new team in Giant Size X-Men #1.

The big, big blockbuster details how the original team was lost in action, forcing the distraught Professor X to scour Earth for replacements…

Recruiting already-established old foes-turned-friends Banshee and Sunfire – plus recent Hulk foe and Canadian secret agent Wolverine – most of Xavier’s time and attention was invested in unexploited and hidden new mutants scattered around the globe.

One such was Kurt Wagner, a demonic-looking German teleporter who would be codenamed Nightcrawler, whom Xavier saved from a religious lynch mob. Another was young Russian farm worker Peter Rasputin who could transform into a living steel Colossus and a third embittered, disillusioned Apache superman John Proudstar who was cajoled and pressured into joining the makeshift squad as Thunderbird.

The final replacement was Ororo Monroe, a young woman who comported herself as an African weather goddess and would be known as Storm. These raw replacements were all introduced in the stirring opening chapter ‘Second Genesis’…

‘…And When There Was One!’ found wounded team-captain Cyclops swiftly drilling the far from willing or eager association before leading them into primordial danger against the monolithic threat of ‘Krakoa… the Island That Walks Like a Man!’

Overcoming the phenomenal terror of a sentient mutant eco-system and rescuing the original team should have led to another Special, but so great was the groundswell of support that the follow-up adventure was reworked into a 2-parter for the rapidly reconfigured reprint monthly which became a bimonthly home to the team and began the mutant madness we’re still experiencing today…

The revision was an unstoppable hit and soon grew to become the company’s most popular and high quality title. In time Cockrum was succeeded by John Byrne and as the team roster shifted and changed the series rose to even greater heights, culminating in the landmark “Dark Phoenix” storyline which saw the death of arguably the book’s most beloved and imaginative character.

In the aftermath team leader Cyclops left and a naive teenaged girl named Kitty Pryde signed up…

Next in this compilation comes a brace of supremely impressive and influential issues. Uncanny X-Men #141-142 (January & February 1980) perfectly encapsulate everything that made the outrageous outcasts such an unalloyed triumph and touchstone of youthful alienation.

‘Days of Future Past’ by Claremont, Byrne & Austin depicts an imminently approaching dystopian apocalypse wherein mutants, paranormals and superheroes will have been eradicated by Federally-controlled Sentinel robots, who would then rule a shattered world on the edge of utter annihilation. New York will be a charnel pit with most surviving mutants kept in concentration camps and only a precious few free to fight a doomed and futile war of resistance.

The middle-aged Kitty is the lynchpin of a desperate plan to unmake history. With the aid of telepath named Rachel (eventually to escape that time-line and become the second Phoenix) Pryde swaps consciousness with her younger self in a last-ditch attempt to prevent the pivotal event which created the bleak, black tomorrow where all her remaining friends and comrades are being pitilessly exterminated one by valiant one…

‘Mind Out of Time’ sees the mature Pryde in our era, inhabiting her juvenile body and leading her disbelieving X-Men team-mates on a frantic mission to foil the assassination of US senator David Kelly on prime-time TV by the Brotherhood of Evil Mutants – super-powered terrorists determined to make a very public example of the human politician attacking the cause of Mutant Rights…

Fast-paced, action-packed, spectacularly multi-layered, bitterly tragic and tensely inconclusive – as all such time-travel tales should be – this cunning, compact yarn is indubitably one of the best individual stories of the Claremont/Byrne era and set the mood, tone and agenda for the next decade of mutant mayhem…

The series went from strength to strength and the franchise inexorably expanded. In 1982 a fresh generation of students enrolled in Xavier’s School for Gifted Youngsters. Following hard on the heels of that X-line expansion with The New Mutants, Marvel capitalised on the buzz a year later by releasing a hard-hitting original Marvel Graphic Novel (#5) which emphasised the harsher aspects of alienation and bigotry which underpinned relations between Homo Sapiens and Superior in a stunningly effective modern parable starring the misunderstood mutants in a landmark tale truly worthy of the company’s hot new format.

‘God Loves, Man Kills’ is a grim cautionary tale: one of the most disturbingly true-to-life in the entire canon and opens with the murder of two children. The “Purifier” zealots responsible then proudly display the bodies in the playground where they died with the placard “muties” around their necks.

When mutant terrorist/freedom fighter Magneto finds the bodies the stage is set for one of the X-Men’s darkest cases…

Fundamentalist preacher Reverend William Stryker is the demagogue of the hour: his evangelical crusade against unholy, ungodly mutants has made him rich and powerful whilst his sinister secret death-squads have enabled him to undertake the latest stage of his mission in the full, controversial glare of the public eye. He even has powerful friends and allies within the Government…

Stryker’s divinely-inspired mission is to incite a race-war and eradicate the entire emergent sub-species, using not only his television ministries to whip up public fear and hatred, but with a private army of merciless mutant-hating racist killers.

His next step involves taking out the X-Men and begins when Professor Xavier, Cyclops and Storm are seemingly assassinated after participating in a TV debate.

When news of their deaths reaches the test of the team, Colossus, Wolverine and Nightcrawler track down the assailants and discover that their friends are captives of Stryker’s Purifiers, just as old enemy Magneto appears, proposing a temporary truce…

Meanwhile Colossus’s sister Illyana and Kitty Pryde have stumbled upon the captives’ fate and been attacked too. Kitty escapes and goes on the run with murderous Purifiers hot on her trail…

Stryker has been busy: whilst happily torturing his captives he has devised a way to use Xavier’s telepathic abilities to destroy mutants and all those with latent mutant genes at one genocidal stroke.

As the hate-peddler’s plans enter the final stage Magneto and the remaining X-Men prepare for their most important battle, but the showdown on live TV from Madison Square Gardens offers many surprises and reversals of fortune as Stryker, in his paranoid hubris, overestimates the power of blind prejudice and the underestimates the basic humanity of the common man …

This tale is perhaps the most plainspoken and shocking example of mutants as metaphors for racial abuse in society and the stark message herein, savagely delivered by author Chris Claremont and artist Brent Anderson at the very top of their game, made explicit the power of bigotry and the ghastly repercussions of allowing it to bloom uncontested…

Moving, scary and immensely influential, God Loves, Man Kills is the X-Men at their most effective and movie-going readers will recognise much of the tale since it formed the basis for the X-Men film sequel X2.

This moving epic is followed by the first tantalising snippet of another landmark extended saga. The team had grown in popularity and was split into Blue and Gold teams by Xavier; the division engendering the launch of another X-title.

In Uncanny X-Men #281 (October 1991) ‘Fresh Upstart’ by Jim Lee, Whilce Portacio & Art Thibert over a Byrne script saw new villains The Upstarts – led by Shinobi Shaw and Trevor Fitzroy – murderously target the Hellfire Club elite such as cyborg Donald Pierce and White Queen Emma Frost and her young protégés The Hellions, with Storm’s Gold team Archangel, Colossus, Iceman and Jean Grey unable to stop the slaughter.

The same monthClaremont, Jim Lee & Scott Williamsscored monumental sales with X-Men volume 2, #1 wherein Magneto is drawn out of self-imposed exile in ‘Rubicon’.

The weary freedom fighter had distanced himself from Earthly affairs but is gulled by ambitious, devious mutant firebrand Fabian Cortez and his band of Acolytes into renewing his defence of oppressed mutants by attacking Earth and stealing nuclear missiles.

Xavier and Cyclops’ Blue team – Beast, Wolverine, Gambit, Rogue and Psylocke – were able to thwart his attempt but only pushed the master of magnetism further into the clutches of the murderously Machiavellian Acolytes…

New X-Men #114-116 (July to September 2001) wraps up this spectacular comics collection of comicbook X-cellence with a 3-part saga that changed the landscape of Marvel continuity and introduced psychic apex mutant predator Cassandra Nova in a globe-girdling yarn of primal terror.

‘E is for Extinction’ by Grant Morrison & Frank Quitely – with Tim Townsend, Dan Green & Mark Morales – saw the creepy old lady gorily secure the DNA of the last surviving Trask (the troubled family which had first invented Sentinels) and cause the robotic nemeses to undergo uncontrolled mechanical evolution before eradicating more than eleven million mutants on their safe haven island state Genosha.

She then turned her attention to the Xavier school and met her match in Cyclops, Jean Grey, Beast, Wolverine and Emma Frost – who was undergoing her own starling secondary metamorphosis.

In the aftermath Professor X made a personal decision which would change the nature of human/mutant relations forever…

Despite the minor quibble that the “Upstarts” story is unsatisfactorily incomplete, I can’t deny that what’s on offer here is of great quality and indisputably excellent examples of the mighty mutants at their most memorable and entertaining.

Most importantly this is another perfectly-designed literary device to turn curious movie-goers into fans of the comic incarnations too. Filled with non-stop tension and blockbuster action, this the ideal tool to make film-goers into funnybook fans and another solid sampling to entice and charm even the most jaded lapsed reader to return.

© 2014 Marvel Licensed by Marvel Characters B.V. through Panini S.p.A. All rights reserved. A British edition published by Panini UK.

Wolverine First Class: Class Actions


By Peter David, Ronan Cliquet, Francis Portela, Dennis Calero & Scott Koblish (Marvel)
ISBN: 978-0-7851-3678-1

Charming, light action-comedy is not the first thing that snikts to mind when considering Marvel’s mutant wild man… which is probably why the sorely-missed series detailing Logan‘s days as reluctant tutor to then-neophyte junior X-Man Kitty Pryde was such a delightful surprise for every rather rare reader who saw it.

The series launched in 2008, written by Fred Van Lente, but this final selection is scripted by veteran chortle-raiser Peter David who applies his deft, daft touch to the final five tales from Wolverine First Class #17-21 (September 2009 – January 2010).

The delicious pairing of surly, world-weary antihero and naïve, bubbly, keen-as-mustard, interminably chatty gamin has been comedy gold since the days of silent movies and is exploited to perfection in this hilarious but action-packed compilation which begins with ‘Two Wongs’ – illustrated by Ronan Cliquet.

This features Wolverine in his roguish persona as “Patch” investigating the son of a notorious, ruthless ganglord from outlaw island Madripoor whom the feral fury was sure he had permanently dealt with years before.

Patch is convinced that the apple doesn’t fall far from the shady tree, even though there’s no evidence that young Senatorial candidate Benjamin Wong is anything more than another idealistic hopeful looking to clean up the system…

Silly, innocent Kitty thinks otherwise and soon the argumentative pair are undercover and stealthily investigating as only two X-Men can (that is with lots of fights, chases and explosions), but they’re both in for a big surprise before all the votes are in…

Francis Portela handles the art for ‘Identity Crisis’ wherein student and master are on opposite sides of a knotty debate when Madrox the Multiple Man stops by the X-Mansion.

The young mutant needs Wolverine’s assistance to track down an errant copy of himself who doesn’t want to be reabsorbed. Unfortunately that runaway dupe has found a sympathetic ear in romantic soul Kitty who completely understands his need for independence and autonomy…

Too soon, however, events conspire to give everybody what they want, which only leaves the lass with a bitter taste of pointless tragedy…

Next up is an enthralling two part cosmic calamity as Dennis Calero limns ‘Discreet Invasion: Part One’ which finds Kitty waking up in a cunning copy of her bedroom aboard a spaceship.

Elsewhere on the vessel Professor Wolverine is enduring the tortures of the damned as the Super Skrull undertakes another plan of Earthly infiltration and conquest.

Discarding any potential threat from the stupid, puny earth girl, the Skrull is astounded to find her vanished and, soon after, all hell being let loose on his heavily fortified warship.

Things only get worse when Kree Protector of the Universe Captain Marvel bursts in…

The tension rises to blistering fever pitch in ‘Discreet Invasion: Conclusion’ as, amidst a catastrophic three-way tussle between the male heavies, Kitty displays her own shattering propensity for destruction.

It’s her innate smarts that win the day, however: when the Skrull plays his final card by becoming an exact duplicate of Wolverine, he cannot believe her solution to the age-old conundrum of who to shoot…

The series – and this volume – ends with #21 and ‘The Last Word’ (Scott Koblish art), as Kitty faces a terrifying graduation of sorts when Wolverine, apparently mind-controlled by Magneto, does everything in his power to slaughter her, just as her powers of intangibility stop working…

Also offering a lovely covers-&-variants gallery by Cameron Stewart, Skottie Young, Takeshi Miyazawa & David Williams, Class Actions is thrilling, engaging and filled with the much-missed humorous family camaraderie which made the early X-Men stories so irresistibly appealing.

What more could a Costume Dramas addict want?
© 2009, 2010 Marvel Characters, Inc. All rights reserved.

Savage Wolverine: Wrath


By Phil Jimenez, Scott Lope, Richard J. Isanove & various (Marvel/Panini UK)
ISBN: 978-1-84653-605-2

Company kick-start initiative Marvel NOW! having reinvigorated the entire continuity, assorted X-stars began life anew and Savage Wolverine was launched to spotlight tales outside the usual helter-skelter, non-stop progression of Marvel Universe continuity.

This grimly dark and moody collection – gathering issues #12-17 (published between February and June 2014) – captures two of the feral fury’s most brutal sagas in a bloody volume reaffirming the character’s charnel-house underpinnings.

Ever since his early glory days in the All-New, All Different X-Men, the mutant berserker known variously as Wolverine, Logan, Patch and latterly James Howlett has been a character who appealed to the suppressed, put-upon, catharsis-craving comic fan by perpetually promising to cut loose and give bad guys the kind of final punishment we all know they truly deserve.

Always skirting the line between and blurring the definitions of indomitable hero and maniac murderer, Wolverine soldiered on: a tragic, brutal, misunderstood champion cloaked in mysteries and contradictions. Then society changed and, as with ethically-challenged colleague the Punisher, final sanction and quick dispatch became acceptable and even preferred options for costumed crusaders…

Debuting as a throwaway foe for The Incredible Hulk in a tantalising teaser-glimpse at the end of issue #180 (October 1974) before indulging in a full-on scrap with the Green Goliath in the next issue, the semi-feral Canadian mutant with fearsome claws and killer attitude rode – and maybe even caused – the meteoric rise of the rebooted X-Men before gaining his own series, super-star status and silver screen immortality.

He hasn’t looked back since, although over the years many untold tales of the aged agent (since the miniseries Wolverine:Origins revealed the hero had been born at the end of the 19th century) have explored his missing exploits in ever-increasing intensity and torturous detail.

Thus Wolverine’s secret origin(s) and increasingly revelatory disclosures regarding his extended, conveniently much-brainwashed life have gradually seeped out. Cursed with recurring and periodic bouts of amnesia and mind-wiped ad nauseum by sinister or even well-meaning friends and foes, the Chaotic Canucklehead has packed loads of adventurous living into his centuries of existence – but until relatively recently hasn’t remembered most of it.

This infinitely unploughed field has conveniently resulted in a crop of dramatically mysterious, undisclosed back-histories, and ‘Come Conquer the Beasts Part 1: Claws and Teeth’ by Phil Jimenez (with additional input from Scott Lope) reveals the undying Wild Rover’s ancient connection with Africa and particularly a tribe of elephants with whom Logan has a semi-mystical relationship…

Now that beloved tribe is dying out: another callous casualty of the man-made extinction event caused by Asian and Arabian hunger for ornamental ivory and animal parts for the moronic, misconceived Chinese Medicine trade…

On one of his visits Wolverine encounters the stomach-churning results of organised poaching and is compelled by rage and disgust to do something about it. Following the bloody trail back to a staging post in rogue state Madripoor he is shocked to find one of his most trusted human friends neck-deep in the gory, indefensible business…

‘Come Conquer the Beasts Part 2: Death in Its Eyes’ further explores the crisis caused by human superstition and greed as Wolverine calls in the X-Men to help stop one pitifully small operation whilst being ultimately helpless to affect the ghastly global ongoing atrocity…

This is a tale filled with tragedy, hopelessness, small moments of vicarious indulgence and even gallows humour, but the message is what’s really important. Uncompromising, stark, breathtakingly brutal and packed with enough facts to appal any rational, clear-thinking individual, this is comics propaganda of the very best kind: horrifying, impassioned and strident, a true call to arms for all decent people to make self-serving governments act now…

Just as dark but remaining faithfully locked into ferocious fiction, the eponymous 4-part ‘Wrath’ by Richard Isanove takes us back to 1933 to reveal Logan’s own trip down the Road to Perdition, beginning when he was a rum-runner smuggling booze from Canada into Minnesota.

His contact is storekeeper Elias, a fellow survivor of the Great War just trying to keep his four kids safe and well fed in the depths of the Great Depression. Sadly, selling illegal hooch is a dangerous game for independent little guys and, when representatives of the Chicago mob arrive demanding a cut, things very quickly get out of hand…

In the bloody melee, Elias dies and both kids and gangsters discover that Logan is nothing like an ordinary little man…

With Elias dead Logan is honour-bound to take his kids to their aunt in Sterling, Colorado, but psychotic button men Pierre-Anselme AKA “Frenchy” and Sergio (don’t call me “Marion”) are deadly opponents and despite being maimed by the feral Canuck, manage to escape with pretty Matti – a valuable prospect for the mob’s cathouses…

Recovering from the assorted Tommy-gun and grenade wounds, Logan drags the kids –Sofia, Peter, and poor consumptive Vicky – in pursuit and soon rescues Matti – but only after another incomprehensible bloodbath.

However Logan makes a critical error in leaving Marion and Frenchy alive and the vengeance-crazed thugs relentlessly follow, using all their Chicago connections to turn the venal and corruptible local law-enforcement officers against the fugitives…

Doggedly moving on the party makes friends with “Okies” and other Dust-Bowl economic fugitives but the mobsters are equally determined and remorseless in their pursuit, leaving a trail of bodies and ultimately taking an unimaginable, unforgivable toll on the children, their tragedy-soaked family and the man called Wolverine…

Short, feisty and indomitable, Logan has always threatened and promised an explosion of visceral, vicarious ultra-violence and grim, gritty justice at every moment and in this slim, savage collection the fact has never been more impressively realised.

With covers-&-variants by Jimenez, Isanove, Chris Samnee, J. G. Jones and John Cassaday, Wrath returns the mutant megastar to realms and milieus largely ignored in recent mainstream appearances, living up to its named promise with brooding, bloody blisteringly bombastic, shocking sagas: a stirring reminder of past glories and uncanny adventures still to be revealed…
™ & © 2014 Marvel & Subs. Licensed by Marvel Characters B.V. through Panini S.p.A. All rights reserved. A British Edition published by Panini Publishing, a division of Panini UK, Ltd.

Amazing X-Men: The Quest for Nightcrawler


By Jason Aaron, Ed McGuinness, Cameron Stuart & Dexter Vines (Marvel/Panini UK)
ISBN: 978-1-84653-591-8

Amidst all the constant existential angst and apocalyptic Stürm und Drang of the average X-Men saga over the years, there was still the occasional moment of lighter-hearted, boldly dashing, fun-filled exuberant derring-do – and it generally gravitated towards or sprang from the general vicinity of German swashbuckler Kurt Wagner: Nightcrawler.

However even he eventually succumbed to the bleak tone of the times and, after increasingly dark dire deeds, he died in the X-Event Second Coming.

Now after the team’s dalliances with doppelgangers and alternate Earth iterations, the original and genuine article has returned for the first story-arc of new ongoing title Amazing X-Men. Collecting the first six issues (cover-dated January-May 2014), this metaphysical merry-go-round of magic and mutant mayhem by Jason Aaron & Ed McGuiness (aided and abetted by Cameron Stewart and Dexter Vines) opens in Heaven, where the devout, deceased Christian mutant is strangely listless and ill-at-ease.

He perks up, however, when a quartet of demon pirates invade the Promised Land looking for souls to shanghai, and gives the invaders the sound thrashing they so richly deserve. The situation suddenly becomes seriously serious when his father appears.

Demon mutant Azazel had maintained his connection to Earth for millennia by mating with human women, but Kurt had always been the most disappointing of his progeny. Now the moribund mutant realises he would do anything to thwart his sinister sire’s schemes – including foregoing forever his hard-earned eternal rest…

On Earth The Jean Grey School for Higher Learning is “welcoming” its newest teacher. Angelica Jones (AKA Firestar) is already nervous about her job and terrified to be in the “Big Leagues” amongst the X-Men, but her first day too soon takes a giant step into pure weirdness when the Beast blazes by her, chasing teleporting imps – known as “Bamfs” – who have been stealing his technology. Now, by purloining his coffeemaker, they have finally gone too far…

Caught up in the chase, she is astonished to discover the little blue packrats have constructed a bizarre glowing portal in the basement. When Iceman, Angel, Northstar, Rachel Grey, Wolverine and Storm join her, the Beast and the Bamfs, they are all attacked by malicious red Bamfs and sucked through the gateway into the afterlife where Azazel is attempting to conquer the eternal realms in flying pirate galleons…

The journey has divided the team. Transported to the golden fields of Elysium, Wolverine and Northstar are soon boldly battling Azazel’s demonic buccaneers but Storm, Iceman and Firestar are having the devil’s own time surviving the very Pit of Hell they have materialised in…

The war in heaven is starting to go badly until the sprit of Charles Xavier turns up to offer some sage advice, sending Wolverine plunging from Paradise to find and save Nightcrawler, who is set on stopping his devilish daddy at any cost…

The Beast has meanwhile landed on Azazel’s flagship, far beyond the Realm of the Flesh, and found himself severely overmatched against the hellish hordes aboard. He looks to be doomed, as is Storm who has “escaped” onto another of the perfidious black freighters, but when the situation is at its most dire, in a crack of brimstone sound and fury, Nightcrawler arrives, sword swinging…

With Wolverine and Northstar now trapped in a frozen perdition whilst Firestar and Iceman languish in the Inferno, Kurt leads the missions to rescue them all and, whilst revealing the incredible truth about the perpetually proliferating Bamfs, finally takes the fight to his fiendish father.

The struggle takes everybody back to Earth but, by defeating the demon-lord and manifesting once more on the physical plane, has Nightcrawler forever lost his place in Heaven and locked the lethal, lascivious Lord of Lies in the land of the living?

Peppered with telling and trenchant flashbacks showing why Wagner was so beloved by his fellow X-Men, the dauntless drama concludes with ‘All in the Family’ (illustrated by Cameron Stewart) which sees the majority of the surviving X-Men – now split into warring ideological camps – turn up at Kurt’s Welcome Home party to pay their respects.

The only one missing is Nightcrawler himself, occupied as he is with confronting his malign mother (evil mutant Mystique) and subsequently spectacularly failing to prevent her breaking recently incarcerated Daddy Dearest out of super-villain jail…

This bright and breezy tale of light-hearted triumph and tragedy comes with a legion of covers-&-variants (15 actually) by McGuinness & Vines, Milo Manara, Moore, Kevin Nowlan, Dale Keown, Skottie Young and Salvador Larroca, and is one of the most enjoyable X-epics of recent years: a boundless buccaneering romp trading angst for boundless action and nihilistic gloom for thrills and frolics.

™ & © 2013, 2014 Marvel & Subs. Licensed by Marvel Characters B.V. through Panini S.p.A. All rights reserved. A British Edition published by Panini Publishing, a division of Panini UK, Ltd.

Marvel Super Heroes Secret Wars: 30th Anniversary Edition


By Jim Shooter, Mike Zeck, Bob Layton, John Beatty & various (Marvel/Panini UK)
ISBN: 978-1-84653-589-5

Has it been thirty years? Cripes!: stir the Horlicks and break out the Zimmer frames…

The “maxi-series” which started the seemingly insatiable modern passion for vast, braided mega-crossover publishing events originally came about because of an impending action figures licensing deal with toy manufacturing monolith Mattel.

Marvel Editor-in-Chief Jim Shooter, a great advocate of tales accessible to new, younger readers as well as the dedicated fan-base, apparently concocted the rather simplistic but amazingly engaging saga starring the House of Ideas’ top characters as a result of urgings from a potential major licensor. He then built his tale around a torrent of unsolicited, inspirational mail from readers, all begging for one huge dust-up between all the heroes and villains…

The 12-issue Limited Series launched with a May 1984 cover-date and closed (April 1985) with a double-sized blockbusting battle that left many characters changed forever – or as least as “Forever” as comics get…

The premise of the secret saga was that an all-powerful force calling itself The Beyonder abducted an army of Earth heroes and villains – and the most dreaded destroyer in the universe – in its quest to understand the emotion of desire…

The enigmatic, almighty entity dumped them all on a colossal purpose-built Battleworld created from and populated with fragments of other planets as a vast arena in which to prove which was better – self-gratification or sacrifice…

In his introductory reminiscence ‘The War to End All Wars’, Shooter recounts the concatenation of circumstances which led to the creation of the series, after which an tantalising page clipped from the Daily Bugle outlines the mounting mystery of a seemingly unconnected legion of missing heroes before the furious Fights ‘n’ Tights epic opens…

As crafted by Shooter, Mike Zeck & John Beatty, ‘The War Begins’ found the Avengers, X-Men and Fantastic Four, Magneto, the Hulk and utterly out-of-his-depth Spider-Man all teleported into the deep unknown to see a galaxy destroyed and a world constructed before their astounded eyes. This was achieved purely so that a cosmic force could determine which of two philosophies was correct.

Arrayed against them were Doctor Doom, Molecule Man, Ultron, Dr. Octopus, the Lizard, the Enchantress, Absorbing Man, Kang the Conqueror, the Wrecking Crew and Galactus, all of whom had no problem with a disembodied voice telling them “slay your enemies and all you desire shall be yours”…

Whilst the villains instantly turn on each other, the Devourer of Worlds doesn’t care for the offer and attacks the disembodied force, only to be smashed casually and unceremoniously onto the brand new world below. The heroes too touch ground but dissent starts to split them into suspicious factions. The mere presence of mutant supremacist Magneto on their “team” divides the champions along human and mutant lines…

Elsewhere Doctor Doom tries to explain the underlying threat to his fellow villains in the huge super-scientific citadel they have commandeered, but the rogues refuse to listen.

Exasperated, the Monarch of Latveria decides to swallow his pride and consult with despised rival Mr. Fantastic but is blasted out of the skies by his greedy, treacherous companions before he finds the heroes’ camp. The bushwhackers then rashly go on to attack the gathered Good Guys… and The War begins…

‘Prisoners of War!’ sees the first of many pitched battles, but as the cataclysmic conflict proceeds, elsewhere Doom, having survived the sneak attack, is on site to see Galactus revive and ominously repair to a mountain top to begin his own unique response…

Leaving the cosmic glutton to his own devices, the Iron Tyrant returns to the fortress of evil; dubbing it Doombase as he reprograms the dormant AI Ultron to be his slave.

He is waiting when the thoroughly trounced malefactors limp home, having lost the Lizard, Enchantress, Kang and Thunderball, Bulldozer and Piledriver of the Wrecking Crew to the heroes.

The triumphant yet troubled victors have occupied their own city-sized futuristic castle-complex where, after imprisoning their captives, they soon return to bickering with each other. The suspicions of some human heroes quickly drives Magneto away – taking the Wasp as a hostage – but even as the remaining mutants begin to feel the weight of prejudice, bigger problems manifest.

As the rocky Thing unexpectedly reverts to merely mortal Ben Grimm, on his distant mountain top Galactus is preparing to consume Battleworld…

The suspense builds in ‘Tempest Without, Crisis Within!’

As the master of magnetism discusses a truce with the Wasp, in the hero citadel Spider-Man misconstrues an overheard conversation and accidentally sparks a schism between human and mutants.

Whilst the webslinger and Hulk remain with Reed Richards, The Thing, Human Torch, Captain America, Thor, Iron Man (unknown to all Jim Rhodes not Tony Stark), Hawkeye, Captain Marvel and She-Hulk, the much-aggrieved X-Men Storm, Cyclops, Rogue, Nightcrawler, Colossus, Wolverine and diminutive space-dragon Lockheed follow increasingly doctrinaire Charles Xavier’s demands to separate from the assemblage and join Magneto…

Doom meanwhile has used his fortress’ alien technology to turn two mysteriously-arrived earth girls into super-powered allies. When his remaining forces attack the heroes at dawn, the power of Volcana and Titania tips the balance against the defenders, deprived as they are of the might of the now-missing mutants…

Thor too is gone. Having journeyed with the captive Enchantress to a pocket dimension – hoping to persuade her to switch sides – he returns too late to stop the felons freeing their comrades and crippling the Torch and Captain Marvel…

Bob Layton stepped in to pencil the next two chapters, beginning with ‘Situation: Hopeless!’ wherein the resurgent rogues move to end the war by having Molecule Man drop an entire mountain range on the already-reeling heroes. Trapped under 50 billion tons of rock – only barely held up by the Atlas-like Hulk – the heroes are rallied to hold on by Captain America whilst Reed and Iron Man devise a technological solution to their dilemma.

Outside, Thor’s unexpected return almost overwhelms the exultant evildoers, but he too is eventually destroyed…

As the dust settles, Doom kills the newly liberated Kang (for shooting him down as he flew to confer with Richards), blithely unaware that Thor has survived and escaped to rescue his buried comrades…

In another quadrant, as the X-Men arrive at Magneto’s bastion – giving the Wasp a chance to escape – the recently disinterred heroes find an alien village in the shadow of Galactus’ peak where a comely healer named Zsaji uses her empathic abilities to heal the battered, wounded warriors from Earth…

However even as Ben unpredictably becomes the Thing again, Galactus makes his next move…

Above the skies of Battleworld, the Devourer’s solar system sized starship materialises, signalling ‘The Battle of Four Armies!’ At Doombase meek, socially inept Molecule Man Owen Reece is starting to blossom under the romantic attentions of Marsha Rosenberg AKA Volcana and, after being teased and bullied by the Wrecking Crew, smashes them all and flies off to be alone with her.

Whilst Magneto and Xavier attempt to communicate with the disdainfully oblivious Galactus, the X-Men speed to assist the human heroes against an outlaw assault on Zsaji’s village. In the melee Colossus is gravely injured and only saved by the healer’s intervention.

For him it is true love at first sight…

Oblivious to the conflict Doom, meanwhile, has again accomplished the impossible and invaded Galactus’ ship…

Zeck returned for ‘A Little Death…’ in which the Wasp, frantically making her way back to her friends, encounters and befriends the savage, confused Lizard.

Thousand of miles above her, Doom’s explorations have led him to find and restore sonic scourge Klaw. The malign, sentient sound wave had been trapped in the system-ship for months but although reconstituted in a solid-vibrational body construct, the Master of Sound is completely crazy….

Xavier’s confrontational leadership style is causing contention amongst his students and Colossus is having his heart broken every time he sees Zsaji fawn and simper over the shallow, lustful – human – Torch…

As Captain America and the big brains strategise ways to stop Galactus, Cyclops, Wolverine and Rogue unexpectedly rout a pack of bad guys on a mission for Doom which leaves the nigh-omnipotent Molecule bleeding out. Elsewhere, however, the fates are less kind when the Wasp, still cosying up to the Lizard, is ambushed and murdered by the Wrecking Crew.

The primordial predator is unable to save her, but his vengeance is terrible to behold…

And back at the Healer’s village a new player is about to enter the fray…

‘Berserker!’ introduces a new Spider-Woman and reveals where Titania and Volcana came from. Whilst assembling his war world The Beyonder appropriated segments of many other planets, including an entire suburb of Denver, Colorado from Earth…

Before the enigmatic arachnid can explain further the Wreckers blaze in to dump the Wasp’s corpse and gloat, but the Star Spangled Avenger refuses to let his enraged comrades pursue the killers. He needs everyone to stay ready for the moment when Galactus starts to eat the planet and the billions of kidnapped innocents unhappily inhabiting it…

As the villains retreat with the wounded Molecule Man they are ambushed by the rest of the X-Men and Magneto, resulting in another savage yet inconclusive battle, whilst high above them all Doom continues to plunder Galactus’ home. When the World Eater finally notices him, the Master of Latveria is casually expelled and sent crashing like a bug to the planet below …

Back at Doombase She-Hulk, filled with righteous rage and ignoring Cap’s orders, attacks the amassed murderers alone. After a ferocious fight she eventually succumbs to their greater force and ruthless brutality…

So when Xavier informs the heroes that his mutants will stand guard over Galactus, the Sentinel of Liberty at last lets his enraged comrades loose to take on the killers and live up to the name “Avengers”…

She-Hulk is near death when ‘Invasion!’ (inked by Beatty & Jack Abel) opens, as the champions of justice thrash their enemies with great enthusiasm, especially the enigmatic new Spider-Woman. In the course of the spectacular melee, Spider-Man single-handedly beats the impossibly strong Titania and his costume is destroyed.

As they imprison the crushed criminals, Captain America finds Doom, slumped in defeat and despair. Whilst the triumphant heroes use matter-shaping machines to repair their clothing and uniforms, the Wall-crawler accidentally uses a different device and receives a new all-black costume similar to Spider-Woman’s…

His, however, can change shape, colour and design, is thought-activated and somehow produces an inexhaustible supply of webbing. In the days to come on Earth he will learn to deeply regret his error…

Back in the village Zsaji has pulled out all the stops and resurrected the seemingly dead Wasp, but any joy the victors might feel is instantly erased as Professor X broadcasts a desperate telepathic alarm: Galactus is at last beginning to consume the planet…

As the X-Men begin their ‘Assault on Galactus!’ the human heroes rush back to assist them, but Reed Richards – the greatest intellect on Earth – suddenly has a flash of insight and vanishes as the Devourer teleports him to a private conference.

At that moment Doom rouses himself from his despondent funk, having conceived a grand plan of his own to conquer both Galactus and The Beyonder, erasing forever the humiliation of his ignominious defeat…

Due in part to his discussion with Reed, the Cosmic Carnivore abandons Battleworld and instead absorbs his own system-ship…

In the confusion Doom makes his move, using a hastily constructed device to absorb all the omnipotent instigator’s power and deal out ‘Death to the Beyonder!’

Despite being all but incinerated in the struggle, the Iron Tyrant uses the stolen energies to rebuild himself and declare the Secret War over with Doom the sole victor…

In ‘…And Dust to Dust!’, having successfully stolen the Beyonder’s power, he exults in the joys of becoming omnipotent. However the troubled new god finds it hard to hang on to lust for conquest, or even personal ambition after achieving all-consuming divinity, and his benign acts and vapid indolence betray a certain lack of drive and ambition…

With heroes and villains nervously awaiting the new supreme one’s next move, events take a subtly disturbing turn as a strange energy wisp begins to possess a succession of heroes as it makes its way ever closer to the Doom Deity…

The other do-gooders remain deep in conference, debating their response to the self-proclaimed saviour of the universe. At the moment they finally decide to oppose him they are all vaporised by a bolt of energy…

Of course it doesn’t end there as the resurgent Beyonder battles through heroic and villainous proxies to reclaim his purloined power and put everything to rights – sort of – in the blockbusting finale ‘…Nothing to Fear!’

Although perhaps a little dated and rather straightforward – although peppered with plenty of convoluted and clever plot twists – this bombastic box of delights still reads exceedingly well (especially for younger readers) and this commemorative edition also includes a couple of added extras.

‘The Toys’ features many of the action figures, packaging and ads for all us kids to salivate over and the whole show concludes with scholarly overview ‘The Birth and Legacy of Marvel Super Heroes Secret Wars’ which rounds off the cosmic nostalgia-fest by discussing the secret origins of mega-crossovers from crucial prototype Marvel Super Hero Contest of Champions to a few of the more memorable descendants such as Civil War, Age of Ultron and Infinity…

Fast-paced, pretty-looking and impressively action-packed, Marvel Super Heroes Secret Wars was – and still is – sheer comicbook magic that no true aficionado of Fights ‘n’ Tights fiction can do without.

™ & © 1984, 1985, and 2014 Marvel & Subs. Licensed by Marvel Characters B.V. through Panini S.p.A. All rights reserved. A British Edition published by Panini Publishing, a division of Panini UK, Ltd.

All-New X-Men/Guardians of the Galaxy: The Trial of Jean Grey


By Brian Michael Bendis, Sara Pichelli, Stuart Immonen, David Marquez, Wade Von Grawbadger & various (Marvel/Panini UK)

When bestial mutant Henry McCoy learned he was dying, he used time-travel tech in a last-ditch attempt to give his life meaning. Seeking to prevent a species war, he brought the young, naive X-Men of his youth into the future to reason with his radicalised former comrade Scott Summers, praying the still idealistic and hopeful teens could reason with Mutant Enemy Terrorist No. 1 and divert him from his path of doctrinaire madness…

The gamble paid off in all the wrong ways. Rather than shocking Cyclops back to his senses, the confrontation hardened the renegade’s heart and strengthened his resolve. Moreover, even after the younger McCoy miraculously cured his older self, boy-Henry and the rest of the X-Kids were trapped in their own future and began gradually defecting to the radicalised team…

And Elsewhere in Infinity: a few years ago a plethora of cosmic crises forced the champions and remnants of many heroic races to band together and save the cosmos. Although said crises were largely averted, some of those Sentinels of the Spaceways eventually got the band back together, more determined than ever to make the universe a safe place (for specifics you should consult Guardians of the Galaxy: Cosmic Avengers and Angela).

Scripted by Brian Michael Bendis, this stellar crossover saga combined the two disparate gangs of outcasts: The Trial of Jean Grey collects All-New X-Men #22.NOW, 23-24 and Guardians of the Galaxy #11.NOW, 12-13 (from January to March 2014), taking the time-displaced teens to the ends of the universe and even further into uncharted temporal territory…

The crossover cataclysm commences in All-New X-Men #22.NOW (illustrated by Stuart Immonen & Wade Von Grawbadger) and opens in the wilds of Canada at the New Charles Xavier School– formerly the Weapon X facility where Wolverine and so many other mutants were ruthlessly experimented upon and “improved”.

Here the future-shocked Angel, Iceman, Beast, young Cyclops and Jean Grey are feeling the building tension of their new normal: facing the prospect of never returning to their own time; risking destroying all reality with every moment they aren’t back there and, worst of all, watching Jean go slowly crazy trying not to become the impossibly perfect superwoman everybody keeps talking about in such hushed tones…

As part of that resolution Jean had been tentatively exploring her romantic options, consequently sowing confusion amongst her hormonal teenaged confreres. This now results in a painfully fraught spat with ostensibly predestined husband (young) Scott Summers.

As tempers flare the facility is suddenly stormed by a squad of extraterrestrial commandos who, despite spirited resistance from the assorted X-Men and other mutants, capture Jean and blast off for parts unknown…

Mere seconds later another band of weirdoes turn up: The Guardians of the Galaxy are aghast and furious at arriving too late…

Guardians of the Galaxy #11.NOW (with art by Sara Pichelli) then flashbacks to fill in the details as Star-Lord Peter Jason Quill is ambushed in an alien bar by a Skrull bounty hunter.

The half-breed Terran is the unloved son of J’Son of Spartax – undisputed ruler of an interstellar empire – but no friend of Earth. The wayward scion and his allies in pacifying an unruly and unforgiving universe Drax, Rocket Racoon, Groot, Gamora (“Deadliest Woman in the Galaxy”) and newest extra-dimensional recruit Angela are all on the run from the militaristic Spartoi and their allies…

The self-appointed Guardians’ ongoing troubles stem from a compact of major cosmic powers and principalities. This coterie of rulers had formed a Council of Galactic Empires and unilaterally declared Earth “off limits”: quarantined from all extraterrestrial contact, but that high-minded declaration hadn’t stopped some of the signatories from breaking their own embargo or being mighty ticked off whenever Quill’s crew kicked them off Terra and back into space.

Cold and distant J-Son of course, had his own good – if undisclosed – reasons for wanting his son curbed and controlled…

However whilst the Skrull was stalking Star-Lord, the Council was meeting and Emperor Kallark of the Shi’ar (AKA alien superman Gladiator) was informing his colleagues that Jean Grey – former host to the overweening Phoenix Force – was back and he was going to try her for her crimes… even though the chronally displaced child hadn’t technically committed them yet…

When wily techie Rocket Racoon intercepts a message about an intended Shia’ar raid on Earth, the Guardians race to stop them, but…

All-New X-Men #23 (Immonen & Von Grawbadger) picks up the tale in space as the Guardians and X-Men hurtle after the commandos, shattering Shi’ar ships that get in their way, even as far ahead of them Imperial Guard (an in-joke version of DC’s Legion of Super Heroes) telepath Oracle begins to debrief Jean and chillingly share her future history with her.

The exotic psionic seems oddly sympathetic and considerate of the Terran teenager’s unhappy predicament…

Her pursuers meanwhile are encountering increasingly harsh resistance – until help arrives in the form of the bombastic, swashbuckling Starjammers…

GotG #12 (illustrated by Pichelli, Immonen & Von Grawbadger) sees young Cyclops receive the shock of his life as he finds that the freebooting rebels’ leader is his own long-dead dad Christopher Summers. He hates the Shi’ar with a passion and good reason and now goes by the name Corsair…

As father and son ecstatically embrace, on Planet Spartax Quill’s sire is taking steps to offset the disaster he knows will come if Kallark carries out his insane plan to kill the time-lost Jean Grey. He had originally intended to do nothing, but now that his own son has become involved…

As the combined rescue-force infiltrates the Empire’s most secure planet, Jean’s show-trial is beginning. Kallark – despite the continued objections of Oracle – confronts the frail-seeming Earthling with the planetary genocides perpetrated by her older self whilst possessed by the Phoenix and callously demands her plea for crimes she has not yet, if ever, committed…

All-New X-Men #23 (Immonen & Von Grawbadger) ramps up the tension as J-Son bursts in, declaring the defendant’s innocence and asking if the Shi’ar have not already done enough.

In the aftermath of the Phoenix’s rampage Gladiator had exterminated every one of Jean’s relatives – in case the cosmic entity had some affinity with the family’s genetics – but this latest action seems like nothing more than vindictive, cowardly paranoia…

The revelation is a huge mistake…

In the world outside, Starjammers, Guardians and X-Men are getting closer and closer, using guile and force of arms to cut their way through the massed military forces, but their efforts are wasted.

Jean, horrified by the fate of her family, has tapped unknown reserves and become something never experienced in her previous future history. As such, the Imperial Guard are utterly unable to contain her…

As Gladiator’s forces pursue they are countered by the late arriving Guardian- Starjammer-X force in the spectacular and climactic Guardians of the Galaxy #13 (illustrated by Pichelli & David Marquez). Jean’s evolution and Cyclops’ determination are key to ending the ill-advised intergalactic travesty of justice, but in the weary aftermath, as Quill’s people return the mutants to their homeworld, a tricky new romance has been kindled and one of the time-tossed teen nomads is noticeably missing…

To Be Continued…

Fast, furious, funny and fantastically thrilling, The Trial of Jean Grey combines cosmic intrigue and dashing derring-do with hilarious characterisation and passionate soap opera angst and comes with a stunning 17 covers-&-variants gallery by Immonen, Von Grawbadger, Pichelli, Dale Keown & Chris Samnee as well as AR icon sections (Marvel Augmented Reality App) for access to story bonuses once you download the free code from marvel.com onto your smart-phone or Android-enabled tablet.

What more could any entertainment-starved child of the wondering stars demand?

™ & © 2014 Marvel & Subs. Licensed by Marvel Characters B.V. through Panini S.p.A. All rights reserved. A British Edition published by Panini Publishing, a division of Panini UK, Ltd.

Uncanny X-Men: the Good, the Bad, the Inhuman


By Brian Michael Bendis, Chris Bachalo, Kris Anka, Marco Rudy, Tim Townsend & various (Marvel/Panini UK)
ISBN: 978-1-84653-609-0

When the teenaged “First Class” of Charles Xavier’s X-Men were brought into their own future and our Now (see All-New X-Men: Here Comes Yesterday) they initially stayed with the teachers and students of the Jean Grey School for Higher Learning.

However after the tragic events of X-Men: Battle of the Atom, Hank “the Beast” McCoy, Bobby “Iceman” Drake, Warren “the Angel” Worthington, Scott Summers, young Jean Grey, teenaged female Wolverine clone Laura “X-23” Kinney and the School’s Head Professor Kitty Pryde defected to the mutant terrorist band known as the Extermination Team.

During the cataclysmic events of Avengers versus X-Men the staunch and steadfast elder Cyclops – transformed and possessed by the overwhelming Phoenix Force – had killed his beloved father-figure Xavier.

In the aftermath Old Summers united with old comrade Magik and former foes Magneto and Emma Frost in a hard-line alliance devoted to preserving mutant lives at all costs: even, if necessary, by sacrificing human ones. This new attitude appalled many of their former associates and created a schism in the ranks of Xavier’s many protégés.

Discarding Scott, his surviving team-mates Beast and Iceman sided with second generation X-Men such as Wolverine, Psylocke and Storm: staying true to Xavier’s dream and opting to protect and train the coming X-generation of mutant kids through his traditional methods at the Jean Grey School.

The two opposing sides of the mutant question clashed constantly, as the modern world experienced constant challenge and attack from all quarters. Amid the rising chaos new mutants began appearing in increasing numbers, all with more impressive talents than ever before.

Through careful orchestration, brilliant media massaging and by avoiding visibly unprovoked acts of violence, Cyclops’ Extinction faction began winning the trust and respect of many oppressed sectors of humanity: the poor, the disenfranchised, the rebellious, the young…

Following a very public humiliation of the Government-sponsored human/mutant team Uncanny Avengers, the internecine mutant conflict heated up when Summers – utterly convinced of his species’ inevitable eradication at human hands – offered a place to any Grey’s School student wishing to join his own academy – the New Charles Xavier School: a covert college dedicated to training mutants to fight and survive rather than placidly wait for mankind to turn on them…

The bold ploy succeeded in luring away Angel and the psychically conjoined Stepford SistersCeleste, Mindee and Phoebe, before the situation was further muddied when both X-Men and Brotherhood of Mutants radicals from the future travelled back to address the issue of the time-displaced First Class.

As a result of that “Battle of the Atom” Cyclops found himself offering sanctuary to his youngest old friends, his callow earlier self and the girl who had given her life for him… twice…

With Uncanny X-Men volume 3, #14, 15.INH, 16-18 (January-May 2014) scripter Brian Michael Bendis and primary illustrators Chris Bachalo & Tim Townsend take a deft turn into a lighter tone, beginning with ‘Initiation’ (offering additional inking by Jamie Mendoza, Al Vey, Mark Irwin & Victor Olazaba) as the new kids bond with the extraordinary other students through the shared pain of Elder Cyclops’ draconian physical training regimen…

In a quieter moment Emma takes the unprepossessing Benjamin Deeds under her wing; fascinated by his seemingly feeble ability to make himself physically and psychically likable and trustworthy…

For a field test, she unleashes the nervous lad at a gambling palace in Atlantic City before setting a more risky task: waltzing into a high security S.H.I.E.L.D. facility to hand-deliver the mutant band’s ultimatum to America’s paramount paramilitary peacekeeping force…

Kris Anka then limns issue #15.INH – an offbeat tie-in to the then-ongoing Inhumanity Publishing Event. During the previous blockbuster Infinity, Thanos invaded Earth and battled the Inhumans’ ruler Black Bolt to a standstill.

As a last resort the embattled king released the Hidden People’s mutagenic Terrigen Mist into the outer world’s population where it would create millions more super-mortals, proving that human and Inhuman were not necessarily different races…

When Frost and Pryde accompany the academy’s girl contingent on a sybaritic shopping-fest in London, they encounter Latverian tourist Geldhoff just as his Terrigen-triggered transformation completes. However, whilst trying to convince him to return with them to the New Xavier School, they succumb to the panicky trans-human’s explosive new power, allowing obsessive A.I.M. geneticist Dr. Monica Rappaccini to swoop in and add Geldhoff to her rapidly expanding collection of potentially profitable specimens…

All along Magneto has been playing a double (or even treble?) game; regularly betraying the mutant outlaws to S.H.I.E.L.D. Director Maria Hill, whilst also telling Cyclops at least some of what he’s doing for her.

Now (with art by Bachalo & Co), after meeting with S.H.I.E.L.D. agent Dazzler, he is lured to the island of Madripoor to discover that Machiavellian shapeshifter Mystique has created her own mutant utopia in the former rogue state. He never returns to the New Xavier School…

Undaunted by the loss of a faculty member, the tough-love/education continues as the kids are dumped in the middle of a hostile nowhere and told to survive the monsters residing there. However one of the kids makes a huge mistake and even Nick Fury Jr. and the Avengers cannot save him from Cyclops’ harsh and very final judgement…

The drama concludes in psychedelic style (courtesy of Marco Rudy & colourist Val Staples) as Cyclops and his appalled team return to base and discover that Jean has been abducted by the alien Shi’ar. Also missing is Kitty Pryde and the rest of the time-tossed First Class…

This triggers a brutal flashback to the recent moment when Scott and Kitty lethally “negotiated” the terms under which she and her charges would join his group and his subsequent painful conversations with his teenaged-again One True Love and baffled and betrayed younger  self.

And now he has to face the fact that they are gone and he cannot save them…

To Be Continued…

With cover-&-variants by Bachalo & Townsend, Anka and Alexander Lozano, plus another photo-cover featuring TV sensations from Marvel’s Agents of S.H.I.E.L.D., as well as the usual digital extras accessible via the AR icon sections (Marvel Augmented Reality App) which give access to story bonuses once you download the free code from marvel.com onto your smart-phone or Android-enabled tablet, The Good, the Bad, the Inhuman is a smart, sassy and amazingly engaging read: a fun-filled, fury-fuelled saga which craftily combines incredible adventure with clever characterisation and a mere modicum of furious Fights ‘n’ Tights action that no comics fan could possibly resist.

™ & © 2013, 2014 Marvel & Subs. Licensed by Marvel Characters B.V. through Panini S.p.A. All rights reserved. A British Edition published by Panini Publishing, a division of Panini UK, Ltd.

Marvel Knights X-Men: Haunted


By Brahm Revel & Cristiane Peter (Marvel/Panini UK)
ISBN: 978-1-84653-586-4

The Marvel Knights imprint began as a way to produce slightly darker and more mature miniseries starring favourite characters in stories intended for older readers. More parallel to rather than actually outside regular continuity, the adventures of familiar stalwarts could be counted as canon or discarded as the readership pleased. Eventually these Knights tales were all absorbed into the mainstream and the imprint generally retired.

In 2013 the subset was revived with a few new limited series…

Marvel Knights X-Men: Haunted #1-5 originally ran from January-May 2014 and featured a particularly messy murder mystery and prime example of why baseline humanity should fear the mutants in their midst… and vice versa.

In case you forgot…

In 1975 Len Wein & Dave Cockrum revived a revered but painfully uncommercial fan favourite with Giant Size X-Men #1, replacing most of the 1960s team – Iceman, Angel, Marvel Girl, Beast, Lorna Dane and Havok – with a second generation of edgier international mutants young and old.

With both field-leader Cyclops and wheelchair-bound telepath Professor Charles Xavier remaining to carry on the dream of brokering peace and achieving integration between the sprawling masses of humanity and an emergent off-shoot race with terrifying extra abilities, the stage was set for “All New, All Different” adventures, and the fledgling squad rapidly became the company’s biggest hit and asset, as well as largest pool of captivating characters.

Comic fans have a seemingly insatiable appetite for untold tales and details, so this grim and gritty, chronologically non-specific yarn featuring Wolverine, Kitty Pryde, Rachel Grey,the Beast and Rogue will certainly appeal to older readers with a taste for nasty business…

Written and illustrated by Brahm Revel with colour art by Cristiane Peter, the tale begins when telepathic Rachel picks up the psychically broadcast murder of a young unknown mutant. The most potent sense she got was that the boy was being hunted…

A little technological research by Hank McCoy pinpoints a cluster of three new mutants in rural West Virginia so the team heads off to the Appalachian boondocks. Further poking around had also revealed an unholy number of missing kids in that desolate area…

With Wolverine already on edge over the prospect of somebody hunting mutant children, he and fellow covert specialists Kitty and Rogue arrive in a bleak, forbidding and primitive town and start poking around.

Rogue in particular feels the oppressive tone of a time and milieu she thought she had long left behind. Almost as soon as the suspicious strangers arrive, Wolverine arouses the ire of the local biker gang in their favourite watering hole, but while he does what he does best Kitty has found one of the mutants in the back…

Teenaged Krystal is a drug dealer for her uncle Jasper – the town sheriff – and can control minds, so she easily escapes the X-Men. She is also quite partial to the illicit and unique narcotic produced by cultish isolationists “The Cooks” in their secluded compound and soon after taking another dose is cornered by the patiently searching heroes.

Explaining the situation, the strangers take the oddly subdued Krystal – who lies about her true power – with them as they track down another mutant energy signature.

The trail leads to a cabin in the deep woods, a place the girl is clearly terrified of, and soon all four are experiencing impossible visions.

Wolverine has no time to ponder as he is ambushed by arch-nemesis Sabretooth and a brutal fight ensues. Rogue is then jumped by her former Brotherhood of Evil Mutants compatriots Mystique, Blob and Pyro and soon the shabby hut is filled with an army of old X-enemies and all-out war is underway…

Realising something strange is going on, Wolverine battles his way to a young girl at the centre of the savage melee and discovers that deeply troubled Darla is cursed with the ability to materialise other people’s memories…

As he tries to reach her, the vision of the mutant boy’s murder plays out again for all to see…

Back at the bar, Jasper delivers the latest batch of the new drug from The Cooks and suggests that the bikers get rid of the prying mutie strangers in town…

As the X-Men try to calm the deeply troubled dream-weaver, Krystal suddenly blurts out that Darla was the one who killed the missing boy, resulting in the cruel death materialising yet again and sending Wolverine into a murderous rage.

It’s all his team-mates can do to stop him gutting Darla on the spot…

In an effort to calm the situation the mutants all drive back to town, but when no adult is looking, Krystal slips Darla a bunch of pills from her stash and the memory-girl’s power goes into overdrive…

As Sentinels, evil mutants and demons from the X-Men’s past ravage the town, whilst the heroes turn on each other with homicidal intent, in the woods The Cooks, believing their particular apocalypse has arrived, head towards town to kill all the humans they can find…

Darla is off her head and out of control. However, as the town burns, with Rogue and Wolverine engrossed in trying to kill each other and a manifested army of old foes trying to kill everybody else, the truth slowly begins to emerge.

The Cooks’ special ingredient is bled out from captive mutants, boosting their product’s effect on humans and causing even nastier reactions in any Homo Superior who take it. Moreover, the doom-cultists believe that by taking the stuff they can become mutants themselves, leaving behind mortality and freeing them to slaughter the doomed genetic dead-ends of humanity…

As doped-up, despairing Darla discovers how to control her psychic constructs the chaos spirals to a bloody crescendo and Kitty, largely unaffected by the madness of malignant memories, realises that they have all been played for suckers.

Unfortunately even after the true cause of all the bloodshed comes clean, the carnage has reached a point beyond anybody’s control… and then comes inspiration…

Not all memories are bad and Kitty’s past is filled with valiant friends and heroes who would give their lives over and again to save the innocent and punish the guilty…

With covers and variants by Revel & Peter and Paolo Rivera, Haunted is simultaneously a smart, convoluted mystery and breathtaking primal action comics spectacle that will delight fans of high octane Fights ‘n’ Tights action.

™ & © 2014 Marvel & Subs. Licensed by Marvel Characters B.V. through Panini S.p.A. All rights reserved. A British Edition published by Panini Publishing, a division of Panini UK, Ltd.

X-Men volume 2: Muertas


By Brian Wood, Terry & Rachel Dodson, Clay Man, Barry Kitson, Kris Anka, Scott Hanna, Karl Kesel, Terry Pallot & various (Marvel/Panini UK)
ISBN: 978-1-84653-592-5

Since its revival in 1975 Marvel’s Mutant franchise has always strongly featured powerful and often controversial female characters, so when the fourth volume of the adjectiveless X-Men launched it was no real surprise to see that the leading line-up comprised exclusively women warriors.

This second collected chronicle, scripted by Brian Wood, re-presenting issues #7-12 (from November 2013 to March 2014) takes the conceit a stage further by introducing an all-girl gang of baddies to the mix…

The eponymous triptych ‘Muertas’ – lavishly illustrated by Terry & Rachel Dodson and Barry Kitson, Scott Hanna, Karl Kesel & Terry Pallot – commences the sinister suspense as Colombian cartel princess Ana Cortes assumes her recently deceased dad’s tenuous position at the head of the bloody table and, to consolidate her position, invites underworld tech-facilitator Reiko to implant nanites and memory downloads that will body-modify the ambitious teenager.

Her first mistake is allowing her body to become the physical host of carnage-crazed mutant-hating cyber-assassin Yuriko Oyama AKA Lady Deathstrike…

At the Jean Grey School for Higher Learning, vampire mutant Jubilation Lee is happily hearing how her official adoption of mystery baby Shogo is proceeding apace when multi-powered and recently resurrected wonder woman Monet St. Croix returns to the fold, looking for a place to rest and recuperate…

As the former Generation X team-mates verbally spar upstairs, down deep in the bowels of the school bestial scientist Hank McCoy is assessing the changes in former cop Karima Shapandar: a human friend previously infected with Omega Sentinel systems and transformed into the ultimate mutant eradicator. Apparently her lethal state was more or less cured during a horrifying battle against an ancient and malevolently sentient meteor-borne infection… Arkea.

When the Earth was still brand new and cooling, a pair of siblings manifested. They were immensely powerful and hated each other from the very start. They clashed and the male kicked his defeated sister loose into the cosmos while he stayed here…

Billions of years later, John Sublime – current body of the victorious sentient bacterial life form – fought the X-Men. In various forms he had continuously survived on Earth since life began but was no friend to the subspecies Homo Superior.

Then one momentous day he surrendered himself to his enemies at the Jean Grey School in the light of an urgently manifesting mutual threat…

Sublime abides by possessing biological organisms, and he came to warn the heroes that his sister – who performs the same trick with technology and electricity as well as meat – has returned to the planet, hungry for revenge on him and wanting to control everything else in existence…

Possessing humans and mutants alike, Arkea determined to supersede life on Earth, but her possession, upgrading and alteration of suitable organic-vehicles led to a cataclysmic confrontation (see X-Men: Primer) and she was declared destroyed – but for so many beings in the Marvel Universe, Death is neither fatal nor final…

Back in the now Lady Deathstrike makes her move, sending an army of cartel soldiers to steal the Omega Sentinel from the X-School, but has to change her plans on the fly when Monet and the now merely-mortal Karima drive off her army of gun-toting thugs.

Forced to regroup and reassess, Ana/Yuriko opts to recruit her own super-powered gang and begins by hiring manic multiple personality mutant assassin Typhoid Mary who goes on a daring reconnaissance mission which nets Deathstrike all the files on Arkea and even a living sample of the inimical electronic nemesis.

Ana foolishly considers the specimen as the ultimate body upgrade and even the formidable Sublime cannot convince her otherwise, but after a brief battle the sample proves to be dead. Sadly during the skirmish Yuriko learned that the Arkea hive consciousness may still be alive in other meteoric shards…

By the time Monet tracks him down, Deathstrike and Typhoid are in Norway seeking to extract a promising fallen star where they uncovered the prison of Amora the Enchantress; stripped of her Asgardian magic and locked in a force bubble by the Mighty Thor.

Seduced by the promise of her powers fully restored by the thing in the meteorite, Amora enlists in Ana’s army, a vengeful association she calls The Sisterhood…

With the world facing imminent destruction from a new Arkea assault, Storm, Psylocke, Rachel Grey (the alternate Earth daughter of Cyclops and Jean Grey dubbed Marvel Girl) and Jubilee call on Israeli mutant hero and Mossad agent Sabra who, along with mystery superman Gabriel Shepherd, track Deathstrike and new Arkea to Dubai.

Before the team can strike, however, Monet streaks in, displaying all her terrifying power, but is too late. Arkea has possessed technician Reiko and begun augmenting the others… not for their benefit, but her own…

Extending her control across the planet, Arkea activates an army of broken, abandoned Sentinels, sending them marching across the Pacific sea floor to attack America…

The crisis grows in the second trilogy ‘Ghosts’ (art by Kris Anka & Clay Man) as, fleeing Monet’s blockbusting attack, Arkea drags her increasingly scared acolytes across the world, intent on augmenting the ranks of the Sisterhood by resurrecting two of the most lethal women ever to have faced the X-Men.

As Jubilee leads a squad of older students from the School to Catalina Island to intercept the Sentinels, in New York Arkea/Reiko uses Amora’s restored Asgardian magic to reanimate the immortal life-leeching horror Selene and Ana realises the full gravity of what she has unleashed…

As a too-late act of redemption, the repentant Cortes summons the X-Men to the Sisterhood’s location, but by the time the resurgent heroes arrive Arkea has excised Ana and similarly revived the hellish Red Queen Madelyne Pryor…

Sadly for the cocksure bacterial conqueror, her ungrateful revenants are more than happy to trade a threat to human existence in exchange for their own immediate survival, but as the X-Men spectacularly end the threat of Arkea again, more than one triumphantly weary woman warrior is forced to wonder if they the traded a greater evil for exigent salvation…

Fast-paced, action-packed and stuffed with engaging soap opera riffs, this bombastic extremely enjoyable collection is merely a prelude to greater Fights ‘n’ Tights traumas to come but is at least amply augmented by a lovely cover-and-variants gallery by the Dodsons, John Cassaday, David Marquez & Gerard.
™ & © 2013 Marvel & Subs. Licensed by Marvel Characters B.V. through Panini S.p.A. All rights reserved. A British Edition published by Panini Publishing, a division of Panini UK, Ltd.